{"title":"“As much as I belong”: Space, Affect, and Identity in Isabella Hammad’s The Parisian","authors":"E. Pataki","doi":"10.52885/pah.v3i1.126","DOIUrl":"https://doi.org/10.52885/pah.v3i1.126","url":null,"abstract":"Atmosphere, as theorized by Gernot Böhme (1993), has both mental and physical connotations, connecting people and places in mutually constitutive and transformative relations. Investigated from the aspect of emotional geography’s concern with the spatiality of emotions (Davidson et al. 2007), the atmosphere of places and spaces may be inextricably linked to bodily experience, affect, and affective human relationships, and may play a vital part in one’s sense of belonging and self. With a specific focus on these interconnections, my paper offers a close reading of Isabella Hammad’s debut novel, The Parisian or Al-Barisi: A Novel (2019), mapping the protagonist, Midhat Kamal’s emotional geographies through his physical journey from Nablus to Montpellier, Paris, and back, as well as his concomitant journey of the self from immigrant to flâneur, tourist to “the Parisian.” I shall argue that the protagonist’s bodily and lived experience and the atmosphere of the places/spaces he inhabits greatly determine his affective relationships, as well as his sense of home, belonging, and self, contributing to his identity (re-)construction as a transnational subject and creating the emotional geographies of his life.","PeriodicalId":202690,"journal":{"name":"Papers in Arts and Humanities","volume":"16 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2023-07-27","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"134529631","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Austerity in Japanese Spaces","authors":"I. Drobot","doi":"10.52885/pah.v3i1.129","DOIUrl":"https://doi.org/10.52885/pah.v3i1.129","url":null,"abstract":"The purpose of this paper is to look at austerity present in Japanese culture spaces, such as Japanese gardens, Japanese interior design, which is minimalist, Japanese haiku poems settings, and their connection with Buddhist philosophy. The Japanese do not seem keen on accumulating objects. Instead, they prefer to keep their space minimal. The emptiness in Japanese Buddhist philosophy appears in interior design and garden design. Moreover, the Japanese focus more on their surroundings, for instance on contemplating the seasons and on their awareness of the changing seasons. Buddhist temples allow a large view of the landscape. Meanwhile, the interior design remains minimalist, and it also allows the inhabitant to be surrounded by empty space. The Japanese are not so much focused on accumulating objects during their lifetime as Westerners are. What could be such reasons? Why is their focus on the aesthetics of the surroundings? What could this tell us about Japanese culture that makes it unique?","PeriodicalId":202690,"journal":{"name":"Papers in Arts and Humanities","volume":"9 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2023-07-27","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"123875080","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Care in Hard Times from the Perspective of Elderly Care Workers","authors":"Anikó Vida","doi":"10.52885/pah.v2i2.106","DOIUrl":"https://doi.org/10.52885/pah.v2i2.106","url":null,"abstract":"The SARS-CoV-2 pandemic has deepened and reshaped the care crisis both on personal and organizational levels. The study aims at answering how and in what form the symptoms of the care crisis appear in elderly care, which is one of the most important but undervalued fields of professional care. The focus of the study lies on what additional burdens the primarily female employees bear due to performing both paid and reproductive labor at the same time. The primary focus of the qualitative case study, conducted in the summer of 2020 and the spring of 2021, was to explore the effects of the coronavirus pandemic. The preliminary assumption is that the measures to curb the pandemic exacerbated the pre-existing organizational crisis and made it even more visible. Ten semi-structured interviews were conducted in a mid-sized town located in the Southern Great Plain in Hungary with the key stakeholders of care management: heads of institutions and mostly middle managers in coordinating roles. In the second phase of the study, focus group interviews were conducted with non-executive carer workers. The purpose of the interviews was to explore their personal perceptions and narratives of care.","PeriodicalId":202690,"journal":{"name":"Papers in Arts and Humanities","volume":"140 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2022-12-22","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"115757849","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Changes in the Time Spent on Physical Activities of University Students Before and During the COVID-19 Outbreak","authors":"A. Vincze","doi":"10.52885/pah.v2i2.114","DOIUrl":"https://doi.org/10.52885/pah.v2i2.114","url":null,"abstract":"In Spring 2020 in many countries various restrictions were implemented to try to prevent the spread of the coronavirus disease. Among these Covid-19 measures lockdowns had a big impact on people’s lives. The opportunities for physical activities have been reduced since people had to manage working or learning from their homes. This research paper focuses on the changes of the time spent on physical activities of university students. Our intention is to reveal the enhancing factors for a positive and negative change in the frequency of physical activity. The analyses are based on the data for the University of Szeged of the COVID-19 International Student Well-Being Study elaborated and conducted by the University of Antwerp in Spring 2020. The online questionnaire, filled out by 1808 students from the University of Szeged, included two questions concerning the frequency of doing moderate and vigorous physical activity before and during the COVID-19 outbreak. The analyses of the changes in the time spent on