Latin American and Latinx Visual Culture最新文献_第10页

Latin American and Latinx Visual Culture Pub Date : 2022-07-01 DOI: 10.1525/lavc.2022.4.3.54

Bat-ami Artzi

{"title":"Almost Like the Amazons","authors":"Bat-ami Artzi","doi":"10.1525/lavc.2022.4.3.54","DOIUrl":"https://doi.org/10.1525/lavc.2022.4.3.54","url":null,"abstract":"The duality concept was central to ancient Andean gender structures. However, testimonies show that these structures included more than two categories, several of which are of a male body engaged in feminine performance. This article suggests another angle from which to explore this gender complexity. Through analysis of visual culture, together with lexical, archaeological, and ethnohistoric sources, I uncover an Andean gender category of the masculine woman warrior. Textual accounts describe this category as involving a female body that is engaged with performance and qualities that were considered masculine. In artistic expressions, the category is also portrayed as a female body with masculine attributes, such as hairstyle and jewelry used typically by men. Another characteristic of the masculine woman category is limited reproductive potential. This study focuses on three masculine woman warriors: Mama Huaco and Chañan Cori Coca from the Inca tradition, documented in colonial texts and artworks, and a Wari masculine woman, woven and painted on textiles and ceramics. My research reveals that some masculine woman warriors were mythologized and worshipped for their prowess in defending their territories, while others may have been mythologized as military leaders.","PeriodicalId":211015,"journal":{"name":"Latin American and Latinx Visual Culture","volume":"33 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2022-07-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"128249991","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

引用次数: 0

Azulejos neo-árabes en la arquitectura de Buenos Aires (1920–1950) 布宜诺斯艾利斯建筑中的新阿拉伯瓷砖(1920 - 1950)

Latin American and Latinx Visual Culture Pub Date : 2022-07-01 DOI: 10.1525/lavc.2022.4.3.98

Francisco Girelli

{"title":"Azulejos neo-árabes en la arquitectura de Buenos Aires (1920–1950)","authors":"Francisco Girelli","doi":"10.1525/lavc.2022.4.3.98","DOIUrl":"https://doi.org/10.1525/lavc.2022.4.3.98","url":null,"abstract":"The architectural forms associated with the aesthetic phenomenon that has come to be known as mudéjar and visual elements tied to Iberian and Islamic architectural traditions more broadly have been interpreted across modern Latin America in various modes. A wide array of buildings spanning from the colonial era into the twentieth century engage with this architectural legacy and distinctly stand out within the urban fabric of the continent’s major capitals today. Whether reflected in the intricately geometric woodwork of colonial-era ceilings known as carpentería de lo blanco or via the mashrabiya-inspired screened breezeways that punctuate modern Brazilian pavilions, such architectonic techniques and design criteria evoke imaginaries tied to South America’s colonial past via references to an Ibero-Islamic aesthetic. Recent calls to reexamine diverse historiographic and architectonic interpretations of the so-called mudéjar or other revivalist forms associated with the Islamic world in Latin America, along with their connections to nationalism and orientalism, invite a critical reconsideration of these constructions from a decolonial perspective within this regional context. Responding to these inquiries, this dialectical collection of essays spans diverse geographies and periods to expand upon contemporary interrogations of modern historiographic and design interpretations of the built forms associated with the mudéjar and Ibero-Islamic architectural traditions in modern Latin America. Together, they present fresh case studies and perspectives while asserting that a strategic reading of the stylistic phenomenon and its architectural echoes in Latin America is not simply the result of an external influence in the region but part of a broader complex discourse of modernity.","PeriodicalId":211015,"journal":{"name":"Latin American and Latinx Visual Culture","volume":"14 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2022-07-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"133262880","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

引用次数: 0

“That Peculiarly Spanish Style” “独特的西班牙风格”

Latin American and Latinx Visual Culture Pub Date : 2022-07-01 DOI: 10.1525/lavc.2022.4.3.83

