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The Oxford Handbook of Music and the Brain最新文献

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Musical Expertise and Brain Structure: The Causes and Consequences of Training 音乐专长和大脑结构:训练的原因和后果
The Oxford Handbook of Music and the Brain Pub Date : 2019-07-25 DOI: 10.1093/OXFORDHB/9780198804123.013.17
V. Penhune
{"title":"Musical Expertise and Brain Structure: The Causes and Consequences of Training","authors":"V. Penhune","doi":"10.1093/OXFORDHB/9780198804123.013.17","DOIUrl":"https://doi.org/10.1093/OXFORDHB/9780198804123.013.17","url":null,"abstract":"Brain imaging studies have demonstrated that music training can change brain structure, predominantly in the auditor-motor network that underlies music performance. The chapter argues that the observed differences in brain structure between experts and novices, and the changes that occur with training derive from at least four sources: first, pre-existing individual differences that promote certain skills; second, lengthy and consistent training which likely produces structural changes in the brain networks tapped by performance; third, practice during specific periods of development which may result in changes that do not occur at other periods of time; fourth, the rewarding nature of music itself, as well as the reward value of practice which may make music training a particularly effective driver of brain plasticity.","PeriodicalId":210705,"journal":{"name":"The Oxford Handbook of Music and the Brain","volume":"105 2 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2019-07-25","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"122630546","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 11
Neural Basis of Music Perception: Melody, Harmony, and Timbre 音乐感知的神经基础:旋律、和声和音色
The Oxford Handbook of Music and the Brain Pub Date : 2019-07-25 DOI: 10.1093/OXFORDHB/9780198804123.013.9
S. Koelsch
{"title":"Neural Basis of Music Perception: Melody, Harmony, and Timbre","authors":"S. Koelsch","doi":"10.1093/OXFORDHB/9780198804123.013.9","DOIUrl":"https://doi.org/10.1093/OXFORDHB/9780198804123.013.9","url":null,"abstract":"During listening, acoustic features of sounds are extracted in the auditory system (in the auditory brainstem, thalamus, and auditory cortex). To establish auditory percepts of melodies and rhythms (i.e., to establish auditory “Gestalten” and auditory objects), sound information is buffered and processed in the auditory sensory memory. Musical structure is then processed based on acoustical similarities and rhythmical organization. In addition, musical structure is processed according to (implicit) knowledge about musical regularities underlying scales, melodic and harmonic progressions, and so on. These structures are based on both local and (hierarchically organized) nonlocal dependencies. This chapter reviews neural correlates of these processes, with regard to both brain-electric responses to sounds, and the neuroanatomical architecture of music perception.","PeriodicalId":210705,"journal":{"name":"The Oxford Handbook of Music and the Brain","volume":"26 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2019-07-25","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"127760864","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 1
Musical Disorders 音乐的障碍
The Oxford Handbook of Music and the Brain Pub Date : 2019-02-11 DOI: 10.1093/oxfordhb/9780198804123.013.30
Isabelle Royal, S. Paquette, P. Tranchant
{"title":"Musical Disorders","authors":"Isabelle Royal, S. Paquette, P. Tranchant","doi":"10.1093/oxfordhb/9780198804123.013.30","DOIUrl":"https://doi.org/10.1093/oxfordhb/9780198804123.013.30","url":null,"abstract":"Nearly everyone is exposed to music on a daily basis and the human brain is equipped with the necessary neural architecture to naturally acquire musical abilities during early development. Despite the universality of music, a minority of individuals present with very specific musical deficits that cannot be attributed to a general auditory dysfunction, intellectual disability, or a lack of musical exposure. These musical deficiencies can either be present from birth (congenital amusia, beat finding disorder) or acquired following a neurological event (acquired amusia). The purpose of the present chapter is to provide an overview of these intriguing musical disorders, highlight their common and different underlying features, and to demonstrate how they represent a unique opportunity to study brain function and to isolate brain areas that play a specific role in musical processing.","PeriodicalId":210705,"journal":{"name":"The Oxford Handbook of Music and the Brain","volume":"517 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2019-02-11","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"133530736","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Neural Mechanisms of Musical Imagery 音乐意象的神经机制
The Oxford Handbook of Music and the Brain Pub Date : 2018-12-11 DOI: 10.1093/OXFORDHB/9780198804123.013.21
T. Hubbard