physical activities focuses on the associations with socio-demographic factors and health status. Results indicate that increase in physical activity was typical for women, students in a relationship, and those who moved from their place of residence. A decline in physical activity has been found to be characteristic for younger students. Having a health risk condition turned out to have no effect on changes in physical activity, but satisfaction with health is associated with the increase or decline in physical activity.","PeriodicalId":202690,"journal":{"name":"Papers in Arts and Humanities","volume":"68 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2022-12-22","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"121789739","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Beautiful past awaits us","authors":"Andrea Bordács","doi":"10.52885/pah.v2i2.108","DOIUrl":"https://doi.org/10.52885/pah.v2i2.108","url":null,"abstract":"Grasping the concept of transience or time has been a basic theme in art; hence it is no surprise that Proust also tried to search for the lost time. However, many people try the impossible: to capture the ephemeral. In any case, transience is a fundamental theme of art, although its representability is always questionable. As Jauss (1952/1996) writes, “time has a special relationship with narrative art” (p. 5). However, the notion of time is inherently difficult to define. As St. Augustine’s saying goes—which now has become a catchphrase—“What then is time? If no one asks me, I know; if I want to explain it to a questioner, I do not know” (Augustine, 2006, p. 242). According to Henri Bergson (1889) time is the central question of metaphysics. If this puzzle were solved, everything would be solved. Time is perceived only in its transience. Borges wrote “time is the substance I am made of” (1956–1960/1964, p. 234). The static nature of visual art—prevalent until videos and video installations emerged—makes it particularly problematic to show a phenomenon that can only be perceived in its transience. The great challenge for art is how to depict this elusiveness. The eternal question is how we can be the same and yet different. What remains is memory. Memories are partly individual, and it is largely memories that constitute us. Thus, the topic of my paper is the representation of time, more precisely that of the passing of time, and of memories in contemporary art and the possible attitudes of the artists to stop the past, since remembering is also a rewriting and reinterpretation of the past.","PeriodicalId":202690,"journal":{"name":"Papers in Arts and Humanities","volume":"11 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2022-12-22","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"122991102","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Backward Time of Genocide","authors":"Krzysztof Gajewski","doi":"10.52885/pah.v2i2.110","DOIUrl":"https://doi.org/10.52885/pah.v2i2.110","url":null,"abstract":"In the article the notion of time in the context of the phenomena of a genocide will be analyzed. Genocide is almost never perceived by public consciousness as it progresses The present time of genocide, as it is experienced by its participants and witnesses, displays features similar to taboos. How too hard to accept for consciousness, it is forced out of the conscious memory of its surviving actors. Consequently, it seems to be a taboo for social memory too. As a result, the very recognition of the fact of genocide usually takes place many decades or even generations after the genocide itself. Przemysław Czapliński coined a term “A retrograde disaster” (Katastrofa wsteczna), as to describe Holocaust of Jews in Poland during the II world war. The point of this term is intended to describe an event that occurred mostly unnoticed and unrecognized in its importance. This was the case of Jews’ pogroms in Poland, happening during the II world war, and shortly after. The public discussion on this topic started in 2000, after Jan Tomasz Gross’ publication. National Museum of the Holodomor Genocide in Kiev was founded in 2010, even though it is devoted to memorialize the events from 1932-33. The analysis of the specificity of the time of genocide will be based on a few chosen examples. \u0000","PeriodicalId":202690,"journal":{"name":"Papers in Arts and Humanities","volume":"7 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2022-12-22","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"125389182","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Designing Authenticity in Virtual Museum Tours","authors":"Adrienne Gálosi","doi":"10.52885/pah.v2i2.112","DOIUrl":"https://doi.org/10.52885/pah.v2i2.112","url":null,"abstract":"The paper focuses on the virtual tours that major institutions feature as part of their sites. As these tours often promise an authentic experience, the question of what means here arises. Since such programs do not simply serve to show digital images of museum objects but also convey a quasi-presence, the paper proposes to examine the authenticity of the experience of the virtual tour in comparison to the physical one. On the other hand, it also looks at the possible authenticity of museum exhibits in the virtual space. To do this, not only the notion of authenticity needs to be clarified, but also that of the virtual. Following Walter Benjamin’s approach, the paper examines what conception of time can constitute authenticity. Upon the concept of authenticity remaining the same in the case of the virtual, the paper opposes two positions: one is the historian’s view, and the other is that of the postmodern cultural critic. A comparison of their possible arguments aims to show that whatever we bring up against the virtual can also be played off—at least partly—against the traditional museum. In conclusion, it argues that these two museum forms are still part of the same museum paradigm.","PeriodicalId":202690,"journal":{"name":"Papers in Arts and Humanities","volume":"1 