Radical Americas最新文献

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Chronicling subversion: The Cronaca Sovversiva as both seditious rag and community paper 记录颠覆:《Cronaca Sovversiva》既是煽动性的破布又是社区报纸
Radical Americas Pub Date : 2018-11-14 DOI: 10.14324/111.444.RA.2018.V3.1.011
Adam E. Quinn
{"title":"Chronicling subversion: The Cronaca Sovversiva as both seditious rag and community paper","authors":"Adam E. Quinn","doi":"10.14324/111.444.RA.2018.V3.1.011","DOIUrl":"https://doi.org/10.14324/111.444.RA.2018.V3.1.011","url":null,"abstract":"The Cronaca Sovversiva (Subversive Chronicle) was an anarchist newspaper, known today for the views of editor Luigi Galleani, whose ideas are associated with multiple bombings carried out in the United States throughout the 1910s and 1920s, the First Red Scare and the executed anarchists Nicola Sacco and Bartolomeo Vanzetti. A broad reading of the Cronaca Sovversiva, which focusses on more than its connections to controversy, violence and repression, reveals how a periodical produced by a wide range of artists, writers and activists became central to how many Italian immigrants understood and engaged with industrial capitalism. This paper argues that the Cronaca Sovversiva built an audience over time by incorporating a wide range of perspectives, addressing local and global issues and linking readers with other forms of literature as well as community events and projects. Diverse works of radical literature, art and announcements in the periodical, set within the predictable, repetitious framework of a weekly community paper, allowed a germinating militant movement to develop throughout and outside the Cronaca Sovversiva’s pages.","PeriodicalId":205578,"journal":{"name":"Radical Americas","volume":"22 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2018-11-14","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"121611309","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Making fútbol straight again: Homophobia, misogyny and the politics of Alexis Sánchez’s sexuality 让fútbol再次变直:同性恋恐惧症,厌女症和亚历克西斯Sánchez性取向的政治
Radical Americas Pub Date : 2018-10-17 DOI: 10.14324/111.444.RA.2018.V3.1.003
Brenda Elsey
{"title":"Making fútbol straight again: Homophobia, misogyny and the politics of Alexis Sánchez’s sexuality","authors":"Brenda Elsey","doi":"10.14324/111.444.RA.2018.V3.1.003","DOIUrl":"https://doi.org/10.14324/111.444.RA.2018.V3.1.003","url":null,"abstract":"This essay examines the media frenzy around the ‘love-life’ of Chilean football star Alexís Sánchez, particularly the 2017 announcement of his romantic involvement with actress Mayte Rodríguez. It discusses the media coverage as a poignant example of misogyny and homophobia in Chilean football culture, as well as one of the forces that perpetuates that culture. During the years of the 2018 World Cup qualifying process, Chile accrued the most severe fines of any country for homophobic behaviour at football matches. This fact has attracted some, but not much, attention. There are few spaces of such extreme gender segregation as football. Once football’s capacity to develop proper masculinity and heterosexuality was widely accepted, football directors, journalists and fans pushed women outside of the sport. The relationship between homophobia and sexism has a long history in the construction of football fandom, play and organization. Media played a crucial role in reinforcing the heteronormative and misogynist aspects of the sport. This essay discusses how these long-standing prejudices have hurt women journalists, fans and athletes. Please note that this essay was previously published in Spanish in De Cabeza.","PeriodicalId":205578,"journal":{"name":"Radical Americas","volume":"213 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2018-10-17","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"116446283","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
‘A women’s war against war: The socialist-feminist pacifism of Four Lights: An Adventure in Internationalism’ 反对战争的妇女战争:四盏灯的社会主义-女权主义和平主义:一次国际主义的冒险
Radical Americas Pub Date : 2018-10-08 DOI: 10.14324/111.444.RA.2018.V3.1.017
R. Schreiber
