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THE STRANGE ABSENCE OF HORT- IN LUCRETIUS 卢克莱修笔下奇怪的 "缺角 "现象
The Classical Quarterly Pub Date : 2024-01-09 DOI: 10.1017/s0009838823001015
Michael Pope
{"title":"THE STRANGE ABSENCE OF HORT- IN LUCRETIUS","authors":"Michael Pope","doi":"10.1017/s0009838823001015","DOIUrl":"https://doi.org/10.1017/s0009838823001015","url":null,"abstract":"\u0000 This note points out and ventures to explain the remarkable absence of both hortus, ‘garden’, and all forms of hortari, ‘urge’, in a poem that seeks to encourage the audience toward the Garden.","PeriodicalId":22560,"journal":{"name":"The Classical Quarterly","volume":null,"pages":null},"PeriodicalIF":0.0,"publicationDate":"2024-01-09","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"139442074","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
THE GODS’ DELAY: OVID, HEROIDES 7.21 众神的拖延：奥维德，《英雄篇》7.21
The Classical Quarterly Pub Date : 2024-01-09 DOI: 10.1017/s0009838823001003
Edoardo Galfré
{"title":"THE GODS’ DELAY: OVID, HEROIDES 7.21","authors":"Edoardo Galfré","doi":"10.1017/s0009838823001003","DOIUrl":"https://doi.org/10.1017/s0009838823001003","url":null,"abstract":"\u0000 This note makes a new argument for van Lennep's conjecture di at Ovid, Heroides 7.21 against the manuscript reading te.","PeriodicalId":22560,"journal":{"name":"The Classical Quarterly","volume":null,"pages":null},"PeriodicalIF":0.0,"publicationDate":"2024-01-09","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"139443624","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
A NEW ACROSTIC AND TELESTIC AT LAVS PISONIS 227–30? LAVS PISONIS 227-30 的新咏叹调和 telestic？
The Classical Quarterly Pub Date : 2024-01-09 DOI: 10.1017/s0009838823000964
Gary P. Vos
{"title":"A NEW ACROSTIC AND TELESTIC AT LAVS PISONIS 227–30?","authors":"Gary P. Vos","doi":"10.1017/s0009838823000964","DOIUrl":"https://doi.org/10.1017/s0009838823000964","url":null,"abstract":"\u0000 This article proposes a new acrostic (SAPI) and telestic (SOIS) at Laus Pisonis 227–30. Their position opposite one another is an indication that they are to be read as a single sentence and an admonition to both dedicatee and reader that poet and patron need each other to gain eternal fame. The telestic allows us to reconstruct the poet's usus scribendi of the reflexive possessive pronoun suus.","PeriodicalId":22560,"journal":{"name":"The Classical Quarterly","volume":null,"pages":null},"PeriodicalIF":0.0,"publicationDate":"2024-01-09","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"139443894","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
VATICANVS GRAECVS 156, CASSIUS DIO AND THE LVDI SAECVLARES OF a.d. 204 VATICANVS GRAECVS 156、CASSIUS DIO 和公元 204 年的 LVDI SAECVLARES
The Classical Quarterly Pub Date : 2024-01-09 DOI: 10.1017/s0009838823000988
C.T. Mallan
{"title":"VATICANVS GRAECVS 156, CASSIUS DIO AND THE LVDI SAECVLARES OF a.d. 204","authors":"C.T. Mallan","doi":"10.1017/s0009838823000988","DOIUrl":"https://doi.org/10.1017/s0009838823000988","url":null,"abstract":"\u0000 A scholium in codex Vaticanus graecus 156 provides evidence that Cassius Dio's Roman History once contained an explicit reference to the ludi saeculares of a.d. 204, something that has been denied in recent scholarship.","PeriodicalId":22560,"journal":{"name":"The Classical Quarterly","volume":null,"pages":null},"PeriodicalIF":0.0,"publicationDate":"2024-01-09","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"139443897","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
NON TAMEN INSECTOR: YOUR MUSE NO MORE (PROPERTIUS 4.7.49–50) non tamen insector：你的缪斯不再（Prettytius 4.7.49-50）。
The Classical Quarterly Pub Date : 2024-01-09 DOI: 10.1017/s0009838823000952
Joshua M. Paul