{"title":"Neural Mechanisms of Musical Imagery","authors":"T. Hubbard","doi":"10.1093/OXFORDHB/9780198804123.013.21","DOIUrl":"https://doi.org/10.1093/OXFORDHB/9780198804123.013.21","url":null,"abstract":"Findings regarding the neural mechanisms of musical imagery are summarized, and both auditory and motor components of musical imagery are considered. Similarities of musical imagery and music perception (involving results from studies using behavioral and psychophysical methods, clinical data from brain-damaged patients, electrophysiology, and brain imaging), examples of involuntary musical imagery (involving anticipatory musical imagery, musical hallucinations, schizophrenia, earworms, and synesthesia), and aspects of embodied aspects of musical imagery (involving spatial and force metaphors, mimicry, the inner ear/inner voice distinction, effects of mental practice and performance, dance and other motor acts, and musical affect) are considered. It is concluded that many neural mechanisms involved in musical imagery are similar to neural mechanisms involved in music perception, cognition, and production. The importance of motor activation to musical imagery is highlighted, and the importance of an embodied approach to musical imagery is discussed.","PeriodicalId":210705,"journal":{"name":"The Oxford Handbook of Music and the Brain","volume":"200 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2018-12-11","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"114966629","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 5
Neural Correlates of Music and Emotion 音乐和情感的神经关联
The Oxford Handbook of Music and the Brain Pub Date : 2018-12-11 DOI: 10.1093/oxfordhb/9780198804123.013.13
P. Juslin, Laura S. Sakka
{"title":"Neural Correlates of Music and Emotion","authors":"P. Juslin, Laura S. Sakka","doi":"10.1093/oxfordhb/9780198804123.013.13","DOIUrl":"https://doi.org/10.1093/oxfordhb/9780198804123.013.13","url":null,"abstract":"This chapter presents a theoretical and empirical review of studies of the neural correlates of emotional responses to music. First, it outlines basic definitions and distinctions of the field of music and affect. Second, it describes an extensive theoretical framework that may serve to organize the domain. Third, the authors review seventy-eight empirical studies (e.g., PET/fMRI, EEG, lesion studies) conducted between 1982 and 2016. They distinguish different empirical approaches to music and emotion in brain research and draw some general conclusions based on the results so far. The review reveals that some brain areas have been more or less consistently reported across studies, with partly distinct patterns for perception and induction of emotions, but that we still do not know what role each brain region plays in the emotion process. This is largely due to a lack of studies that attempt to manipulate underlying psychological mechanisms in a systematic manner. The chapter concludes by discussing the implications of the results and by making methodological recommendations for future research.","PeriodicalId":210705,"journal":{"name":"The Oxford Handbook of Music and the Brain","volume":"22 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2018-12-11","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"127103534","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 3
New Horizons for Brain Research in Music 音乐大脑研究的新视野
The Oxford Handbook of Music and the Brain Pub Date : 2018-12-11 DOI: 10.1093/OXFORDHB/9780198804123.013.33
M. Thaut, D. Hodges
{"title":"New Horizons for Brain Research in Music","authors":"M. Thaut, D. Hodges","doi":"10.1093/OXFORDHB/9780198804123.013.33","DOIUrl":"https://doi.org/10.1093/OXFORDHB/9780198804123.013.33","url":null,"abstract":"This final chapter of The Oxford Handbook of Music and Neuroscience tries to appraise potential new horizons for future brain-based research in music, including new trajectories in the neuroscience of music perception and production, clinical applications, music learning, musician health, and intersections of biology, culture, and aesthetics. The study of music as a science and an object of scientific inquiry has actually a long and rich history in human culture and the more prevalent belief that music should, as one of its primary functions, express and induce emotions, is a relatively recent one—firmly implanted only since the early nineteenth-century Romantic period (Berlyne, 1971). The evidence presented in the previous chapters has provided a comprehensive basis to shape a future architecture of basic and applied neuroscience research in music, whose outlines are sketched out here. Therefore, as a draft for future possibilities, this chapter contains few new references. The references for this chapter are the previous chapters.","PeriodicalId":210705,"journal":{"name":"The Oxford Handbook of Music and the Brain","volume":"21 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2018-12-11","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"134352579","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Music and Memory 音乐与记忆
The Oxford Handbook of Music and the Brain Pub Date : 2018-12-11 DOI: 10.1093/OXFORDHB/9780198804123.013.11
Lutz Jäncke, Michael H. Thaut, Donald A. Hodges
{"title":"Music and Memory","authors":"Lutz Jäncke, Michael H. Thaut, Donald A. Hodges","doi":"10.1093/OXFORDHB/9780198804123.013.11","DOIUrl":"https://doi.org/10.1093/OXFORDHB/9780198804123.013.11","url":null,"abstract":"Music is encoded and stored in different memory systems. These memory systems overlap with “classical” non-musical memory systems to a large extent. However, there are also some specific features that are associated with music memory. This chapter describes the memory processes and their neural underpinnings which are involved during music listening and remembering of music. One specific feature of music memory is that music encoding, storing, and retrieval are associated with neurophysiological activations controlled by a widely distributed network, indicating that lots of information is activated by the musical content. This distributed network activation could be the key to understanding the often reported and suggested beneficial influences of music on non-music memory information.","PeriodicalId":210705,"journal":{"name":"The Oxford Handbook of Music and the Brain","volume":"3 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2018-12-11","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"127987741","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