Michael J. Schreffler

{"title":"“That Peculiarly Spanish Style”","authors":"Michael J. Schreffler","doi":"10.1525/lavc.2022.4.3.83","DOIUrl":"https://doi.org/10.1525/lavc.2022.4.3.83","url":null,"abstract":"The architectural forms associated with the aesthetic phenomenon that has come to be known as mudéjar and visual elements tied to Iberian and Islamic architectural traditions more broadly have been interpreted across modern Latin America in various modes. A wide array of buildings spanning from the colonial era into the twentieth century engage with this architectural legacy and distinctly stand out within the urban fabric of the continent’s major capitals today. Whether reflected in the intricately geometric woodwork of colonial-era ceilings known as carpentería de lo blanco or via the mashrabiya-inspired screened breezeways that punctuate modern Brazilian pavilions, such architectonic techniques and design criteria evoke imaginaries tied to South America’s colonial past via references to an Ibero-Islamic aesthetic. Recent calls to reexamine diverse historiographic and architectonic interpretations of the so-called mudéjar or other revivalist forms associated with the Islamic world in Latin America, along with their connections to nationalism and orientalism, invite a critical reconsideration of these constructions from a decolonial perspective within this regional context. Responding to these inquiries, this dialectical collection of essays spans diverse geographies and periods to expand upon contemporary interrogations of modern historiographic and design interpretations of the built forms associated with the mudéjar and Ibero-Islamic architectural traditions in modern Latin America. Together, they present fresh case studies and perspectives while asserting that a strategic reading of the stylistic phenomenon and its architectural echoes in Latin America is not simply the result of an external influence in the region but part of a broader complex discourse of modernity.","PeriodicalId":211015,"journal":{"name":"Latin American and Latinx Visual Culture","volume":"10 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2022-07-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"125372533","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

引用次数: 0

Arts from Latin America at the Montreal Museum of Fine Arts 蒙特利尔美术博物馆展出的拉丁美洲艺术作品

Latin American and Latinx Visual Culture Pub Date : 2022-01-01 DOI: 10.1525/lavc.2022.4.1.93

Erell Hubert

{"title":"Arts from Latin America at the Montreal Museum of Fine Arts","authors":"Erell Hubert","doi":"10.1525/lavc.2022.4.1.93","DOIUrl":"https://doi.org/10.1525/lavc.2022.4.1.93","url":null,"abstract":"This Dialogues section seeks to contribute to the scholarship on Latin American art in Canada and “Latinx Canadian art.” We aim to broaden the historical and current narratives of art and artists from Latin America north of the United States, taking into account Canada’s history of migration and its official bilingual status (French-English), multilingual and multicultural reality, and relationship with Indigenous peoples. Adding to the urgency of studying the presence of Latin American art in Canada, there is also a need to focus on the work of artists and curators with a Latin American background. They are developing languages of expression, practices, and aesthetics that no longer conform to the “Latin American art” category. It is thus essential to highlight the multiple artistic initiatives that are allowing them to gain visibility and recognition within both the local and global artistic milieus. We posit that today it is almost impossible to overlook both the historical and the ongoing presence of Latin American art and artists in Canada and the recent emergence of a vibrant, ever-expanding contemporary Latinx Canadian art scene. This section proposes six groundbreaking contributions that, from coast to coast, offer further data and analysis, case studies, and investigations into museum archives: from Vancouver to Montréal, from pre-Columbian art and material culture to contemporary art, from the Chilean diaspora of the 1970s to more recent migration waves, from curatorial strategies to the classroom.","PeriodicalId":211015,"journal":{"name":"Latin American and Latinx Visual Culture","volume":"245 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2022-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"115588146","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

引用次数: 0

Review: Architectural Rhetoric and the Iconography of Authority in Colonial Mexico. The Casa de Montejo, by C. Cody Barteet 评论:墨西哥殖民时期的建筑修辞与权威形象。蒙特霍之家，C. Cody Barteet

Latin American and Latinx Visual Culture Pub Date : 2022-01-01 DOI: 10.1525/lavc.2022.4.1.146

L. G. Peláez

引用次数: 0

Encounters with “Latin American Art” in Canada 在加拿大与“拉丁美洲艺术”相遇

Latin American and Latinx Visual Culture Pub Date : 2022-01-01 DOI: 10.1525/lavc.2022.4.1.122

