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引用次数: 0
摘要
边缘 "一词来自拉丁语 limen,既指门槛,奇怪的是也指家。自人类学家阿诺德-凡-根尼普(Arnold van Gennep)于 1909 年首次使用该词来标示转变过程中的中心阶段以来,该词已被广泛应用于各种场合:从地方和全球背景下的社会学著作,到阴森空洞的互联网美学、对现代精神的某种松散理解,以及大量的艺术画廊标签。
‘Liminal’, from the Latin limen, denotes both thresholds and, curiously, the home. Since its original use by the anthropologist Arnold van Gennep in 1909 to label the central stage in a transformational rite of passage, the term has been used in very many contexts: from writings concerning sociology within both local and global contexts to an internet aesthetic of eerie empty spaces, a sort of loose understanding of modern spiritualities and plenty of art gallery labels.
期刊介绍:
Tempo is the premier English-language journal devoted to twentieth-century and contemporary concert music. Literate and scholarly articles, often illustrated with music examples, explore many aspects of the work of composers throughout the world. Written in an accessible style, approaches range from the narrative to the strictly analytical. Tempo frequently ventures outside the acknowledged canon to reflect the diversity of the modern music scene. Issues feature interviews with leading composers, a tabulated news section, and lively and wide-ranging reviews of recent recordings, books and first performances around the world. Selected issues also contain specially-commissioned music supplements.