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The Oxford Handbook of Music and the Brain最新文献

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Rhythm, Meter, and Timing: The Heartbeat of Musical Development 节奏、节拍和时间:音乐发展的心跳
The Oxford Handbook of Music and the Brain Pub Date : 2018-10-09 DOI: 10.1093/OXFORDHB/9780198804123.013.24
L. Trainor, S. Marsh-Rollo
{"title":"Rhythm, Meter, and Timing: The Heartbeat of Musical Development","authors":"L. Trainor, S. Marsh-Rollo","doi":"10.1093/OXFORDHB/9780198804123.013.24","DOIUrl":"https://doi.org/10.1093/OXFORDHB/9780198804123.013.24","url":null,"abstract":"Many biological processes have rhythmic organization, including the perception and production of music. Rhythms organize information that unfolds over time; they aid in parsing that information into meaningful hierarchical groupings; and the regularities of rhythms enable prediction of, and preparation for, when important information will occur in the future. Expressive deviations from isochronous timing convey emphasis, emotion, and meaning. Young infants are sensitive to timing and rhythm in music but these abilities become much more sophisticated during childhood. In the beginning, timing characteristics of infant-directed singing relate to the communication of emotional information. Through development, children become enculturated to the rhythmic structures in their environment, develop the oscillatory brain processes to link auditory and motor aspects of entrainment, become able to entrain movements to auditory rhythms, and use the synchronicity of movements between people to help make judgments about social relationships and who to trust and befriend.","PeriodicalId":210705,"journal":{"name":"The Oxford Handbook of Music and the Brain","volume":"422 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2018-10-09","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"123390463","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 6
The Neuroscience of Children on the Autism Spectrum with Exceptional Musical Abilities 具有特殊音乐能力的自闭症儿童的神经科学
The Oxford Handbook of Music and the Brain Pub Date : 2018-10-09 DOI: 10.1093/OXFORDHB/9780198804123.013.31
A. Ockelford
{"title":"The Neuroscience of Children on the Autism Spectrum with Exceptional Musical Abilities","authors":"A. Ockelford","doi":"10.1093/OXFORDHB/9780198804123.013.31","DOIUrl":"https://doi.org/10.1093/OXFORDHB/9780198804123.013.31","url":null,"abstract":"This chapter sets out a neuroscientific model to explain the exceptional musicianship that characterizes some children on the autism spectrum who have learning difficulties. The model builds on Gaver’s “ecological” interpretation of auditory processing using Ockelford’s “zygonic” theory. This attributes the perception of musical structure to the recognition of intentional repetition, and establishes a hierarchy of music-structural forms of differing complexity that are reflected ontogenetically in children’s musical understanding. The cognition of music is far less neurologically demanding than the processing of language, and is a developmental precursor. In some children on the autism spectrum, auditory development focuses on the perceptual qualities of sounds that in some cases leads to acquisition of “absolute pitch,” and a fascination for the repetitive patterns in sound. The children can process both language and everyday sounds as though they were music. This drives exceptional musical development, but at the cost of language and an appreciation of everyday sounds.","PeriodicalId":210705,"journal":{"name":"The Oxford Handbook of Music and the Brain","volume":"120 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2018-10-09","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"128337471","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Network Neuroscience: An Introduction to Graph Theory Network-Based Techniques for Music and Brain Imaging Research 网络神经科学:音乐和脑成像研究的图论网络技术导论
The Oxford Handbook of Music and the Brain Pub Date : 2018-10-09 DOI: 10.1093/OXFORDHB/9780198804123.013.5
Robin W. Wilkins
{"title":"Network Neuroscience: An Introduction to Graph Theory Network-Based Techniques for Music and Brain Imaging Research","authors":"Robin W. Wilkins","doi":"10.1093/OXFORDHB/9780198804123.013.5","DOIUrl":"https://doi.org/10.1093/OXFORDHB/9780198804123.013.5","url":null,"abstract":"This chapter provides an introduction to network neuroscience techniques for music and brain imaging research. Key to this chapter is a background to the field of network science more broadly, as an approach to the study of complex systems, in addition to the more currently accepted graph theory techniques and applied analysis methods within network neuroscience. The focus of the chapter is on two main components. First, an introduction to network-based techniques that may be successfully applied to neuroimaging data for understanding structural and functional brain connectivity. Second, some of the more recent results and implications from the application of these techniques to fMRI data for advancing our understanding of the effects of music and musical training on structural and functional brain networks. Ultimately, the promising evidence resulting from the application of network-based techniques may help resolve fundamental questions surrounding the effects of music on the brain.","PeriodicalId":210705,"journal":{"name":"The Oxford Handbook of Music and the Brain","volume":"20 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2018-10-09","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"117038015","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 2
Cerebral Organization of Music Processing 音乐加工的大脑组织
The Oxford Handbook of Music and the Brain Pub Date : 2018-10-09 DOI: 10.1093/OXFORDHB/9780198804123.013.6
Thenille Braun Janzen, M. Thaut
