Chronicling subversion: The Cronaca Sovversiva as both seditious rag and community paper

Adam E. Quinn
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Abstract

The Cronaca Sovversiva (Subversive Chronicle) was an anarchist newspaper, known today for the views of editor Luigi Galleani, whose ideas are associated with multiple bombings carried out in the United States throughout the 1910s and 1920s, the First Red Scare and the executed anarchists Nicola Sacco and Bartolomeo Vanzetti. A broad reading of the Cronaca Sovversiva, which focusses on more than its connections to controversy, violence and repression, reveals how a periodical produced by a wide range of artists, writers and activists became central to how many Italian immigrants understood and engaged with industrial capitalism. This paper argues that the Cronaca Sovversiva built an audience over time by incorporating a wide range of perspectives, addressing local and global issues and linking readers with other forms of literature as well as community events and projects. Diverse works of radical literature, art and announcements in the periodical, set within the predictable, repetitious framework of a weekly community paper, allowed a germinating militant movement to develop throughout and outside the Cronaca Sovversiva’s pages.
记录颠覆:《Cronaca Sovversiva》既是煽动性的破布又是社区报纸
《颠覆纪事报》(Cronaca Sovversiva)是一份无政府主义报纸,今天以编辑路易吉·加莱尼(Luigi Galleani)的观点而闻名,他的观点与20世纪10年代和20年代在美国发生的多起爆炸事件、第一次红色恐慌以及被处决的无政府主义者尼古拉·萨科(Nicola Sacco)和巴尔托洛梅奥·万泽蒂(Bartolomeo Vanzetti)有关。广泛阅读《克朗纳卡社会》(Cronaca Sovversiva),不仅关注它与争议、暴力和镇压的联系,还揭示了一份由众多艺术家、作家和活动家制作的期刊如何成为许多意大利移民理解和参与工业资本主义的核心。本文认为,随着时间的推移,Cronaca Sovversiva通过整合广泛的观点,解决当地和全球问题,并将读者与其他形式的文学以及社区事件和项目联系起来,建立了受众。杂志上各种激进的文学、艺术作品和公告,在一个可预测的、重复的每周社区报纸框架内,允许一场正在萌芽的激进运动在《Cronaca Sovversiva》的页面内外发展。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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