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SIGGRAPH Video Review on Electronic Theater Program最新文献

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Where is Frank? 弗兰克在哪儿?
SIGGRAPH Video Review on Electronic Theater Program Pub Date : 2001-08-12 DOI: 10.1145/945314.945356
Angela Jedek
{"title":"Where is Frank?","authors":"Angela Jedek","doi":"10.1145/945314.945356","DOIUrl":"https://doi.org/10.1145/945314.945356","url":null,"abstract":"\"Once upon a time\" from different perspectives or a story from cool cowboys, a fly and the ride of things.- animated by hand- hand drawn textures (Indian ink)- Maya 3.0 NT- Adobe Photoshop 4.0. Copyright held by creator.","PeriodicalId":217315,"journal":{"name":"SIGGRAPH Video Review on Electronic Theater Program","volume":"16 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2001-08-12","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"121337141","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 1
102 Dalmatians 102斑点狗
SIGGRAPH Video Review on Electronic Theater Program Pub Date : 2001-08-12 DOI: 10.1145/945314.945315
Kevin Lima, E. Feldman
{"title":"102 Dalmatians","authors":"Kevin Lima, E. Feldman","doi":"10.1145/945314.945315","DOIUrl":"https://doi.org/10.1145/945314.945315","url":null,"abstract":"She's back! This time Cruella's evil scheme is undone by Oddball, the little heroine of 102 Dalmatians. The spot-less Dalmatian was produced by Disney's The Secret Lab, whose original strategy was to digitally remove spots from live action puppies and create a CG character for challenging stunt shots. However, daunting spot removal necessitated a totally believable CG puppy for extreme close ups.Painstaking attention was paid to Oddball's face and expressive eyes. Muscle and skin techniques derived from Dinosaur attached muscle to bone and skin for realistic motion and a proprietary new shader was used to finesse the puppy's fur. Copyright held by creator.","PeriodicalId":217315,"journal":{"name":"SIGGRAPH Video Review on Electronic Theater Program","volume":"76 2 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2001-08-12","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"128645423","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 1
Final Fantasy - The Spirits Within 最终幻想-内在的灵魂
SIGGRAPH Video Review on Electronic Theater Program Pub Date : 2001-08-12 DOI: 10.1145/945314.945329
Jun Aida, H. Sakaguchi
{"title":"Final Fantasy - The Spirits Within","authors":"Jun Aida, H. Sakaguchi","doi":"10.1145/945314.945329","DOIUrl":"https://doi.org/10.1145/945314.945329","url":null,"abstract":"Square Pictures' Final Fantasy: The Spirits Within defines the current state of the art in fully synthetic moviemaking. FF:TSWbreaks new ground by presenting a fully computer-rendered world populated not by insects, robots, or toys but by realistic humancharacters who can act and directly involve the audience. Ambitious use of new modeling and procedural animation methods,high-quality rendering, and new forms of special effects have been combined with traditional character animation and innovativemotion-capture technology to create a theatre experience unlike anything movie audiences have yet seen, and which is likelyto spawn an entirely new genre. Copyright held by creator.","PeriodicalId":217315,"journal":{"name":"SIGGRAPH Video Review on Electronic Theater Program","volume":"25 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2001-08-12","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"122495944","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 43
garden of the metal 金属花园
SIGGRAPH Video Review on Electronic Theater Program Pub Date : 2001-08-12 DOI: 10.1145/945314.945331
Hitoshi Akayama, K. Kamei
{"title":"garden of the metal","authors":"Hitoshi Akayama, K. Kamei","doi":"10.1145/945314.945331","DOIUrl":"https://doi.org/10.1145/945314.945331","url":null,"abstract":"I made the inorganic objects in this desolate space appear to move of their own volition. Software used \"MAYA\". All motions of an object are controlled by \"MEL(Maya Embedded Language)\" and \"Expression\". This work was awarded excellence prize in the \"Non-interactive division\" of the \"2000 4th.Agency for Cultural Affairs media Arts Festival\". Copyright held by creator.","PeriodicalId":217315,"journal":{"name":"SIGGRAPH Video Review on Electronic Theater Program","volume":"12 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2001-08-12","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"131315259","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
EVENTIM.DE "Mouse/Concerts" EVENTIM。德“鼠标/音乐会”
SIGGRAPH Video Review on Electronic Theater Program Pub Date : 2001-08-12 DOI: 10.1145/945314.945328
Inken Dabelstein, Peter Spans
{"title":"EVENTIM.DE \"Mouse/Concerts\"","authors":"Inken Dabelstein, Peter Spans","doi":"10.1145/945314.945328","DOIUrl":"https://doi.org/10.1145/945314.945328","url":null,"abstract":"This gentle and dancing mouse is a 3D-generated character in a photorealistic look, presenting the most popular styles of music to inform about the \"around-the-ticket-service\" of EVENTIM.DE. Technical Notes: Software: Softimage (3D) Phoenix ToolsPost: FlameHardware: WindowsNT, SGI IrixMotionCapture: Hypervision Ltd. Copyright held by creator.","PeriodicalId":217315,"journal":{"name":"SIGGRAPH Video Review on Electronic Theater Program","volume":"56 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2001-08-12","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"125699034","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Sequence from Monsters, Inc. 《怪物公司》中的片段。