{"title":"Cerebral Organization of Music Processing","authors":"Thenille Braun Janzen, M. Thaut","doi":"10.1093/OXFORDHB/9780198804123.013.6","DOIUrl":"https://doi.org/10.1093/OXFORDHB/9780198804123.013.6","url":null,"abstract":"This chapter presents a broad panorama of the current knowledge concerning the anatomical and functional basis of music processing in the healthy brain. Neuroimaging studies developed over the past 20 years provide evidence that music processing takes place in widely distributed neural networks. Here, attention is focused on core brain networks implicated in music processing, emphasizing the anatomical and functional interactions between cortical and subcortical areas within auditory-frontal networks, auditory-motor networks, and auditory-limbic networks. Finally, the authors review recent studies investigating how brain networks organize themselves in a naturalistic music listening context. Collectively, this robust body of literature demonstrates that music processing requires timely coordination of large-scale cognitive, motor, and limbic brain networks, setting the stage for a new generation of music neuroscience research on the dynamic organization of brain networks underlying music processing.","PeriodicalId":210705,"journal":{"name":"The Oxford Handbook of Music and the Brain","volume":"16 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2018-10-09","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"127078385","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 8
Music and Attention, Executive Function, and Creativity 音乐和注意力，执行功能和创造力
The Oxford Handbook of Music and the Brain Pub Date : 2018-10-09 DOI: 10.1093/OXFORDHB/9780198804123.013.12
P. Loui, R. Guetta
{"title":"Music and Attention, Executive Function, and Creativity","authors":"P. Loui, R. Guetta","doi":"10.1093/OXFORDHB/9780198804123.013.12","DOIUrl":"https://doi.org/10.1093/OXFORDHB/9780198804123.013.12","url":null,"abstract":"This chapter provides an overview of research at the intersection of music and cognitive functions. Music, an intrinsically creative art form, requires bottom-up and top-down perceptual processing, attention, and integration of executive functions. Literature on music and attention spans debates on selection theories, and the role of temporal attention and neuronal entrainment. Attention is a subset of executive functioning, goal-directed processes including conflict monitoring, task switching, and working memory. Considerable research has addressed the effects of musical training on executive functions, with contrasting reports of success in far transfer. Finally, contrary to goal-directed processes, creativity entails unconstrained thought processes that yield novel output. Perhaps due to the unrestricted nature of both music and creativity, the relevant research has also been variable. Considering these seemingly disparate aspects of cognitive function in tandem can inspire new and interesting research questions, promoting a more cohesive conceptualization of music within cognitive science more generally.","PeriodicalId":210705,"journal":{"name":"The Oxford Handbook of Music and the Brain","volume":"26 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2018-10-09","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"126065857","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 6
Cultural Distance: A Computational Approach to Exploring Cultural Influences on Music Cognition 文化距离:探索文化对音乐认知影响的计算方法
The Oxford Handbook of Music and the Brain Pub Date : 2018-10-09 DOI: 10.1093/OXFORDHB/9780198804123.013.3
M. Thaut, D. Hodges, Steven J. Morrison, Steven M. Demorest, M. Pearce
{"title":"Cultural Distance: A Computational Approach to Exploring Cultural Influences on Music Cognition","authors":"M. Thaut, D. Hodges, Steven J. Morrison, Steven M. Demorest, M. Pearce","doi":"10.1093/OXFORDHB/9780198804123.013.3","DOIUrl":"https://doi.org/10.1093/OXFORDHB/9780198804123.013.3","url":null,"abstract":"Although music is a universal phenomenon, the structural features that characterize specific music traditions reflect the unique cultures in which those traditions reside. Consequently, encounters with music from other cultures can present difficulties if the structures and patterns of that music are too different from those of one’s home culture. This chapter proposes cultural distance as a way to conceptualize the cognitive dimension of cross-cultural music interactions. It hypothesizes that an individual’s efficacy at processing a particular culture’s music depends on the degree to which the statistical patterns of pitch and rhythm in that tradition resemble those of one’s own music. The chapter employs a computational model (IDyOM) to determine the intervallic and rhythmic patterns within culture-specific music corpora and the extent of difference between cultures and between specific pieces within a culture. This computational approach offers a more fine-grained correlational means for modeling similarities and differences in cross-cultural music cognition research.","PeriodicalId":210705,"journal":{"name":"The Oxford Handbook of Music and the Brain","volume":"40 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2018-10-09","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"134020933","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 6
Brain Research in Music Performance 音乐表演中的大脑研究
The Oxford Handbook of Music and the Brain Pub Date : 2018-10-09 DOI: 10.1093/OXFORDHB/9780198804123.013.19
E. Altenmüller, S. Furuya, Daniel S Scholz, C. I. Ioannou
