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IT'S NOT ABOUT YOU: DO WE STILL NEED AN ‘ARTISTIC VOICE’? 与你无关：我们还需要 "艺术之声 "吗？

IF 0.7 4区艺术学

Tempo Pub Date : 2024-04-01 DOI: 10.1017/s0040298223000980

Matthew Shlomowitz

引用次数: 0

REFLECTIONS ON CYBORG COLLABORATIONS: CROSS-DISCIPLINARY COLLABORATIVE PRACTICE IN TECHNOLOGICALLY-FOCUSED CONTEMPORARY MUSIC 对机器人合作的思考：以技术为重点的当代音乐中的跨学科合作实践

IF 0.7 4区艺术学

Tempo Pub Date : 2024-04-01 DOI: 10.1017/s0040298223000967

Zubin Kanga, Mark Dyer, Caitlin Rowley, Jonathan Packham

引用次数: 0

HELMUT LACHENMANN'S SALUT FÜR CAUDWELL (1977) TODAY: BETWEEN STRUCTURE AND ASSEMBLAGE, BETWEEN INTERPRETATION AND EXPERIMENTATION Helmut lachenmann 的《Salut für Caudwell》（1977 年）的今天：结构与组合之间，诠释与实验之间

IF 0.7 4区艺术学

Tempo Pub Date : 2024-04-01 DOI: 10.1017/s0040298223000943

Diego Castro Magas

引用次数: 0

NOTATION AND IMPROVISATION: NOTATIONAL PRAXIS IN THE WORK OF THE ICP, SARAH BRAND AND MOSS FREED 记谱与即兴：ICP、Sarah Brand 和 Moss freed 作品中的记谱实践

IF 0.7 4区艺术学

Tempo Pub Date : 2024-04-01 DOI: 10.1017/s0040298223000931

Alistair Zaldua

引用次数: 0

LISTENING INTERTEXTUALLY IN BEAT FURRER'S MUSIC THEATRE WORKS 贝特-弗勒音乐戏剧作品中的互文倾听

IF 0.7 4区艺术学

Tempo Pub Date : 2024-01-02 DOI: 10.1017/s0040298223000694

Lauren Redhead

{"title":"LISTENING INTERTEXTUALLY IN BEAT FURRER'S MUSIC THEATRE WORKS","authors":"Lauren Redhead","doi":"10.1017/s0040298223000694","DOIUrl":"https://doi.org/10.1017/s0040298223000694","url":null,"abstract":"This article focuses on three of Beat Furrer's works described as opera or music theatre: Begehren (2001), FAMA (2005) and Wüstenbuch (2010). Each of these pieces sets texts from Roman, contemporary and historical authors in exploration of the liminal spaces between life and death, and the possible transitions between them. In Wüstenbuch one such text is included from the Papyrus Berlin 3024, known as the source of the Ancient Egyptian philosophical text ‘The Dispute between a Man and his Ba’, a reflection on the meaning and value of life and the transition between life and death. Furrer's compositional style does not offer a linear narrative on such questions but rather multiple perspectives and tableaux, each of which calls the others and itself into question. In order to explore this and understand what the meeting and interchange of the different texts and authors offers within the context of Furrer's music, I outline a method of ‘listening intertextually’ in order to hear the liminal spaces not only within but between these compositions. I consider the hybrid and hypertexts that arise within the music, and the ways that they can be therefore considered – as in the subtitle often given to FAMA – a ‘drama of listening’.","PeriodicalId":22355,"journal":{"name":"Tempo","volume":null,"pages":null},"PeriodicalIF":0.7,"publicationDate":"2024-01-02","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"139079893","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

