The American Indian Quarterly最新文献_第2页

Black Indians and Freedmen: The African Methodist Episcopal Church and Indigenous Americans, 1816–1916 by Christina Dickerson-Cousin (review) 《黑人印第安人和自由人:非洲卫理公会圣公会教会和美洲原住民，1816-1916》，克里斯蒂娜·迪克森-库桑著(评论)

The American Indian Quarterly Pub Date : 2022-06-01 DOI: 10.1353/aiq.2022.0017

Nakia D. Parker

引用次数: 0

"Verbs that will story our bodies into something more than missing": Poetry, Presencing, and #MMIWG2S “将我们的身体描述成某种不仅仅是缺失的东西的动词”:诗歌、在场和#MMIWG2S

The American Indian Quarterly Pub Date : 2022-06-01 DOI: 10.1353/aiq.2022.0011

M. Carden

{"title":"\"Verbs that will story our bodies into something more than missing\": Poetry, Presencing, and #MMIWG2S","authors":"M. Carden","doi":"10.1353/aiq.2022.0011","DOIUrl":"https://doi.org/10.1353/aiq.2022.0011","url":null,"abstract":"Abstract:Drawing on the work of Gerald Vizenor and Leanne Simpson, this article examines poetry that addresses the contemporary crisis of missing and murdered Indigenous women, girls, and two-spirit people. I argue that #MMIWG2S poetry serves as a mode of \"survivance\"—a term Vizenor coined to indicate Native strategies of cultural expression that \"create an active presence\" in the face of colonial denial and erasure—and as a means of \"presencing\"—a term Simpson uses to indicate methods of \"center[ing] and living Indigeneity\" through \"strategic, thoughtful processes\" that produce an Indigenous \"present … that is fundamentally different than the one settler colonialism creates.\" Making Indigenous women visible on their own terms, #MMIWG2S poetry works to extract them from the dehumanizing narratives of settler states. Because #MMIWG2S is in large part an online movement, this article considers uses of social media to disseminate poetry that claims and mourns the missing and murdered, attributes responsibility for their loss to the systemic racism underpinning occupying states, and proposes transformational modes of healing and resistance based in Indigenous knowledge and cultural practice. Analyzing poems by established writers including Marilyn Dumont, Karenne Wood, and Gregory Scofield as well as work by emerging artists such as Tanaya Winder, Helen Knott, and Sākihitowin Awāsis, I find that #MMIWG2S poetry interrogates colonial and contemporary treatment of Native women as violable and disposable in ways that support and supplement parallel grassroots efforts while also offering possibilities for creating empowered Indigenous presents and resurgent futures.","PeriodicalId":22216,"journal":{"name":"The American Indian Quarterly","volume":"146 1","pages":"155 - 188"},"PeriodicalIF":0.0,"publicationDate":"2022-06-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"77726107","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

引用次数: 0

The Return of the Numu Pukutsi: Reclaiming a Comanche Warrior Tradition 努穆·普库奇人的回归:恢复科曼奇勇士的传统

The American Indian Quarterly Pub Date : 2022-06-01 DOI: 10.1353/aiq.2022.0012

William C. Meadows

引用次数: 0

Fish of the Future: Genetically Engineered Salmon and Settler Colonial Science 未来的鱼:基因工程鲑鱼和移民殖民科学

The American Indian Quarterly Pub Date : 2022-06-01 DOI: 10.1353/aiq.2022.0013

Lindsey Schneider

{"title":"Fish of the Future: Genetically Engineered Salmon and Settler Colonial Science","authors":"Lindsey Schneider","doi":"10.1353/aiq.2022.0013","DOIUrl":"https://doi.org/10.1353/aiq.2022.0013","url":null,"abstract":"Abstract:This article takes up the recent controversy over genetically engineered (GE) salmon and the FDA's approval of these fast-growing \"frankenfish\" for human consumption. While many believe that GE aquaculture plays a necessary role in the future of food security (especially in a world threatened by increasing climate instability), Indigenous communities throughout the world have raised concerns about the impacts of GE technology. At the heart of the issue is a clash between settler scientific values (including risk-based assessment, colonial right of discovery, and intellectual property) and Indigenous epistemologies, which take a more comprehensive approach to the complex relationships between the environment and those inhabiting it. Weaving together issues of ecology, climate change, and tribal sovereignty, this paper historicizes the GE salmon struggle within global processes of colonialism and resource extraction, and troubles the arguments GE fish are \"unnatural.\" Such designations rely on particular ideas about nature, property, and technology that reinforce settler scientific values. I argue that rejections of AquAdvantage salmon rooted in Indigenous epistemologies enable a more sophisticated critique of settler science, and are thus able to open new lines of inquiry into what our relationship with nature can and should look like in a settler colonial context.","PeriodicalId":22216,"journal":{"name":"The American Indian Quarterly","volume":"96 1","pages":"225 - 259"},"PeriodicalIF":0.0,"publicationDate":"2022-06-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"79238783","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

引用次数: 2

Knowing Native Arts by Nancy Marie Mithlo (review) 南希·玛丽·米特罗《了解本土艺术》(书评)