{"title":"NON TAMEN INSECTOR: YOUR MUSE NO MORE (PROPERTIUS 4.7.49–50)","authors":"Joshua M. Paul","doi":"10.1017/s0009838823000952","DOIUrl":"https://doi.org/10.1017/s0009838823000952","url":null,"abstract":"\u0000 This note on Propertius 4.7 argues that Cynthia, repeatedly cast in the role of the poet's Muse, rejects the burden of inspiration through a learned choice of words (non tamen insector, 4.7.49). The verb insector constitutes a clear reference to the invocation of the Camena in Livius Andronicus and of the Muse in Ennius. Cynthia recalibrates the parlance of poetic inspiration to end her relationship with Propertius, both as his puella and as his Muse.","PeriodicalId":22560,"journal":{"name":"The Classical Quarterly","volume":null,"pages":null},"PeriodicalIF":0.0,"publicationDate":"2024-01-09","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"139443771","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
THE ADLOCVTIO AT THE ACCESSION OF THE ROMAN EMPEROR 罗马皇帝登基时的 "adlocvtio
The Classical Quarterly Pub Date : 2023-12-15 DOI: 10.1017/s0009838823000514
Kevin Feeney
{"title":"THE ADLOCVTIO AT THE ACCESSION OF THE ROMAN EMPEROR","authors":"Kevin Feeney","doi":"10.1017/s0009838823000514","DOIUrl":"https://doi.org/10.1017/s0009838823000514","url":null,"abstract":"\u0000 One of the most distinctive rituals of Roman imperial accession was the adlocutio, the speech delivered by the new emperor to a military assembly, which can be documented from the first to the fifth centuries a.d. This article seeks to explain the extraordinary endurance of this neglected genre of speech by examining its origins, setting and content. After outlining the unusual nature of the accession adlocutio when set against both earlier and contemporary Mediterranean practice, the first half of this article traces its origins to the military culture of the late Roman Republic. In particular, the adlocutio is related to two other rituals which rose to new prominence in the era of the Civil Wars: the acclamation of the victorious general as imperator and the granting of military gifts. In the second part of this article, the setting for the typical adlocutio of the Imperial era is discussed using the often-problematic evidence of our ancient historical sources. The content of the speech itself is then reconstructed primarily through a close reading of our one surviving example, the brief address of Leo I preserved by Peter the Patrician. Finally, the evidence for the origins and content of the speech are brought together in an argument for the speech's survival as a useful tool for emperors seeking to establish a permanent bond with the soldiers they commanded.","PeriodicalId":22560,"journal":{"name":"The Classical Quarterly","volume":null,"pages":null},"PeriodicalIF":0.0,"publicationDate":"2023-12-15","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"138996357","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
ARISTOPHANES VS PHRYNICHUS IN FROGS 阿里斯托芬和弗里尼库斯在青蛙中的对比
The Classical Quarterly Pub Date : 2023-08-23 DOI: 10.1017/s0009838823000356
Amy S. Lewis
{"title":"ARISTOPHANES VS PHRYNICHUS IN FROGS","authors":"Amy S. Lewis","doi":"10.1017/s0009838823000356","DOIUrl":"https://doi.org/10.1017/s0009838823000356","url":null,"abstract":"\u0000 Aristophanes’ Frogs was first performed at the Lenaea festival of 405 in competition with Plato's Cleophon and Phrynichus’ Muses. This paper argues that Frogs contains a series of agonistic jokes against Phrynichus, most of which have gone unnoticed because he shares his name with a tragic poet and a politician; Aristophanes plays with the ambiguity of the name Phrynichus to mock his Lenaean rival by comparing him unfavourably with his namesakes. Aristophanes ultimately claims that his comedy is superior to that of Phrynichus because he is more successful than his rival in appropriating and redeploying other comedians’ material.","PeriodicalId":22560,"journal":{"name":"The Classical Quarterly","volume":null,"pages":null},"PeriodicalIF":0.0,"publicationDate":"2023-08-23","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"77849377","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
MASSIS AMERINA NON PERVSTIS (STAT. SILV. 1.6.18): ANOTHER ITALIAN PASTRY? 大规模的美国非传染性疾病(stat. silv .)(1.6.18):再来一份意大利糕点?
