Latin American and Latinx Visual Culture最新文献

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Cobogó and the Coloniality of the Brise-Soleil Cobogó和布里斯-太阳的殖民地
Latin American and Latinx Visual Culture Pub Date : 2022-07-01 DOI: 10.1525/lavc.2022.4.3.113
F. Lara
{"title":"Cobogó and the Coloniality of the Brise-Soleil","authors":"F. Lara","doi":"10.1525/lavc.2022.4.3.113","DOIUrl":"https://doi.org/10.1525/lavc.2022.4.3.113","url":null,"abstract":"The architectural forms associated with the aesthetic phenomenon that has come to be known as mudéjar and visual elements tied to Iberian and Islamic architectural traditions more broadly have been interpreted across modern Latin America in various modes. A wide array of buildings spanning from the colonial era into the twentieth century engage with this architectural legacy and distinctly stand out within the urban fabric of the continent’s major capitals today. Whether reflected in the intricately geometric woodwork of colonial-era ceilings known as carpentería de lo blanco or via the mashrabiya-inspired screened breezeways that punctuate modern Brazilian pavilions, such architectonic techniques and design criteria evoke imaginaries tied to South America’s colonial past via references to an Ibero-Islamic aesthetic. Recent calls to reexamine diverse historiographic and architectonic interpretations of the so-called mudéjar or other revivalist forms associated with the Islamic world in Latin America, along with their connections to nationalism and orientalism, invite a critical reconsideration of these constructions from a decolonial perspective within this regional context. Responding to these inquiries, this dialectical collection of essays spans diverse geographies and periods to expand upon contemporary interrogations of modern historiographic and design interpretations of the built forms associated with the mudéjar and Ibero-Islamic architectural traditions in modern Latin America. Together, they present fresh case studies and perspectives while asserting that a strategic reading of the stylistic phenomenon and its architectural echoes in Latin America is not simply the result of an external influence in the region but part of a broader complex discourse of modernity.","PeriodicalId":211015,"journal":{"name":"Latin American and Latinx Visual Culture","volume":"23 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2022-07-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"116992955","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 1
Review: Another Aesthetics Is Possible: Arts of Rebellion in the Fourth World War, by Jennifer Ponce de León 评论:另一种美学是可能的:第四次世界大战中的反叛艺术,詹妮弗·庞塞·德León
Latin American and Latinx Visual Culture Pub Date : 2022-07-01 DOI: 10.1525/lavc.2022.4.3.124
Josh Rios
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引用次数: 0
Review: Arte desde América Latina (y otros pulsos globales), by Gerardo Mosquera 评论:来自拉丁美洲(和其他全球脉搏)的艺术,Gerardo Mosquera著
Latin American and Latinx Visual Culture Pub Date : 2022-07-01 DOI: 10.1525/lavc.2022.4.3.122
Nohora Alejandra Arrieta Fernández
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引用次数: 0
Introduction to the Dialogues on Rethinking Interpretations of the Mudéjar and Its Revivals in Modern Latin America 《穆德萨贾尔的再思考阐释及其在现代拉丁美洲的复兴》对话导论
Latin American and Latinx Visual Culture Pub Date : 2022-07-01 DOI: 10.1525/lavc.2022.4.3.75
C. Wolf, Fernando Martínez Nespral
{"title":"Introduction to the Dialogues on Rethinking Interpretations of the Mudéjar and Its Revivals in Modern Latin America","authors":"C. Wolf, Fernando Martínez Nespral","doi":"10.1525/lavc.2022.4.3.75","DOIUrl":"https://doi.org/10.1525/lavc.2022.4.3.75","url":null,"abstract":"The architectural forms associated with the aesthetic phenomenon that has come to be known as mudéjar and visual elements tied to Iberian and Islamic architectural traditions more broadly have been interpreted across modern Latin America in various modes. A wide array of buildings spanning from the colonial era into the twentieth century engage with this architectural legacy and distinctly stand out within the urban fabric of the continent’s major capitals today. Whether reflected in the intricately geometric woodwork of colonial-era ceilings known as carpentería de lo blanco or via the mashrabiya-inspired screened breezeways that punctuate modern Brazilian pavilions, such architectonic techniques and design criteria evoke imaginaries tied to South America’s colonial past via references to an Ibero-Islamic aesthetic. Recent calls to reexamine diverse historiographic and architectonic interpretations of the so-called mudéjar or other revivalist forms associated with the Islamic world in Latin America, along with their connections to nationalism and orientalism, invite a critical reconsideration of these constructions from a decolonial perspective within this regional context. Responding to these inquiries, this dialectical collection of essays spans diverse geographies and periods to expand upon contemporary interrogations of modern historiographic and design interpretations of the built forms associated with the mudéjar and Ibero-Islamic architectural traditions in modern Latin America. Together, they present fresh case studies and perspectives while asserting that a strategic reading of the stylistic phenomenon and its architectural echoes in Latin America is not simply the result of an external influence in the region but part of a broader complex discourse of modernity.","PeriodicalId":211015,"journal":{"name":"Latin American and Latinx Visual Culture","volume":"4 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2022-07-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"121306161","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 1