The American Indian Quarterly Pub Date : 2022-02-01 DOI: 10.1353/aiq.2022.0007

Benjamin P. Davis

{"title":"Knowing Native Arts by Nancy Marie Mithlo (review)","authors":"Benjamin P. Davis","doi":"10.1353/aiq.2022.0007","DOIUrl":"https://doi.org/10.1353/aiq.2022.0007","url":null,"abstract":"Laguna land, Archuleta employs race and space to conjecture Silko’s sense of land as multispaced and transnational— a fact due partially to the unlandedness of Native peoples in the Americas. In her essay “‘The Web of Stories’: Reading and Change in Leslie Marmon Silko’s Storyteller,” Linda Krumholtz considers Silko’s text in conversation with poststructuralism. Intriguingly, Krumholtz points out the congruences between the Derridean notion that language is world and Silko’s assertion that narrative and stories make up reality. David Stirrup’s “‘This Story Is Found’: Silko’s Storyteller and the Roots of Native American Literature” takes a materialist perspective. From the peritext of Storyteller’s original jacket copy that likened it to Alex Haley’s Roots, Stirrup embarks on a nuanced and useful analysis of Storyteller’s context in publishing and literary culture, noting the universalizing dangers of multicultural rhetoric. Finally, Ami Regier’s “Storyteller in an Undergraduate Theory Course” is a pedagogical essay recounting Regier’s experience teaching four critical methodologies through Silko’s text— undoubtedly beneficial for instructors interested in bringing Silko into the classroom. Rainwater has edited a wideranging collection. The application of new critical paradigms to an underconsidered Silko text not only offers persuasive new readings but also gestures toward directions for further scholarship.","PeriodicalId":22216,"journal":{"name":"The American Indian Quarterly","volume":"19 1","pages":"141 - 145"},"PeriodicalIF":0.0,"publicationDate":"2022-02-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"73087004","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

引用次数: 0

“Everything Is in Us”: Collaboration, Introspection, and Continuity as Healing in #NotYourPrincess “一切都在我们身上”:在#不是你的公主#中作为治疗的合作、自省和连续性

The American Indian Quarterly Pub Date : 2022-02-01 DOI: 10.1353/aiq.2022.0002

Rick Ginsberg, Wendy J. Glenn

{"title":"“Everything Is in Us”: Collaboration, Introspection, and Continuity as Healing in #NotYourPrincess","authors":"Rick Ginsberg, Wendy J. Glenn","doi":"10.1353/aiq.2022.0002","DOIUrl":"https://doi.org/10.1353/aiq.2022.0002","url":null,"abstract":"Abstract:Grounded in the belief that storytelling can act as an embodied form of resilience and can bring together voices in collective healing, this study uses general inductive analysis and Baez’s Sweetgrass Method to focus on how the Indigenous women contributors of #NotYourPrincess: Voices of Native American Women use writing, artwork, and media as a form of healing. Analysis focused on how the contributors described or depicted their strength and opportunities for healing through story (in many creative forms) in this edited collection marketed for young people. Findings reveal that the contributors demonstrate collaboration, introspection, and continuity as forms of healing in their connectedness with others, culture, history, spirituality, and land. The women describe how they confront fear with strength and reposition trauma and adversity using collaboration and introspection to retell histories, challenge dominant narratives, own and signal their pride, and rewrite their stories as activists and as their own heroes. The words and images demonstrate a commitment to themselves and others to share stories of community, culture, and land that show intergenerational and collective approaches to healing within and across tribal nations. This study demonstrates that writing can serve as a form of decolonial resistance and a source of deep understanding, connectivity, and activism in the way that it is strength-centered, power-centered, and healing-centered. The works in the collection speak to each other and together and demonstrate the power of storytelling as testament.","PeriodicalId":22216,"journal":{"name":"The American Indian Quarterly","volume":"9 1","pages":"25 - 63"},"PeriodicalIF":0.0,"publicationDate":"2022-02-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"88447861","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

引用次数: 1

Leslie Marmon Silko’s Storyteller: New Perspectives ed. by Catherine Rainwater (review) 莱斯利·马蒙·西尔科的《讲故事的人:新视角》，作者:凯瑟琳·雷恩沃特(书评)

The American Indian Quarterly Pub Date : 2022-02-01 DOI: 10.1353/aiq.2022.0006

Ryan Lackey

引用次数: 0

Cover Artist 封面艺术家

The American Indian Quarterly Pub Date : 2022-02-01 DOI: 10.1353/aiq.2022.0000

A. Klein, Rick Ginsberg, Wendy J. Glenn, Brian Klopotek, Adam Lauder, L. Lee, Ryan Lackey, Benjamin P. Davis, A. Anson, B. Hughes, Kai Pyle

引用次数: 0

The Great Gathering: Lakota Basketball as a Site of Cultural Production 大聚会:拉科塔篮球作为文化生产的场所

The American Indian Quarterly Pub Date : 2022-02-01 DOI: 10.1353/aiq.2022.0001

A. Klein

引用次数: 0

Written by the Body: Gender Expansiveness and Indigenous Non-Cis Masculinities by Lisa Tatonetti (review) 由身体撰写:性别扩张和土著非cis男性(Lisa Tatonetti)

The American Indian Quarterly Pub Date : 2022-02-01 DOI: 10.1353/aiq.2022.0010

Kai Pyle

引用次数: 1