{"title":"Helmut lachenmann 的《Salut für Caudwell》（1977 年）的今天：结构与组合之间，诠释与实验之间","authors":"Diego Castro Magas","doi":"10.1017/s0040298223000943","DOIUrl":null,"url":null,"abstract":"<p>The recent new edition of Helmut Lachenmann's <span>Salut für Caudwell</span> (1977) published in Breitkopf & Härtel (2020) by guitarist-researcher Seth Josel has renewed public attention on this seminal work from contemporary guitar literature. As a performer myself, I first performed the piece in 2008 (its Chilean premiere) and have recently premiered the new edition. Performing this piece in a concert situation is always a big event for both performers and listeners; the score seems to age well and its multivalence urges a rethink about how to approach it today. The purpose of this article is threefold: to consider the contribution of the new edition, to examine the relation of notation and performance through the analysis of selected recordings and to interrogate the possible futures for <span>Salut</span>, given recent developments in research into contemporary performing practice.</p>","PeriodicalId":22355,"journal":{"name":"Tempo","volume":"68 1","pages":""},"PeriodicalIF":0.5000,"publicationDate":"2024-04-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":"{\"title\":\"HELMUT LACHENMANN'S SALUT FÜR CAUDWELL (1977) TODAY: BETWEEN STRUCTURE AND ASSEMBLAGE, BETWEEN INTERPRETATION AND EXPERIMENTATION\",\"authors\":\"Diego Castro Magas\",\"doi\":\"10.1017/s0040298223000943\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"<p>The recent new edition of Helmut Lachenmann's <span>Salut für Caudwell</span> (1977) published in Breitkopf & Härtel (2020) by guitarist-researcher Seth Josel has renewed public attention on this seminal work from contemporary guitar literature. As a performer myself, I first performed the piece in 2008 (its Chilean premiere) and have recently premiered the new edition. Performing this piece in a concert situation is always a big event for both performers and listeners; the score seems to age well and its multivalence urges a rethink about how to approach it today. The purpose of this article is threefold: to consider the contribution of the new edition, to examine the relation of notation and performance through the analysis of selected recordings and to interrogate the possible futures for <span>Salut</span>, given recent developments in research into contemporary performing practice.</p>\",\"PeriodicalId\":22355,\"journal\":{\"name\":\"Tempo\",\"volume\":\"68 1\",\"pages\":\"\"},\"PeriodicalIF\":0.5000,\"publicationDate\":\"2024-04-01\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"0\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"Tempo\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.1017/s0040298223000943\",\"RegionNum\":4,\"RegionCategory\":\"艺术学\",\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"0\",\"JCRName\":\"MUSIC\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"Tempo","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.1017/s0040298223000943","RegionNum":4,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"0","JCRName":"MUSIC","Score":null,"Total":0}
引用次数: 0
摘要
最近，吉他演奏家兼研究员塞斯-约塞尔（Seth Josel）在《Breitkopf & Härtel》（2020年）上发表了赫尔穆特-拉琴曼（Helmut Lachenmann）的《Salut für Caudwell》（1977年）的新版本，再次引起了公众对这部当代吉他文学开创性作品的关注。作为一名演奏家，我于 2008 年首次演奏了这首作品（智利首演），最近又首演了新版本。在音乐会上演奏这首作品，对演奏者和听众来说都是一件大事；这首乐曲似乎历久弥新，其多重价值促使人们重新思考今天如何处理它。本文的目的有三：考虑新版本的贡献；通过对部分录音的分析，研究记谱与演奏的关系；根据当代演奏实践研究的最新进展，探讨《萨鲁特》可能的未来。
HELMUT LACHENMANN'S SALUT FÜR CAUDWELL (1977) TODAY: BETWEEN STRUCTURE AND ASSEMBLAGE, BETWEEN INTERPRETATION AND EXPERIMENTATION
The recent new edition of Helmut Lachenmann's Salut für Caudwell (1977) published in Breitkopf & Härtel (2020) by guitarist-researcher Seth Josel has renewed public attention on this seminal work from contemporary guitar literature. As a performer myself, I first performed the piece in 2008 (its Chilean premiere) and have recently premiered the new edition. Performing this piece in a concert situation is always a big event for both performers and listeners; the score seems to age well and its multivalence urges a rethink about how to approach it today. The purpose of this article is threefold: to consider the contribution of the new edition, to examine the relation of notation and performance through the analysis of selected recordings and to interrogate the possible futures for Salut, given recent developments in research into contemporary performing practice.
期刊介绍：
Tempo is the premier English-language journal devoted to twentieth-century and contemporary concert music. Literate and scholarly articles, often illustrated with music examples, explore many aspects of the work of composers throughout the world. Written in an accessible style, approaches range from the narrative to the strictly analytical. Tempo frequently ventures outside the acknowledged canon to reflect the diversity of the modern music scene. Issues feature interviews with leading composers, a tabulated news section, and lively and wide-ranging reviews of recent recordings, books and first performances around the world. Selected issues also contain specially-commissioned music supplements.
求助内容：
应助结果提醒方式：
京公网安备 11010802042870号