Bloodstained 血迹斑斑的
Latin American and Latinx Visual Culture Pub Date : 2022-07-01 DOI: 10.1525/lavc.2022.4.3.44
Corey Loftus
{"title":"Bloodstained","authors":"Corey Loftus","doi":"10.1525/lavc.2022.4.3.44","DOIUrl":"https://doi.org/10.1525/lavc.2022.4.3.44","url":null,"abstract":"Teresa Margolles subverts the epistemic hierarchy of the archive. Her work privileges and affirms embodied memory and material meaning as essential modes for knowing, understanding, and documenting social violence. Margolles invests her concern for societal injustice through her use of bodily fluids derived from actual human corpses. Specifically, in the textile, Sutura—a work arising out of Margolles’s research at the Venezuelan-Colombian border during the migration crisis—the artist and her collaborators commemorate the life of a murdered migrant in material and method. Embroidery is utilized as a historically coded artistic form that resembles suturing and links the project with the reparative action of sewing. Using the stark and minimal representation of a straight line, embroidery is a metaphor for the narrative lines of millions of Venezuelans who have fled the country in the last decade. Similarly, the bodily material integrated into the bloodstained cloth functions to conflate textile, skin, and landscape to explore the confluence of substance, body, and place. I argue that Margolles configures a solution to the hegemony of the archive and the approach to bodily violence in Latin America more broadly. Her archival alternative and use of corpses and bodily fluids may be gruesome and ethically questionable, but the works are also reminders of the perpetual acts of violence inflicted on forgotten bodies.","PeriodicalId":211015,"journal":{"name":"Latin American and Latinx Visual Culture","volume":"21 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2022-07-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"115958105","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Modernizing the Mexican Bajío through Mudéjar 通过mud焕然一新的墨西哥Bajío
Latin American and Latinx Visual Culture Pub Date : 2022-07-01 DOI: 10.1525/lavc.2022.4.3.90
Reina Loredo-Cansino
{"title":"Modernizing the Mexican Bajío through Mudéjar","authors":"Reina Loredo-Cansino","doi":"10.1525/lavc.2022.4.3.90","DOIUrl":"https://doi.org/10.1525/lavc.2022.4.3.90","url":null,"abstract":"The architectural forms associated with the aesthetic phenomenon that has come to be known as mudéjar and visual elements tied to Iberian and Islamic architectural traditions more broadly have been interpreted across modern Latin America in various modes. A wide array of buildings spanning from the colonial era into the twentieth century engage with this architectural legacy and distinctly stand out within the urban fabric of the continent’s major capitals today. Whether reflected in the intricately geometric woodwork of colonial-era ceilings known as carpentería de lo blanco or via the mashrabiya-inspired screened breezeways that punctuate modern Brazilian pavilions, such architectonic techniques and design criteria evoke imaginaries tied to South America’s colonial past via references to an Ibero-Islamic aesthetic. Recent calls to reexamine diverse historiographic and architectonic interpretations of the so-called mudéjar or other revivalist forms associated with the Islamic world in Latin America, along with their connections to nationalism and orientalism, invite a critical reconsideration of these constructions from a decolonial perspective within this regional context. Responding to these inquiries, this dialectical collection of essays spans diverse geographies and periods to expand upon contemporary interrogations of modern historiographic and design interpretations of the built forms associated with the mudéjar and Ibero-Islamic architectural traditions in modern Latin America. Together, they present fresh case studies and perspectives while asserting that a strategic reading of the stylistic phenomenon and its architectural echoes in Latin America is not simply the result of an external influence in the region but part of a broader complex discourse of modernity.","PeriodicalId":211015,"journal":{"name":"Latin American and Latinx Visual Culture","volume":"153 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2022-07-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"127272687","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Review: Immanent Vitalities: Meaning and Materiality in Modern and Contemporary Art, by Kaira Marie Cabañas 书评:《内在活力:现当代艺术中的意义与物质性》,凯拉·玛丽Cabañas
Latin American and Latinx Visual Culture Pub Date : 2022-07-01 DOI: 10.1525/lavc.2022.4.3.120
Catalina Imizcoz
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引用次数: 0
Reframing Public Art in the Borderlands 重构边疆地区的公共艺术
Latin American and Latinx Visual Culture Pub Date : 2022-07-01 DOI: 10.1525/lavc.2022.4.3.8
M. Thomas