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2022-12-22","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"121124245","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Book Review. Székedi Levente’s Limitele suprviețuirii.","authors":"Gabriela Cătălina Danciu","doi":"10.52885/pah.v2i2.117","DOIUrl":"https://doi.org/10.52885/pah.v2i2.117","url":null,"abstract":"The recent publication of the volume Limitele supraviețuirii. Sociologia maghiară din Transilvania după 1945 [The Limits of Survival: Hungarian Sociology in Transylvania After 1945], signed by Székedi Levente, is a notable contribution to the study of the Transylvanian Hungarian sociology, the author’s playground being, for the time being, little frequented by other researchers. The analysis of the post-1945 period, made “on the grassroots,” from the perspective of survival, focusing on sociologists such as József Venczel or Lajos Jordáky, as well as other intellectuals, makes the reader part of a stage of adaptation and transformation of the Transylvanian Hungarian sociology in the context of an austere regime. After 1948, when sociology was eliminated as a science, we are the spectators of a long process of sociologists’ resistance and disguise of sociological research, under the umbrella of institutions other than sociological ones. The “escape directions” covered areas such as: political economy, folklore, history, social history, linguistics. The reappearance of Korunk magazine in 1957 led “cautiously” to the rehabilitation of sociology in the Hungarian culture in Romania. The author of the volume emphasizes the importance of the magazine’s editor-in-chief, Professor Ernő Gáll, in this whole process of re-establishing sociology and the Gusti School, analyzing the first articles, true professions of faith that stage the new action plans and research. The volume Limitele supraviețuirii. Sociologia maghiară din Transilvania după 1945 is about the Hungarian sociology of Transylvania in the complicated historical chapters of the period after August 23rd, 1944, for two decades, while at the same time frankly addressing the situation of the Hungarian minority in Transylvania. In this sense, it is worth mentioning the multidisciplinary and dynamic character of the work, necessary for any effort of political, historical, and sociological understanding of that era.","PeriodicalId":202690,"journal":{"name":"Papers in Arts and Humanities","volume":"43 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2022-12-22","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"131299088","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Theoretical Aspects of Social Enterprises","authors":"K. Gál, R. Pásztor","doi":"10.52885/pah.v2i2.109","DOIUrl":"https://doi.org/10.52885/pah.v2i2.109","url":null,"abstract":"Social enterprises are given special attention from a scientific and public policy point of view. In everyday life, we see them as organizations that can provide solutions to various social problems. From an academic perspective, they represent a new research topic with its own interdisciplinary nature. They have been examined mainly from the point of view of management and organizational culture. In terms of scientific analysis, the newly developed research area of social economy and social enterprises is still in the conceptualization phase. The theoretical and methodological framework for research measurements need to be finalized. In this study, we seek to answer the question of how social economy—in particular, the perception of social enterprises in international and Romanian literature—is changing as a result of economic and social changes in space and time. We examine the factors along which definitions of the social enterprise within social economy are attempted, and the indicators that facilitate the investigation of the social impact of social enterprises.","PeriodicalId":202690,"journal":{"name":"Papers in Arts and Humanities","volume":"4 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2022-12-22","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"129662708","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Temporal Intertwining in a Slovenian Narrative","authors":"Darja Mazi Leskovar","doi":"10.52885/pah.v2i1.99","DOIUrl":"https://doi.org/10.52885/pah.v2i1.99","url":null,"abstract":"This article, based on the assumption that narrativity and temporality are closely related, explores the Chronotope of the Slovenian historical tale Martin Krpan z Vrha (1858) by Fran Levstik. It focuses on the narrative time as presented by the epic story, as well as on the time frame in which this narrative was published. According to the assertion that literary time and place are intrinsicallysss connected, the time-line of this epic text is viewed as a constituent part of the setting and therefore the geographical location is also highlighted. The analysis of the story-line reveals that the tale, presenting three time frames clearly separated by centuries, when viewed from a historical perspective, displays cohesion and credibility despite the intermingling of two temporal settings. It is significant that the story was published in the aftermath of the Spring of nations (1848) in which Slovenians demonstrated the increasing awareness of their ethnic identity. Since scrutiny of the author’s biography reveals that this text was heavily influenced by the time-related issues, my premise is that the narrative time, viewed in the network of connections, can best be elucidated by the concepts of Chronos and Kairos. They can foreground the relationship between the narrative period of this tale, the date of its publication and even highlight the specificity of the time when the protagonist of this tale became the best known Slovenian national hero. ","PeriodicalId":202690,"journal":{"name":"Papers in Arts and Humanities","volume":"6 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2022-06-08","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"127914395","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}