G. Sepúlveda

{"title":"Encounters with “Latin American Art” in Canada","authors":"G. Sepúlveda","doi":"10.1525/lavc.2022.4.1.122","DOIUrl":"https://doi.org/10.1525/lavc.2022.4.1.122","url":null,"abstract":"This Dialogues section seeks to contribute to the scholarship on Latin American art in Canada and “Latinx Canadian art.” We aim to broaden the historical and current narratives of art and artists from Latin America north of the United States, taking into account Canada’s history of migration and its official bilingual status (French-English), multilingual and multicultural reality, and relationship with Indigenous peoples. Adding to the urgency of studying the presence of Latin American art in Canada, there is also a need to focus on the work of artists and curators with a Latin American background. They are developing languages of expression, practices, and aesthetics that no longer conform to the “Latin American art” category. It is thus essential to highlight the multiple artistic initiatives that are allowing them to gain visibility and recognition within both the local and global artistic milieus. We posit that today it is almost impossible to overlook both the historical and the ongoing presence of Latin American art and artists in Canada and the recent emergence of a vibrant, ever-expanding contemporary Latinx Canadian art scene. This section proposes six groundbreaking contributions that, from coast to coast, offer further data and analysis, case studies, and investigations into museum archives: from Vancouver to Montréal, from pre-Columbian art and material culture to contemporary art, from the Chilean diaspora of the 1970s to more recent migration waves, from curatorial strategies to the classroom.","PeriodicalId":211015,"journal":{"name":"Latin American and Latinx Visual Culture","volume":"25 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2022-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"133550158","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

引用次数: 0

Introduction to the Dialogues on Latin American Art(ists) from/in Canada 加拿大拉丁美洲艺术(艺术家)对话简介

Latin American and Latinx Visual Culture Pub Date : 2022-01-01 DOI: 10.1525/lavc.2022.4.1.75

Analays Alvarez Hernandez, A. Robin

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引用次数: 0

Review: Greater American Camera: Making Modernism in Mexico, by Monica Bravo 书评:《大美国相机:在墨西哥制作现代主义》，莫妮卡·布拉沃著

Latin American and Latinx Visual Culture Pub Date : 2022-01-01 DOI: 10.1525/lavc.2022.4.1.149

G. Flaherty

引用次数: 0

The Once and Future Histories of the Book 书的过去和未来的历史

Latin American and Latinx Visual Culture Pub Date : 2022-01-01 DOI: 10.1525/lavc.2022.4.1.9

Erika Loic

{"title":"The Once and Future Histories of the Book","authors":"Erika Loic","doi":"10.1525/lavc.2022.4.1.9","DOIUrl":"https://doi.org/10.1525/lavc.2022.4.1.9","url":null,"abstract":"Contemporary Latin American and Latinx artists who engage with pre-Hispanic and early colonial book histories have adapted the materials, formats, or iconographies of sixteenth- and seventeenth-century books and objects of knowledge transfer. Although the resulting artworks are as wildly varied as the idea of the book itself, they constitute forms of decolonial praxis in their desire to reclaim or reassign agency in historical narratives; uncover, criticize, or dismantle structures of inequity; or preserve, re-create, and cocreate knowledge. Artists’ remixes and renewals are not derivative or motivated by a simple desire to preserve the past. Some have reclaimed pre-Hispanic techniques to tell new stories, or they have reimagined the book altogether, abandoning its conventional structures and transmuting pre- and postconquest iconographies into murals, sculpture, film, or more conceptual/hybrid works. Contemporary artists have also looked to early colonial books as windows into Indigenous experiences of the conquest, amplifying those perspectives while relating them to recent sociopolitical realities and their hopes for the future. The artists discussed in this essay include Mariana Castillo Deball (Mexico), Sandy Rodriguez (United States), Carlos Colín (Mexico), Estefanía Peñafiel Loaiza (Ecuador), Falco (Ecuador), Andrés Pereira Paz (Bolivia), and Cecilia Vicuña (Chile).","PeriodicalId":211015,"journal":{"name":"Latin American and Latinx Visual Culture","volume":"17 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2022-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"133996228","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

引用次数: 0

Review: The Florentine Codex: An Encyclopedia of the Nahua World in Sixteenth-Century Mexico, edited by Jeanette Favrot Peterson and Kevin Terraciano 书评:《佛罗伦萨手抄本:16世纪墨西哥纳华世界百科全书》，由珍妮特·法沃特·彼得森和凯文·特拉西亚诺编辑

Latin American and Latinx Visual Culture Pub Date : 2022-01-01 DOI: 10.1525/lavc.2022.4.1.144

Claudia Brittenham

引用次数: 0