Leveraging Online Audio Commons Content for Media Production

Anna Xambó, F. Font, György Fazekas, M. Barthet
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引用次数: 4

Abstract

With the advent of online audio resources and web technologies, digital tools for sound designers and music producers are changing. The Internet provides access to hundreds of thousands of digital audio files, from humanand nature-related environmental sounds, instrument samples and sound effects, to produced songs ready to use in media production. In relation to the vast amount of creative content available online, an emerging community has forged a culture of sharing. Creative Commons (CC) appears as a legal framework to support such initiative enabling the reuse and remix of creative artefacts. In this chapter, we discuss key concepts and challenges related to the use of CC online audio content (Audio Commons content) for linear media production. We present five use cases connected to the Audio Commons Initiative, illustrating how the gap between audio content creators, digital content providers, sound designers and music producers can be bridged using a web infrastructure and user-friendly tools. The use cases cover various creative production workflows from composition to performance. This chapter discusses novel tools enabling users to “surf” the web in search of sounds matching a creative brief, to import and process CC-licensed audio in the DAW, or to play live performances with laptop ensembles making use of responsive web audio technologies.
利用在线音频共享内容进行媒体制作
随着在线音频资源和网络技术的出现,声音设计师和音乐制作人的数字工具正在发生变化。互联网提供了成千上万的数字音频文件,从与人类和自然有关的环境声音,乐器样本和声音效果,到准备在媒体制作中使用的制作歌曲。由于网上有大量的创意内容,一个新兴的社区已经形成了一种分享的文化。知识共享(CC)作为一个法律框架出现,以支持这样的倡议,使创造性的人工制品能够重用和再混合。在本章中,我们将讨论与使用CC在线音频内容(音频共享内容)进行线性媒体制作相关的关键概念和挑战。我们提出了与音频共享计划相关的五个用例,说明了如何使用网络基础设施和用户友好的工具来弥合音频内容创作者、数字内容提供商、声音设计师和音乐制作人之间的差距。这些用例涵盖了从构图到表演的各种创意生产工作流程。本章讨论了新颖的工具,使用户能够在网上“冲浪”,搜索与创意简报相匹配的声音,在DAW中导入和处理cc许可的音频,或者使用响应式网络音频技术与笔记本电脑合奏进行现场表演。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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