引用次数: 0

TIME, MYTH AND NARRATIVE IN BEAT FURRER'S NUUN 贝特-弗勒《努恩》中的时间、神话与叙事

IF 0.7 4区艺术学

Tempo Pub Date : 2024-01-02 DOI: 10.1017/s0040298223000669

Gabriel Jones

引用次数: 0

IDENTITY THROUGH DIFFERENCE IN BEAT FURRER'S LOTÓFAGOS 贝特-福雷尔的《洛托法格斯》中通过差异实现身份认同

IF 0.7 4区艺术学

Tempo Pub Date : 2024-01-02 DOI: 10.1017/s0040298223000657

Ed Cooper

{"title":"IDENTITY THROUGH DIFFERENCE IN BEAT FURRER'S LOTÓFAGOS","authors":"Ed Cooper","doi":"10.1017/s0040298223000657","DOIUrl":"https://doi.org/10.1017/s0040298223000657","url":null,"abstract":"In Homer's The Odyssey, Odysseus and his men are on their way home to Ithaca when they land on a remote island inhabited by lotus-eaters. The locals share their indolent-making lotus plants with the Greeks, such that the troops’ homeward journey is disrupted and they find themselves in a state of limbo. Identities, both individual and communal, become entangled and blurred. Beat Furrer takes these sorts of uncertainties of self as inspiration in his Lotófagos (2007) – that is, Lotus-eaters – scored for soprano and double bass, which sets José Ángel Valente's poem of the same name. Drawing on Gilles Deleuze's conception of bodies, this article argues that the identity of an elusive but persistent collective subject in Valente's text can be found within the difference between the two performers’ bodies in Furrer's setting. The pair's movements weave in and out of each other, moving through spectres of each other's material, fleetingly suggesting cohesion through tension before jettisoning this for what contextually appears as relief. As such, the series of surreptitious vignettes presents a ‘conatus’ of the piece defined by tension, emulation and transience; Furrer's Lotófagos creates space for Valente's mysterious subject to be presented as the immanence of forces between two performing bodies.","PeriodicalId":22355,"journal":{"name":"Tempo","volume":null,"pages":null},"PeriodicalIF":0.7,"publicationDate":"2024-01-02","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"139079447","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

引用次数: 0

CONCEPTUAL MUSIC: NEW MEDIA AND FRONTIERS IN MARYANNE AMACHER’S CITY-LINKS SERIES 概念音乐：玛丽安-阿马赫的《城市链接》系列中的新媒体和新领域

IF 0.7 4区艺术学

Tempo Pub Date : 2024-01-02 DOI: 10.1017/s0040298223000670

Liam T. Dougherty

{"title":"CONCEPTUAL MUSIC: NEW MEDIA AND FRONTIERS IN MARYANNE AMACHER’S CITY-LINKS SERIES","authors":"Liam T. Dougherty","doi":"10.1017/s0040298223000670","DOIUrl":"https://doi.org/10.1017/s0040298223000670","url":null,"abstract":"Between 1967 and 1988 Maryanne Amacher's City-Links series comprised radio broadcasts, sound installations and interdisciplinary performances featuring her practice of mixing sonic material from multiple remote locations joined via telecommunications infrastructure. These works reflect Amacher's compositional elevation of the process of sonic perception alongside musical material, an approach that would evolve to inform her later work in which she dealt with the musical potential of psychoacoustic phenomena known as auditory distortion products. This article aims to provide an overview of the City-Links series as a unique product of the experimentation in post-war avant-garde music and visual and conceptual art. After a synopsis of Amacher's early compositional development, I offer a comparison between Amacher's City-Links and John Cage's radio works, exploring different contemporary approaches to transmission and broadcast as a compositional medium. I then situate the site-specificity of the City-Links works within the extramusical frame offered by Amacher's contemporary Robert Smithson's site/non-site dialectic. The article finally suggests the necessity for a more holistic examination of Amacher's legacy that accounts for both the musicological and art-historical implications of her work.","PeriodicalId":22355,"journal":{"name":"Tempo","volume":null,"pages":null},"PeriodicalIF":0.7,"publicationDate":"2024-01-02","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"139079397","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

引用次数: 0

SNOW, REPETITION AND OBLIVION: ECOLOGICAL DIMENSIONS IN BEAT FURRER'S RECENT WORK 雪、重复与遗忘：BEAT FURRER 近作中的生态维度

IF 0.7 4区艺术学

Tempo Pub Date : 2024-01-02 DOI: 10.1017/s0040298223000645

Christine Dysers

{"title":"SNOW, REPETITION AND OBLIVION: ECOLOGICAL DIMENSIONS IN BEAT FURRER'S RECENT WORK","authors":"Christine Dysers","doi":"10.1017/s0040298223000645","DOIUrl":"https://doi.org/10.1017/s0040298223000645","url":null,"abstract":"The natural world is a frequent touchstone for the Swiss-born Austrian composer Beat Furrer. In the operatic work Violetter Schnee (2019), for instance, images of snow and coldness take on a central role. Other works, such as Wüstenbuch (2009) and the Spazio Immergente triptych (2015), refer more indirectly to notions of barren landscapes and ecological excess. At the basis of all these works are sentiments of slippage and loss, of far-reaching melancholia and an unrepairable detachment from reality. The composer's multi-layered use of repetition further underlines these sentiments and aids in the creation of constantly shifting sonic landscapes. This article argues that the recurrent use of nature imagery in Furrer's work signposts a latent ecological dimension in his oeuvre. In doing so, the article focuses on the slipperiness of musical repetition, and more particularly on the heavily destabilising power of the loop. Taking Violetter Schnee as the starting point for inquiry, and using Timothy Morton's philosophical project of ‘dark ecology’ as a heuristic framework, the article reads Furrer's recent work against the background of ecological critique.","PeriodicalId":22355,"journal":{"name":"Tempo","volume":null,"pages":null},"PeriodicalIF":0.7,"publicationDate":"2024-01-02","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"139079888","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

引用次数: 0

NEW LIMINALITIES: BEAT FURRER AT 70 新的界限：70 岁的贝特-富勒

IF 0.7 4区艺术学

Tempo Pub Date : 2024-01-02 DOI: 10.1017/s0040298223000682

Ed Cooper

引用次数: 0