Pamiętnik Teatralny最新文献_第9页

Błąd Epimeteusza? Teatr w sieci technik i technologii

Pamiętnik Teatralny Pub Date : 2022-02-25 DOI: 10.36744/pt.922

Artur Duda

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Left Ruins in Ethiopia: Imagining Otherwise Amid Necroepistemic Historiography 埃塞俄比亚遗留的废墟:在死亡认识论的史学中想象

Pamiętnik Teatralny Pub Date : 2021-12-20 DOI: 10.36744/pt.992

Surafel Wondimu Abebe

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引用次数: 0

Myśleć z troską: Teatr, archiwum, historiografia

Pamiętnik Teatralny Pub Date : 2021-12-20 DOI: 10.36744/pt.1018

M. Rewerenda

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From Queer Necropolitics to Queer Eschatology: Reza Abdoh’s Unsettling Historiography 从酷儿死亡政治到酷儿末世论:礼萨·阿卜杜令人不安的史学

Pamiętnik Teatralny Pub Date : 2021-12-20 DOI: 10.36744/pt.986

Patricia Ybarra

{"title":"From Queer Necropolitics to Queer Eschatology: Reza Abdoh’s Unsettling Historiography","authors":"Patricia Ybarra","doi":"10.36744/pt.986","DOIUrl":"https://doi.org/10.36744/pt.986","url":null,"abstract":"The theatrical oeuvre of Reza Abdoh has been lauded for its reinvigoration of the avantgarde, its formal and political daring and its astute commentary about the violence of the HIV virus (Fordyce, Carlson, Mufson, Bell). More recently, Abdoh’s work has been taken up as a commentary on neoliberalism—in part because of its politicization of bricolage and pastiche, recalling the more radical possibilities of theorizations of scholars such as Frederic Jameson (Zimmerman). Others have called out the modes by which Abdoh expanded the possibilities of queerness in the early 1990s. Yet no scholar has commented on Abdoh’s engagement of eschatology as a mode of historiography. That is the purpose of this essay. It is under this rubric, rather than an idea of generic postmodern milieu, that I read the multiple and discordant temporalities in Abdoh’s performances. While drawing on theories of the necropolitical (Mbembe) and gore capitalism (Valencia) in relation to conceptions of queer eschatology and capitalist violence, my inquiry emerges from consideration of the structural and theoretical aspects of the art works (“object’s”) themselves. I consider how Father Was a Peculiar Man (1990), performed in the Meatpacking District of Manhattan, exemplifies the historiographical possibilities of performance through its embodiment of an eschatological vision of the world in which the gender binary is performatively undone.","PeriodicalId":206887,"journal":{"name":"Pamiętnik Teatralny","volume":"264 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2021-12-20","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"115679684","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

引用次数: 0

«Lemma»: Jay Wright’s Idiorrhythmic American Theater 《引理》:杰伊·赖特的Idiorrhythmic美国戏剧

Pamiętnik Teatralny Pub Date : 2021-12-20 DOI: 10.36744/pt.985

Will Daddario

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Performance, Politics, and Historiography in and out of Time: American Responses to the Paris Commune 表演、政治和史学在时代内外:美国人对巴黎公社的反应

Pamiętnik Teatralny Pub Date : 2021-12-20 DOI: 10.36744/pt.983

Loren Kruger

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引用次数: 0

Unisono 声音

Pamiętnik Teatralny Pub Date : 2021-12-20 DOI: 10.36744/pt.1008

Dorota Jarząbek-Wasyl

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Dinosaurs, Racial Anxiety, and Curatorial Intervention: Whiteness and Performative Historiography in the Museum 恐龙、种族焦虑和策展干预:博物馆中的白人和表演史学

Pamiętnik Teatralny Pub Date : 2021-12-20 DOI: 10.36744/pt.984

Scott Magelssen

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引用次数: 0

Missionaries and Borderlands: «The Mission Play» and Missionary Practices in Alta California 传教士和边疆:«使命游戏»和传教实践在上加利福尼亚

Pamiętnik Teatralny Pub Date : 2021-12-20 DOI: 10.36744/pt.982

David Meléndez

{"title":"Missionaries and Borderlands: «The Mission Play» and Missionary Practices in Alta California","authors":"David Meléndez","doi":"10.36744/pt.982","DOIUrl":"https://doi.org/10.36744/pt.982","url":null,"abstract":"This essay takes up a core question of this issue of Pamiętnik Teatralny: how are we to think about historiography beyond a dualism, settled in time and reflective of the status quo? With respect to the California missions, historical treatments of colonization revolve around a dualism shaped by moral dimensions of the missionary enterprise—did the missions help California Indians or harm them? Theatrical representations, like the wildly successful early twentieth century pageant drama, The Mission Play, staged a version of mission history that argued for the former. As a representation of the mission past, the play conflated missions, as institutions, with the moral character of missionaries, thus edifying a fantasy and entrenching the dualism. However, attention to missionary practices, like keeping time using the mission bell, reveal how the missions were sites where indigenous and colonial realities were in constant conflict. Through practices, relations between missionaries and indios produced a space that was neither strictly colonial nor indigenous, and yet both—a borderland. As a mode of spatial dialectics, borderlands thinking can unsettle the duality underlying representations of the mission past to question how that dualism has come into being.","PeriodicalId":206887,"journal":{"name":"Pamiętnik Teatralny","volume":"325 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2021-12-20","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"132201717","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

引用次数: 0

Marta Górnicka’s «Grundgesetz»: The Chorus as Portrait and Proxy of Political Community 玛尔塔Górnicka的«Grundgesetz»:合唱作为政治共同体的肖像和代理

Pamiętnik Teatralny Pub Date : 2021-10-13 DOI: 10.36744/pt.830

Louise Décaillet

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