Introduction to the Dialogues on Latin American Art(ists) from/in Canada

IF 0.1
Analays Alvarez Hernandez, A. Robin
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Abstract

This Dialogues section seeks to contribute to the scholarship on Latin American art in Canada and “Latinx Canadian art.” We aim to broaden the historical and current narratives of art and artists from Latin America north of the United States, taking into account Canada’s history of migration and its official bilingual status (French-English), multilingual and multicultural reality, and relationship with Indigenous peoples. Adding to the urgency of studying the presence of Latin American art in Canada, there is also a need to focus on the work of artists and curators with a Latin American background. They are developing languages of expression, practices, and aesthetics that no longer conform to the “Latin American art” category. It is thus essential to highlight the multiple artistic initiatives that are allowing them to gain visibility and recognition within both the local and global artistic milieus. We posit that today it is almost impossible to overlook both the historical and the ongoing presence of Latin American art and artists in Canada and the recent emergence of a vibrant, ever-expanding contemporary Latinx Canadian art scene. This section proposes six groundbreaking contributions that, from coast to coast, offer further data and analysis, case studies, and investigations into museum archives: from Vancouver to Montréal, from pre-Columbian art and material culture to contemporary art, from the Chilean diaspora of the 1970s to more recent migration waves, from curatorial strategies to the classroom.
加拿大拉丁美洲艺术(艺术家)对话简介
本对话部分旨在为加拿大拉丁美洲艺术和“拉丁裔加拿大艺术”的奖学金做出贡献。我们的目标是扩大美国北部拉丁美洲艺术和艺术家的历史和当前叙事,考虑到加拿大的移民历史及其官方双语地位(法语-英语),多语言和多元文化的现实,以及与土著人民的关系。除了研究拉丁美洲艺术在加拿大的存在的紧迫性之外,还需要关注具有拉丁美洲背景的艺术家和策展人的作品。他们正在发展不再符合“拉丁美洲艺术”范畴的表达、实践和美学语言。因此,有必要强调多种艺术举措,使他们在当地和全球艺术环境中获得知名度和认可。我们认为,今天几乎不可能忽视拉丁美洲艺术和艺术家在加拿大的历史和持续存在,以及最近出现的充满活力,不断扩大的当代拉丁裔加拿大艺术场景。本节提出了六项开创性的贡献,从东海岸到西海岸,提供了进一步的数据和分析,案例研究,以及对博物馆档案的调查:从温哥华到蒙特兰萨,从前哥伦比亚艺术和物质文化到当代艺术,从20世纪70年代的智利侨民到最近的移民浪潮,从策展策略到课堂。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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CiteScore
0.60
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