{"title":"‘A women’s war against war: The socialist-feminist pacifism of Four Lights: An Adventure in Internationalism’","authors":"R. Schreiber","doi":"10.14324/111.444.RA.2018.V3.1.017","DOIUrl":"https://doi.org/10.14324/111.444.RA.2018.V3.1.017","url":null,"abstract":"The New York City Women’s Peace Party (NYC-WPP) published the first issue of Four Lights: An Adventure in Internationalism on 27 January 1917. The inaugural issue opened with the founders’ mission to ‘voice the young, uncompromising woman’s peace movement in America’ and declared the publication’s anti-war and anti-militarist position to be ‘daring and immediate’. In the short span of the nine months between January and October that Four Lights issued fortnightly numbers, its editors staked and held onto the staunch anti-war stance and Four Lights braided pacifism together with feminism. Their entwined anti-capitalist perspectives on gender, labour, class and race can be understood as anticipating intersectional feminism. Not nearly as well known as The Woman Citizen, The Suffragist and other publications of the women’s national suffrage and Progressive presses, Four Lights offers a fascinating glimpse into the thinking of the most ardent pacifists of the 1910s. This study of Four Lights illuminates this history and situates the journal’s critical place in the history of radical American periodicals.","PeriodicalId":205578,"journal":{"name":"Radical Americas","volume":"116 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2018-10-08","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"115380792","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
‘Watching the Waters’: Tropic flows in the Harlem Renaissance, Black Internationalism and other currents 《看水》:哈莱姆文艺复兴、黑人国际主义和其他思潮中的热带潮流
Radical Americas Pub Date : 2018-09-21 DOI: 10.14324/111.444.RA.2018.V3.1.013
J. Peake
{"title":"‘Watching the Waters’: Tropic flows in the Harlem Renaissance, Black Internationalism and other currents","authors":"J. Peake","doi":"10.14324/111.444.RA.2018.V3.1.013","DOIUrl":"https://doi.org/10.14324/111.444.RA.2018.V3.1.013","url":null,"abstract":"The ‘Harlem Renaissance’ is now a dominant term for what is commonly used to describe a cultural movement that emerged between the First and Second World Wars. The term became the hegemonic around the early 1970s, displacing similar, yet distinct, alternatives including the New Negro, the New Negro movement and the Negro/Black Renaissance.\u0000 This essay traces a genealogy of such terms, metanarratives and historiographical currents. The aim here is to demonstrate how the hegemony of the term Harlem Renaissance is linked to its institutionalization as a subject and the rise of Black studies in the United States. The weighting of Harlem as a geographical reference point both localized and nationalized the subject area which resulted in a selective historiography and diminished the transnational dimensions of the New Negro and the Negro Renaissance. The framework is trans-American and the scope transnational, while the chronology covers an inner 1890s–1940s period, and a broad outer period which begins in 1701 and spans post-WWII writing. In marking these flows, this essay problematizes the notion of distinct political or cultural channels of the ‘movement’ or ‘movements’. Recent scholarship attentive to some of the limitations of earlier Harlem Renaissance studies has illustrated the intertwined relationship of political, often radical, and artistic-aesthetic aspects of early twentieth-century black cultural activity and the key role played by Caribbeans. Drawing on these insights, this essay outlines that the transnational aspects of a black-centred cultural phenomenon have been better understood through a greater emphasis on Caribbean cross-currents.","PeriodicalId":205578,"journal":{"name":"Radical Americas","volume":"24 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2018-09-21","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"132269981","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 2
Rebel Youths: English-language anarchist periodicals of the Great Depression, 1932–1939 叛逆青年:大萧条时期的英语无政府主义期刊,1932-1939
Radical Americas Pub Date : 2018-09-18 DOI: 10.14324/111.444.RA.2018.V3.1.012
M. Brodie