The Classical Quarterly Pub Date : 2023-08-07 DOI: 10.1017/s0009838823000307
Darcy A. Krasne
{"title":"MASSIS AMERINA NON PERVSTIS (STAT. SILV. 1.6.18): ANOTHER ITALIAN PASTRY?","authors":"Darcy A. Krasne","doi":"10.1017/s0009838823000307","DOIUrl":"https://doi.org/10.1017/s0009838823000307","url":null,"abstract":"\u0000 This article proposes that untethering amerina at Stat. Silv. 1.6.18 from Pliny's mention of varieties of apples and pears called Amerina allows us to read the line as instead referring to a type of pastry originating in Umbrian Ameria, which is within ancient naming practices for pastries and fits better into the context of the catalogue in which the line occurs. In this case, the second half of the catalogue is closely akin to the crustulum et mulsum donative of wealthy Italian patrons in the early empire.","PeriodicalId":22560,"journal":{"name":"The Classical Quarterly","volume":null,"pages":null},"PeriodicalIF":0.0,"publicationDate":"2023-08-07","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"83219295","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
THE SOPHIST'S PUZZLING EPISTÊMÊ IN THE SOPHIST 诡辩家的困惑epistÊmÊ在诡辩家
The Classical Quarterly Pub Date : 2023-08-04 DOI: 10.1017/s0009838823000320
D. J. Murphy
{"title":"THE SOPHIST'S PUZZLING EPISTÊMÊ IN THE SOPHIST","authors":"D. J. Murphy","doi":"10.1017/s0009838823000320","DOIUrl":"https://doi.org/10.1017/s0009838823000320","url":null,"abstract":"\u0000 Against prevailing interpretations, this article contends that Plato's Sophist and Statesman accord the sophist a kind of ‘knowing-how’ (epistêmê). In Soph. 233c10‒d2, the Visitor and Theaetetus agree that the sophist has not truth but a δοξαστικὴ ἐπιστήμη. This phrase cannot mean ‘a seeming knowledge’, for –ικός adjectives formed from verbs express the ability to perform the action denoted by the verb—here, δοξάζω. Although not a first-order, subject-area knowledge, sophistry is a second-order knowledge of how to form and use judgements (doxai). Other acknowledgements of the sophist's epistêmê and the ascription to him of τέχνη, ‘craft/expertise’, confirm that the Visitor's conclusion is not to be dismissed as irony. To critics who argue from the Gorgias and from other works that Plato must consider the Visitor's conclusion an error, the author replies: 1) other dialogues do not control the Visitor dialogues; 2) the Visitor does not validly demonstrate that the sophist lacks all knowledge; 3) by admitting sensibles into Being, the Visitor and Theaetetus allow the objects of epistêmê to include things in the embodied world, even likenesses. Non-philosophers’ epistêmê in the Visitor dialogues is not implicated in the difficulties that critics have raised about epistemology in the so-called Two Worlds dialogues. On this new ontology, even the sophist, if guided by philosophical rulers, can benefit citizens by employing his elenctic expertise as Socrates did, aiding their growth toward virtue.","PeriodicalId":22560,"journal":{"name":"The Classical Quarterly","volume":null,"pages":null},"PeriodicalIF":0.0,"publicationDate":"2023-08-04","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"88278738","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
THE VOICE BEHIND THE MASK: PROBLEMATIZING THE THEATRE METAPHOR FOR ECSTATIC PROPHECY IN PLUTARCH'S DE PYTHIAE ORACVLIS 面具背后的声音:普鲁塔克《神谕论》中狂喜预言的戏剧隐喻的问题分析
The Classical Quarterly Pub Date : 2023-08-03 DOI: 10.1017/s0009838823000253
Matthew J. Klem
{"title":"THE VOICE BEHIND THE MASK: PROBLEMATIZING THE THEATRE METAPHOR FOR ECSTATIC PROPHECY IN PLUTARCH'S DE PYTHIAE ORACVLIS","authors":"Matthew J. Klem","doi":"10.1017/s0009838823000253","DOIUrl":"https://doi.org/10.1017/s0009838823000253","url":null,"abstract":"\u0000 Different translations of Plutarch's De Pythiae oraculis 404B reflect an interpretative difficulty not yet adequately thematized by exegetes. Plutarch's dialogues on the Delphic oracle describe two perspectives on mantic inspiration: possession prophecy, where the god takes over the prophetess as a passive apparatus, and stimulation prophecy, where the god incites the prophecy, but the prophetess delivers the oracle through her own faculties. Plutarch understands the Pythia at Delphi to exhibit stimulation prophecy, not possession. One of his metaphors for inspiration comes from the theatre: the god ‘puts the oracle into the Pythia's mouth, like an actor speaking through the mask’ (De Pyth. or. 404B [Russell]). Some translators take the metaphor as describing possession prophecy (Goodwin), while others take it as stimulation prophecy (Babbitt)—in other words, it may describe the view Plutarch affirms or the view he rejects. This article assesses the two alternatives, concluding that the theatre metaphor describes possession prophecy.","PeriodicalId":22560,"journal":{"name":"The Classical Quarterly","volume":null,"pages":null},"PeriodicalIF":0.0,"publicationDate":"2023-08-03","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"78335670","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
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