SIGGRAPH Video Review on Electronic Theater Program Pub Date : 2001-08-12 DOI: 10.1145/945314.945349
Darla Anderson, Pete Docter
{"title":"Sequence from Monsters, Inc.","authors":"Darla Anderson, Pete Docter","doi":"10.1145/945314.945349","DOIUrl":"https://doi.org/10.1145/945314.945349","url":null,"abstract":"Using a sequence from Disney/Pixar's \"Monsters, Inc.\", Pixar Animation Studios' submission is a continuous progression starting with storyboards, then polys and final lighting, showing our newest cloth and long fur technology. Monsters, Inc. is the largest scare factory in the monster world. Sulley is one of its top Scarers and Mike is his Scare Assistant. Their job is to gather the kids' screams which power the monster world. When Sulley accidentally lets a little girl, \"Boo\", into Monstropolis, life turns upside down. While trying to get \"Boo\" home, they make a discovery that changes the monster world forever. Copyright held by creator.","PeriodicalId":217315,"journal":{"name":"SIGGRAPH Video Review on Electronic Theater Program","volume":"38 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2001-08-12","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"126672763","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Red Planet -- AMEE 红色星球——AMEE
SIGGRAPH Video Review on Electronic Theater Program Pub Date : 2001-08-12 DOI: 10.1145/945314.945345
Cinesite Visual Effects, Anthony Hoffman
{"title":"Red Planet -- AMEE","authors":"Cinesite Visual Effects, Anthony Hoffman","doi":"10.1145/945314.945345","DOIUrl":"https://doi.org/10.1145/945314.945345","url":null,"abstract":"AMEE, a robot with attitude, is the computer generated villain and star of this film and this sequence. Cinesite artists modeled, animated, textured, lit and composited AMEE into a menacing, taunting feline successor to hal. Copyright held by creator.","PeriodicalId":217315,"journal":{"name":"SIGGRAPH Video Review on Electronic Theater Program","volume":"65 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2001-08-12","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"130889064","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
The Crossing Guard 过境警卫
SIGGRAPH Video Review on Electronic Theater Program Pub Date : 2001-08-12 DOI: 10.1145/945314.945351
Joshua West
{"title":"The Crossing Guard","authors":"Joshua West","doi":"10.1145/945314.945351","DOIUrl":"https://doi.org/10.1145/945314.945351","url":null,"abstract":"The hero is entrusted with but one unyielding duty: To protect and preserve the lives of children. There are but three things he must battle while endlessly fighting to perform his calling... One, he's only a crossing guard. Two, the traffic is heavy. Three, he's an armadillo.Hardware: HP Visualize WorkstationsSoftware: Alias/Wavefront Maya3.0, DeepPaint, Premiere. Copyright held by creator.","PeriodicalId":217315,"journal":{"name":"SIGGRAPH Video Review on Electronic Theater Program","volume":"32 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2001-08-12","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"123173388","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 4
Pipe Dream 白日梦
SIGGRAPH Video Review on Electronic Theater Program Pub Date : 2001-08-12 DOI: 10.1145/945314.945344
W. Lytle
{"title":"Pipe Dream","authors":"W. Lytle","doi":"10.1145/945314.945344","DOIUrl":"https://doi.org/10.1145/945314.945344","url":null,"abstract":"In this SINGLE from a VIDEO ALBUM, all instruments are played by steel balls shot out of PVC tubing. From the producer of the original \"musical fountain\" in More Bells and Whistles, SIGGRAPH 1990. Two years in the making, the full video album is comprised of 7 pieces, each by a completely different instrument configuration. Proprietary animation software analyzes the music, and automatically drives the movement of the instruments for highly accurate and efficient animation. Essentially no traditional keyframing is used. The DVD version of this video album is due to be released in late Summer 2001. Copyright held by creator.","PeriodicalId":217315,"journal":{"name":"SIGGRAPH Video Review on Electronic Theater Program","volume":"20 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2001-08-12","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"116219541","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 28
Eve Solal 夏娃Solal
SIGGRAPH Video Review on Electronic Theater Program Pub Date : 2001-08-12 DOI: 10.1145/945314.945327
Marc Miance
{"title":"Eve Solal","authors":"Marc Miance","doi":"10.1145/945314.945327","DOIUrl":"https://doi.org/10.1145/945314.945327","url":null,"abstract":"Interview of a young French Virtual personality. Eve Solal has worked for French fashion Magazines as top model; radio DJ....Full animated with motioncapture (vicon), all the 3D work was done on Maya. Proprietary development for skinning and facial animation. Copyright held by creator.","PeriodicalId":217315,"journal":{"name":"SIGGRAPH Video Review on Electronic Theater Program","volume":"4 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2001-08-12","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"127973194","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
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