{"title":"Rebel Youths: English-language anarchist periodicals of the Great Depression, 1932–1939","authors":"M. Brodie","doi":"10.14324/111.444.RA.2018.V3.1.012","DOIUrl":"https://doi.org/10.14324/111.444.RA.2018.V3.1.012","url":null,"abstract":"This article examines the function of anarchist periodicals in the United States during the Great Depression. Periodicals acted as forums for debate, where ideas were constantly challenged and important theoretical issues were aired. This was both within anarchism and between the wider radical movement. In addition, periodicals were important organisational tools, creating networks that connected activists across the country and helped to build the movement. Young anarchists identified English-language periodicals as vital for breaking through the linguistic barriers erected by the older generation of immigrant anarchists. The new cohort felt that the reluctance of older anarchists to engage in English-language organising was contributing to the stagnation of the movement and produced three periodicals – Vanguard, Spanish Revolution and Challenge – to address the problem. This article shows how these periodicals helped to reform and sustain anarchist militant identities in the U.S. in the 1930s. It highlights the importance of periodical networks in this process, emphasising their social and cultural value in addition to their political and financial significance. Although all the periodicals had folded by the end of 1939, they left an important legacy for the movement and provided an introduction to anarchist organising for a fresh cadre of activists.","PeriodicalId":205578,"journal":{"name":"Radical Americas","volume":"22 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2018-09-18","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"116838799","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
“We Charge Genocide”: Revisiting black radicals’ appeals to the world community1 《我们控诉种族灭绝》:重温黑人激进分子对国际社会的呼吁
Radical Americas Pub Date : 2018-08-10 DOI: 10.14324/111.444.ra.2018.v3.1.009
David Helps
{"title":"“We Charge Genocide”: Revisiting black radicals’ appeals to the world community1","authors":"David Helps","doi":"10.14324/111.444.ra.2018.v3.1.009","DOIUrl":"https://doi.org/10.14324/111.444.ra.2018.v3.1.009","url":null,"abstract":"In 1951, black radical William Patterson presented the United Nations with a petition, emblazoned with the title We Charge Genocide. The document charged the US government with snuffing out tens of thousands of black lives each year, through police violence and the systemic neglect of black citizens’ well-being. While historians have tended to discuss We Charge Genocide as a remarkable but brief episode, the petition built on prior attempts to invoke international law on behalf of African Americans and resonated with later generations of black activists whose political activism transcended more limited and domestic notions of civil rights. These later invocations of the genocide charge spanned the black left, including the Black Panther Party, the Student Non-Violent Coordinating Committee, James Baldwin and black feminists. This essay explores how the historical memory of racial violence, including settler colonialism and the slave trade, inspired an ideologically diverse array of organizations to each connect their experience to global histories of racial oppression. It stresses the internationalist and anticolonial perspective of the genocide charge and its proponents’ economic and transnational critique, thereby contributing to the historiographies of the long civil rights movement and black radicalism. By invoking international law, these black radicals connected the civil rights movement in the US to the struggle for human rights worldwide. Finally, the essay considers how integrating the local, national and global scales of racialized violence and its response enables historians to transnationalize the long civil rights movement paradigm.","PeriodicalId":205578,"journal":{"name":"Radical Americas","volume":"36 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2018-08-10","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"129514339","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 3
Heather Ann Thompson, Blood in The Water. The Attica Prison Uprising of 1971 and Its Legacy, (NY: Pantheon Books, 2016), 724pp., $35 希瑟·安·汤普森,《水中之血》。1971年阿提卡监狱起义及其遗产,(纽约:万神殿图书,2016),724页。, 35美元
Radical Americas Pub Date : 2018-08-10 DOI: 10.14324/111.444.RA.2018.V3.1.006
G. Ricordeau