{"title":"Brain Research in Music Performance","authors":"E. Altenmüller, S. Furuya, Daniel S Scholz, C. I. Ioannou","doi":"10.1093/OXFORDHB/9780198804123.013.19","DOIUrl":"https://doi.org/10.1093/OXFORDHB/9780198804123.013.19","url":null,"abstract":"This chapter summarizes research on the effects of musical training on brain function, brain connectivity, and brain structure. First, it addresses factors inducing and continuously driving brain plasticity in dedicated musicians, arguing that prolonged goal-directed practice, multisensory–motor integration, high arousal, and emotional and social rewards contribute to these plasticity-induced brain adaptations. Subsequently, the chapter briefly reviews the neuroanatomy and neurophysiology underpinning musical activities by focusing on motor planning and motor control. A review of the literature on functional changes in brain activation and brain connectivity along with the acquisition of musical skills is provided. Structural adaptions in the gray matter of the brain and in fiber tract density associated with music learning are critically discussed. Finally, the chapter addresses the phenomenon of de-expertise, when intensive music-making induces dysfunctional changes of brain networks.","PeriodicalId":210705,"journal":{"name":"The Oxford Handbook of Music and the Brain","volume":"37 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2018-10-09","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"117350380","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Music and Language 音乐与语言
The Oxford Handbook of Music and the Brain Pub Date : 2018-10-09 DOI: 10.1093/OXFORDHB/9780198804123.013.16
D. Schön, Benjamin Morillon
{"title":"Music and Language","authors":"D. Schön, Benjamin Morillon","doi":"10.1093/OXFORDHB/9780198804123.013.16","DOIUrl":"https://doi.org/10.1093/OXFORDHB/9780198804123.013.16","url":null,"abstract":"This chapter begins with a historical approach that explains why music and language have long been considered as modular and as such independent brain functions. It shows some methodological limitations of the neuropsychological and neuroimaging approach in interpreting differences between music and language neural substrates. The chapter advocates for the use of a truly comparative approach to study differences and commonalities between music and language. It then highlights several common functions and operations necessary in both language and music processing and presents the sharing resource hypothesis. The study of the effects of music training and music stimulation on language processing is a privileged avenue to unravel the relation of common operations and their specific nature at the algorithmic level. The chapter concludes with a focus on the temporal dimension and the dynamic nature of oscillatory activity and their role in temporal prediction in music and language.","PeriodicalId":210705,"journal":{"name":"The Oxford Handbook of Music and the Brain","volume":"42 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2018-10-09","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"130939371","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Music through the Lens of Cultural Neuroscience 文化神经科学视角下的音乐
The Oxford Handbook of Music and the Brain Pub Date : 2018-10-09 DOI: 10.1093/OXFORDHB/9780198804123.013.2
D. Hodges
{"title":"Music through the Lens of Cultural Neuroscience","authors":"D. Hodges","doi":"10.1093/OXFORDHB/9780198804123.013.2","DOIUrl":"https://doi.org/10.1093/OXFORDHB/9780198804123.013.2","url":null,"abstract":"A central thesis of this chapter is that biological and cultural aspects of musical experiences are inextricably intertwined. Cultural neuroscience is a field of study concerned with investigating relationships between culture and brain, as expressed in a culture–behavior–brain loop model.Accordingly, musical practices of any given culture must adapt to neural constraints and contrarily, the brain adapts to cultural practices. Genetic instructions and environmental experiences interact in the development of musical expertise. The neural plasticity of the brain is likewise a factor of gene–environment interactions, as evidenced in such processes as neural pruning and myelination. Infant musical behaviors are an amalgam of genetic predispositions and learning experiences. The search for music universals and cross-cultural music research also provide evidence for cultural and biological influences. Virtually nothing about musical experiences is purely biological or purely cultural.","PeriodicalId":210705,"journal":{"name":"The Oxford Handbook of Music and the Brain","volume":"1 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2018-10-09","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"114663570","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 3
Genomics Approaches for Studying Musical Aptitude and Related Traits 研究音乐天赋及其相关特征的基因组学方法
The Oxford Handbook of Music and the Brain Pub Date : 2018-10-01 DOI: 10.1093/OXFORDHB/9780198804123.013.18
I. Järvelä
{"title":"Genomics Approaches for Studying Musical Aptitude and Related Traits","authors":"I. Järvelä","doi":"10.1093/OXFORDHB/9780198804123.013.18","DOIUrl":"https://doi.org/10.1093/OXFORDHB/9780198804123.013.18","url":null,"abstract":"Although music and other forms of art can develop in diverse directions, they are linked to the genetic profiles of populations. Analysis of music-related human traits using the methods of genomics revealed that genetic loci containing genes for inner ear development, auditory pathways, and cognition are linked to musical aptitude. Analysis of the human transcriptome after listening to music and music performance plus genome-wide analysis of the selection regions in the human genome uncovered the activities of genes affecting hearing, birdsong, cognition, and language development. These data suggest that music and language share a common evolutionary background. In addition, identification of several genes (e.g., SNCA, RGS2, RGS9) known to contribute to dopaminergic metabolism supports the role of the dopaminergic pathway as a mediator of the effects of music in the human body.","PeriodicalId":210705,"journal":{"name":"The Oxford Handbook of Music and the Brain","volume":"88 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2018-10-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"126204648","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
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