The Neuroscientific Study of Music: A Burgeoning Discipline 音乐的神经科学研究:一门新兴学科
The Oxford Handbook of Music and the Brain Pub Date : 2018-12-11 DOI: 10.1093/OXFORDHB/9780198804123.013.1
D. Hodges, M. Thaut
{"title":"The Neuroscientific Study of Music: A Burgeoning Discipline","authors":"D. Hodges, M. Thaut","doi":"10.1093/OXFORDHB/9780198804123.013.1","DOIUrl":"https://doi.org/10.1093/OXFORDHB/9780198804123.013.1","url":null,"abstract":"Numerous pioneers laid the groundwork for current neuromusical research. Beginning with Franz Joseph Gall in the eighteenth century, and continuing with John Hughlings Jackson, August Knoblauch, Richard Wallaschek, and others, these early forerunners were interested in localizing musicality in the brain and learning more about how music is processed in both healthy individuals and those with dysfunctions of various kinds. Since then, research literature has mushroomed, especially in the latter part of the twentieth and early twenty-first centuries. The current volume features the work of fifty-four authors who have contributed over 350,000 words in thirty-three chapters. These chapters are organized into sections on music, the brain, and cultural contexts; music processing in the human brain; neural responses to music; musicianship and brain function; developmental issues in music and the brain; music, the brain, and health; and the future.","PeriodicalId":210705,"journal":{"name":"The Oxford Handbook of Music and the Brain","volume":"23 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2018-12-11","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"127470908","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 2
Music Training and Cognitive Abilities: Associations, Causes, and Consequences 音乐训练和认知能力:关联、原因和结果
The Oxford Handbook of Music and the Brain Pub Date : 2018-10-09 DOI: 10.1093/OXFORDHB/9780198804123.013.26
Swathi Swaminathan, E. G. Schellenberg
{"title":"Music Training and Cognitive Abilities: Associations, Causes, and Consequences","authors":"Swathi Swaminathan, E. G. Schellenberg","doi":"10.1093/OXFORDHB/9780198804123.013.26","DOIUrl":"https://doi.org/10.1093/OXFORDHB/9780198804123.013.26","url":null,"abstract":"This chapter evaluates the evidence that music training leads to improved cognitive abilities. It considers whether music training is associated with measures of general cognitive abilities, visuospatial abilities, and language abilities, as well as with real-world measures such as academic achievement and healthy aging. Although positive associations with music training are evident in each instance, causal evidence is lacking, inconsistent, or weak. The one exception appears to be specialized music training that focuses on listening skills and rhythm perception, which seems to improve listening skills more generally. Improved phonological awareness can, in turn, lead to improvements in reading, particularly for young children who are beginning to read, or for children with dyslexia. Otherwise, associations with music training appear to be the consequence of individual differences in demographics, personality, music aptitude, and cognitive ability, which influence who takes music lessons, particularly for extended durations of time.","PeriodicalId":210705,"journal":{"name":"The Oxford Handbook of Music and the Brain","volume":"28 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2018-10-09","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"127538852","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 14
When Extravagance Impresses: Recasting Esthetics in Evolutionary Terms 当奢华令人印象深刻:从进化的角度重新塑造美学
The Oxford Handbook of Music and the Brain Pub Date : 2018-10-09 DOI: 10.1093/OXFORDHB/9780198804123.013.4
B. Merker
{"title":"When Extravagance Impresses: Recasting Esthetics in Evolutionary Terms","authors":"B. Merker","doi":"10.1093/OXFORDHB/9780198804123.013.4","DOIUrl":"https://doi.org/10.1093/OXFORDHB/9780198804123.013.4","url":null,"abstract":"The “developmental stress hypothesis”—an extension of Zahavi’s “handicap principle” to account for the complexity and repertoire size of learned birdsong—harbors far-reaching implications for our understanding of human song and music, implications explored in this chapter. The assessment of song quality in species with vocal learning is proposed to engage a Bayesian-type neural mechanism whose emotional dimension spans from boredom, to interest/curiosity, and further—via a hedonic reversal—to being impressed or moved, with awe and a sense of sublimity at its high end. Music therefore achieves its psychological impact not by carrying language-like “meaning,” nor by being a “language of emotions,” but through its interaction with a basic perceptual/cognitive mechanism operating within the constraints of cultural traditions of learned patterned lore. The principles underpinning this analysis extend beyond music to human esthetics generally.","PeriodicalId":210705,"journal":{"name":"The Oxford Handbook of Music and the Brain","volume":"1 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2018-10-09","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"130058003","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 3
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