{"title":"Reframing Public Art in the Borderlands","authors":"M. Thomas","doi":"10.1525/lavc.2022.4.3.8","DOIUrl":"https://doi.org/10.1525/lavc.2022.4.3.8","url":null,"abstract":"This article examines a series of public artworks created by Jari “WERC” Alvarez and Gera “GERALUZ” Lozano both singly and together between 2009 and 2013 in San Diego, California, and El Paso, Texas. Although the works produced then reveal an engagement with the history of Chicano muralism and visual representations of the US-Mexico border, Lozano and Alvarez’s projects offer a careful recuperation of the way the region and the site of the border are represented through their stylistic vocabularies that span graffiti, abstraction, and conceptual practice. This essay argues that the artists enact this reparative relationship through a “bricozaje” aesthetic orientation, which refers to the adaptation of bricolage techniques by artists whose work directly engages the fragmented space of the border and integrates the heterogeneous experiences that mark the experience of moving within and between cultural and artistic borderlands.","PeriodicalId":211015,"journal":{"name":"Latin American and Latinx Visual Culture","volume":"29 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2022-07-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"125064292","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
The Work of Arte Urgente 紧急艺术作品
Latin American and Latinx Visual Culture Pub Date : 2022-07-01 DOI: 10.1525/lavc.2022.4.3.23
Rebecca M. Schreiber
{"title":"The Work of Arte Urgente","authors":"Rebecca M. Schreiber","doi":"10.1525/lavc.2022.4.3.23","DOIUrl":"https://doi.org/10.1525/lavc.2022.4.3.23","url":null,"abstract":"This essay examines how migrant/refugee youth from Central America use their bodies as part of collaborative performances in which they narrate their experiences as social actors within the context of the so-called “child migrant crisis.” In Arte Urgente (Urgent Art) workshops organized by Caleb Duarte with students from Fremont High School’s Newcomer Education Support and Transition (NEST) Program, they created performances in which they staged a response to the structural conditions that compelled them to migrate and that shaped their everyday lives. The emphasis on performance resonates with the experience of these young people, who have to act, perform, and consciously play to a variety of specific audiences starting from the time they leave home. In addition to these performances, they also created a public artwork, the Embassy of the Refugee, in which they enact a performative agency, rather than seeking recognition from the US settler state. Although these migrant/refugee youth are for the most part excluded from having political agency within the process of applying for asylum, I argue that through their artwork they imagine other possibilities for themselves and for others outside the purview of state policies.","PeriodicalId":211015,"journal":{"name":"Latin American and Latinx Visual Culture","volume":"23 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2022-07-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"129750737","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
La arquitectura de Julio Vilamajó 胡里奥的建筑vilamajo
Latin American and Latinx Visual Culture Pub Date : 2022-07-01 DOI: 10.1525/lavc.2022.4.3.106
Sylvia Kornecki
{"title":"La arquitectura de Julio Vilamajó","authors":"Sylvia Kornecki","doi":"10.1525/lavc.2022.4.3.106","DOIUrl":"https://doi.org/10.1525/lavc.2022.4.3.106","url":null,"abstract":"The architectural forms associated with the aesthetic phenomenon that has come to be known as mudéjar and visual elements tied to Iberian and Islamic architectural traditions more broadly have been interpreted across modern Latin America in various modes. A wide array of buildings spanning from the colonial era into the twentieth century engage with this architectural legacy and distinctly stand out within the urban fabric of the continent’s major capitals today. Whether reflected in the intricately geometric woodwork of colonial-era ceilings known as carpentería de lo blanco or via the mashrabiya-inspired screened breezeways that punctuate modern Brazilian pavilions, such architectonic techniques and design criteria evoke imaginaries tied to South America’s colonial past via references to an Ibero-Islamic aesthetic. Recent calls to reexamine diverse historiographic and architectonic interpretations of the so-called mudéjar or other revivalist forms associated with the Islamic world in Latin America, along with their connections to nationalism and orientalism, invite a critical reconsideration of these constructions from a decolonial perspective within this regional context. Responding to these inquiries, this dialectical collection of essays spans diverse geographies and periods to expand upon contemporary interrogations of modern historiographic and design interpretations of the built forms associated with the mudéjar and Ibero-Islamic architectural traditions in modern Latin America. Together, they present fresh case studies and perspectives while asserting that a strategic reading of the stylistic phenomenon and its architectural echoes in Latin America is not simply the result of an external influence in the region but part of a broader complex discourse of modernity.","PeriodicalId":211015,"journal":{"name":"Latin American and Latinx Visual Culture","volume":"65 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2022-07-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"116478790","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
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