{"title":"Leveraging Online Audio Commons Content for Media Production","authors":"Anna Xambó, F. Font, György Fazekas, M. Barthet","doi":"10.4324/9781315106335-10","DOIUrl":"https://doi.org/10.4324/9781315106335-10","url":null,"abstract":"With the advent of online audio resources and web technologies, digital tools for sound designers and music producers are changing. The Internet provides access to hundreds of thousands of digital audio files, from humanand nature-related environmental sounds, instrument samples and sound effects, to produced songs ready to use in media production. In relation to the vast amount of creative content available online, an emerging community has forged a culture of sharing. Creative Commons (CC) appears as a legal framework to support such initiative enabling the reuse and remix of creative artefacts. In this chapter, we discuss key concepts and challenges related to the use of CC online audio content (Audio Commons content) for linear media production. We present five use cases connected to the Audio Commons Initiative, illustrating how the gap between audio content creators, digital content providers, sound designers and music producers can be bridged using a web infrastructure and user-friendly tools. The use cases cover various creative production workflows from composition to performance. This chapter discusses novel tools enabling users to “surf” the web in search of sounds matching a creative brief, to import and process CC-licensed audio in the DAW, or to play live performances with laptop ensembles making use of responsive web audio technologies.","PeriodicalId":207155,"journal":{"name":"Foundations in Sound Design for Linear Media","volume":"10 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2019-07-09","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"114215479","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Music Theory for Sound Designers","authors":"Adam Melvin, B. Bridges","doi":"10.4324/9781315106335-9","DOIUrl":"https://doi.org/10.4324/9781315106335-9","url":null,"abstract":"","PeriodicalId":207155,"journal":{"name":"Foundations in Sound Design for Linear Media","volume":"80 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2019-06-28","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"126367096","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Mixing and Mastering","authors":"Paul Geluso","doi":"10.4324/9781315106335-6","DOIUrl":"https://doi.org/10.4324/9781315106335-6","url":null,"abstract":"","PeriodicalId":207155,"journal":{"name":"Foundations in Sound Design for Linear Media","volume":"27 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2019-06-19","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"117343352","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Designing Sound for 3D Films","authors":"Damian Candusso","doi":"10.4324/9781315106335-7","DOIUrl":"https://doi.org/10.4324/9781315106335-7","url":null,"abstract":"This chapter gives an overview of the state-of-play of sound for 3D films and explores the industry adoption of digital 3D into the cinema, with a focus on the creation and exhibition of the soundtrack and its relationship with the image. An overview of the technological advancements in the editing, mixing and exhibition of 3D film is provided, including consideration of immersive sound formats. Designing soundtracks specifically for 3D films is presented from sound acquisition to final exhibition. There is also discussion on the use of the cinema space and the articulation of language needed to define sound placement.","PeriodicalId":207155,"journal":{"name":"Foundations in Sound Design for Linear Media","volume":"459 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2019-06-19","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"122736942","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"The Nature of Sound and Recording","authors":"Andrew Knight-Hill","doi":"10.4324/9781315106335-1","DOIUrl":"https://doi.org/10.4324/9781315106335-1","url":null,"abstract":"","PeriodicalId":207155,"journal":{"name":"Foundations in Sound Design for Linear Media","volume":"159 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2019-06-19","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"130043699","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Sound Ontologies","authors":"D. Mauro, A. Valle","doi":"10.4324/9781315106335-11","DOIUrl":"https://doi.org/10.4324/9781315106335-11","url":null,"abstract":"","PeriodicalId":207155,"journal":{"name":"Foundations in Sound Design for Linear Media","volume":"25 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2019-06-19","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"126569074","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
George M. Kalliris, Charalampos A. Dimoulas, María Matsiola
{"title":"Media Management, Sound Editing and Mixing","authors":"George M. Kalliris, Charalampos A. Dimoulas, María Matsiola","doi":"10.4324/9781315106335-3","DOIUrl":"https://doi.org/10.4324/9781315106335-3","url":null,"abstract":"","PeriodicalId":207155,"journal":{"name":"Foundations in Sound Design for Linear Media","volume":"43 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2019-06-19","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"115302361","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"From Feeling Vibrations to Building Audiovisual Scenes","authors":"I. Delmotte","doi":"10.4324/9781315106335-15","DOIUrl":"https://doi.org/10.4324/9781315106335-15","url":null,"abstract":"","PeriodicalId":207155,"journal":{"name":"Foundations in Sound Design for Linear Media","volume":"22 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2019-06-19","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"131648249","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Audio Effects in Sound Design","authors":"B. D. Man","doi":"10.4324/9781315106335-4","DOIUrl":"https://doi.org/10.4324/9781315106335-4","url":null,"abstract":"","PeriodicalId":207155,"journal":{"name":"Foundations in Sound Design for Linear Media","volume":"25 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2019-06-19","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"125020758","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"The Mix Stems","authors":"Neil Hillman","doi":"10.4324/9781315106335-5","DOIUrl":"https://doi.org/10.4324/9781315106335-5","url":null,"abstract":"","PeriodicalId":207155,"journal":{"name":"Foundations in Sound Design for Linear Media","volume":"74 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2019-06-19","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"129636256","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
京公网安备 11010802042870号
求助内容：
应助结果提醒方式：