{"title":"Heather Ann Thompson, Blood in The Water. The Attica Prison Uprising of 1971 and Its Legacy, (NY: Pantheon Books, 2016), 724pp., $35","authors":"G. Ricordeau","doi":"10.14324/111.444.RA.2018.V3.1.006","DOIUrl":"https://doi.org/10.14324/111.444.RA.2018.V3.1.006","url":null,"abstract":"Review of Blood in The Water. The Attica Prison Uprising of 1971 and Its Legacy by Heather Ann Thompson.","PeriodicalId":205578,"journal":{"name":"Radical Americas","volume":"223 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2018-08-10","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"132097328","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Rafael Torrubia, Black Power and the American People: Culture and Identity in the Twentieth Century, (London: I.B. Tauris, 2016), 336pp., £69/$110 拉斐尔·托鲁比亚:《黑人权力与美国人民:二十世纪的文化与身份》(伦敦:I.B.金牛座出版社,2016),336页。,£69 / $ 110
Radical Americas Pub Date : 2018-08-10 DOI: 10.14324/111.444.ra.2018.v3.1.007
Say Burgin
{"title":"Rafael Torrubia, Black Power and the American People: Culture and Identity in the Twentieth Century, (London: I.B. Tauris, 2016), 336pp., £69/$110","authors":"Say Burgin","doi":"10.14324/111.444.ra.2018.v3.1.007","DOIUrl":"https://doi.org/10.14324/111.444.ra.2018.v3.1.007","url":null,"abstract":"Review of Black Power and the American People: Culture and Identity in the Twentieth Century by Rafael Torrubia.","PeriodicalId":205578,"journal":{"name":"Radical Americas","volume":"6 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2018-08-10","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"128313231","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Carlos Mignon, Córdoba Obrera: El sindicato en la fábrica, 1968–1973, (Buenos Aires: Imago Mundi, 2014), 384pp., $530 Carlos Mignon, cordoba Obrera: El sindicato en la fabrica, 1968 - 1973,(布宜诺斯艾利斯:Imago Mundi, 2014), 384页。530美元,
Radical Americas Pub Date : 2018-08-10 DOI: 10.14324/111.444.RA.2018.V3.1.008
Adam Fishwick
{"title":"Carlos Mignon, Córdoba Obrera: El sindicato en la fábrica, 1968–1973, (Buenos Aires: Imago Mundi, 2014), 384pp., $530","authors":"Adam Fishwick","doi":"10.14324/111.444.RA.2018.V3.1.008","DOIUrl":"https://doi.org/10.14324/111.444.RA.2018.V3.1.008","url":null,"abstract":"Review of Córdoba Obrera: El sindicato en la fábrica by Carlos Mignon.","PeriodicalId":205578,"journal":{"name":"Radical Americas","volume":"9 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2018-08-10","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"115004921","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Unreasonable doubt: Politics and aesthetics in the crime novels of Horacio Vázquez Rial 不合理的怀疑:奥拉西奥·里亚尔犯罪小说中的政治与美学
Radical Americas Pub Date : 2018-07-23 DOI: 10.14324/111.444.RA.2018.V3.1.001
B. Bollig
{"title":"Unreasonable doubt: Politics and aesthetics in the crime novels of Horacio Vázquez Rial","authors":"B. Bollig","doi":"10.14324/111.444.RA.2018.V3.1.001","DOIUrl":"https://doi.org/10.14324/111.444.RA.2018.V3.1.001","url":null,"abstract":"Horacio Vázquez Rial (Buenos Aires, 1947–Madrid, 2012) was an Argentine writer, historian and ex-militant in the Trotskyite Ejército Revolucionario del Pueblo (People’s Revolutionary Army, or ERP). He left Argentina for Spain in the mid-1970s and became an outspoken critic of the Latin American left and in particular of the Kirchner and Fernández de Kirchner governments in the 2000s. He also penned a series of pioneering, neo-noir thrillers that return time and again to the violence of the mid- to late-1970s in Argentina. This paper draws on the work of Andrew Popper on crime fiction, Fredric Jameson on Raymond Chandler and Joel Black on the aesthetics of murder. It also responds to the work of Neil Larsen on another writer with a similar political trajectory, Mario Vargas Llosa, and answers a recent call from Jens Andermann for cultural studies practitioners to examine the ideology and the technique of right-wing works, in this case those dealing explicitly with the author’s own former armed militancy.","PeriodicalId":205578,"journal":{"name":"Radical Americas","volume":"112 ","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2018-07-23","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"113988472","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
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