Swamphen: a Journal of Cultural Ecology (ASLEC-ANZ)最新文献_第6页

REVIEW: Walden’s Shore: Henry David Thoreau and Nineteenth-Century Science (2014) by Robert M. Thorson 书评:《瓦尔登湖之岸:亨利·大卫·梭罗与19世纪科学》(2014)，作者:罗伯特·m·索尔森

Swamphen: a Journal of Cultural Ecology (ASLEC-ANZ) Pub Date : 2017-03-07 DOI: 10.60162/swamphen.6.11544

Yeojin Kim

引用次数: 0

Poetry as Investigative Pedagogy: Issues of Ethics and Praxis in Hay and Thorne’s Last Days of the Mill, 2012. 诗歌作为调查性教学法:海和索恩《磨坊最后的日子》中的伦理与实践问题，2012。

Swamphen: a Journal of Cultural Ecology (ASLEC-ANZ) Pub Date : 2017-03-07 DOI: 10.60162/swamphen.6.11514

P. Hay

{"title":"Poetry as Investigative Pedagogy: Issues of Ethics and Praxis in Hay and Thorne’s Last Days of the Mill, 2012.","authors":"P. Hay","doi":"10.60162/swamphen.6.11514","DOIUrl":"https://doi.org/10.60162/swamphen.6.11514","url":null,"abstract":"This paper examines dilemmas of ethics and practice in the author’s co-written Last Days of the Mill (2012). The usefulness of poetry as a tool of social inquiry is considered, both in the immediate context of a dying pulp mill in an industrial town in northern Tasmania, and the wider symbolic import of the mill’s demise within an island wedded to an unrealisable vision of industrial greatness. It is argued that there are forms of knowing in which poetry is far more efficacious than analytical prose, most notably elusive and grounded understandings such as ‘being there-ness’, and the accretion of a vividly storied mindscape expressed through the spoken word. The paper then considers the injunction of the Canadian poet, Robert Bringhurst – that ‘when he sees his people destroying the world, the poet can say, “we’re destroying the world”. He can say it in narrative or lyric or dramatic or meditative form, tragic or ironic form, short or long form . . . But he cannot lie, as a poet . . . ’ The paper argues for a more nuanced and inclusivist ethic, even when, technically speaking, this requires an act of dissimulation on the part of the poet. ","PeriodicalId":197436,"journal":{"name":"Swamphen: a Journal of Cultural Ecology (ASLEC-ANZ)","volume":"30 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2017-03-07","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"116246813","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

引用次数: 0

Australian Tongue and Ag-gag Law 澳大利亚语言和gag法

Swamphen: a Journal of Cultural Ecology (ASLEC-ANZ) Pub Date : 2017-03-07 DOI: 10.60162/swamphen.6.11520

Iris Ralph

{"title":"Australian Tongue and Ag-gag Law","authors":"Iris Ralph","doi":"10.60162/swamphen.6.11520","DOIUrl":"https://doi.org/10.60162/swamphen.6.11520","url":null,"abstract":"In this essay, I comment on two histories of animal farming in Australia in an ecocritical reading of several works of Australian literature: Tim Winton’s novel Shallows (1984), Susan Hawthorne’s collection of poetry, Cow (2011) and Francesca Rendle-Short’s novel Bite Your Tongue (2011). The first of those histories, the background of Shallows, refers to the whaling industry that operated in Western Australian waters up through the 1970s and the growing public awareness of that industry that eventually drove it to a halt in 1978, the year the main events of the novel take place. Cow and Bite Your Tongue, the texts that I mostly discuss, carry references to the history of industrial farming of cows in Australia, which, along with the industrial farming of other domesticated animal species, exploded after 1970 (in Australia and elsewhere in urban-industrialising countries), the same decade when Australians were beginning to rally behind animal rights activists’ opposition to whale slaughter. Today, almost half a century later, animal advocacy activists continue to raise pressing questions about animal species that are industrially farmed. They are doing so at the same time as the meat industry is attempting to restrict public access to and information about its operations. I address those questions in my reading of Hawthorne’s paean to cows and Rendle-Short’s references to the Moral Right movement in Queensland in the 1970s and attempts by its supporters to remove works of literature from school book shelves.","PeriodicalId":197436,"journal":{"name":"Swamphen: a Journal of Cultural Ecology (ASLEC-ANZ)","volume":"1 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2017-03-07","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"125504257","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

引用次数: 0

REVIEW: The Broken Promise of Agricultural Progress by Cameron Muir 回顾:卡梅隆·缪尔的《农业进步的破碎承诺》

Swamphen: a Journal of Cultural Ecology (ASLEC-ANZ) Pub Date : 2017-03-07 DOI: 10.60162/swamphen.6.11354

Barbara Holloway

引用次数: 0

'Global Warming is a headf**k': using cultural journalism and oral history to engage with the lived experiences of climate change “全球变暖是一个混蛋”:利用文化新闻和口述历史来参与气候变化的生活经历

Swamphen: a Journal of Cultural Ecology (ASLEC-ANZ) Pub Date : 2017-03-07 DOI: 10.60162/swamphen.6.11018

T. Doig

引用次数: 1

The Haunting of Agent Orange within the Waters of Rivers and Bodies for Vietnamese Australians 在越南裔澳大利亚人的河流和尸体水域中萦绕着橙剂

Swamphen: a Journal of Cultural Ecology (ASLEC-ANZ) Pub Date : 2017-03-07 DOI: 10.60162/swamphen.6.11477

Boi Huyen Ngo

{"title":"The Haunting of Agent Orange within the Waters of Rivers and Bodies for Vietnamese Australians","authors":"Boi Huyen Ngo","doi":"10.60162/swamphen.6.11477","DOIUrl":"https://doi.org/10.60162/swamphen.6.11477","url":null,"abstract":"In the context of climate change and the inevitable future of climate change refugees, there is the need to explore the intrinsic connection between migrants and their connection to the environment, particularly when they are changing environments (their biogregion), and homelands. This paper uses case study methodology in its examination of Agent Orange within the waters of Vietnam and Australia; it attempts to understand the haunting and the affects of water contamination within lived experiences of (un)belonging. Agent Orange was used by the U.S military in Vietnam as part of the herbicidal warfare program called Operation Ranch Hand. The Union Carbide Corporation chemical plant, which had produced Agent Orange for the Vietnam War, had one plant situated in Sydney, Australia by the Parramatta River. Parramatta River is a river in Western Sydney where many Vietnamese migrants, including my family, live. It is a popular landmark for picnics and events for Vietnamese families. The haunting upon my family, once they realised the presence of Agent Orange within the waters of their new homeland, has brought strong visceral and sensory memories of their experiences of the war and of migration. Their migration experience has taken a circular route, akin to the water contamination: Agent Orange has been produced in Australia, released in Vietnam and contaminated (and continues to contaminate) both Australia and Vietnam. Although they escaped Vietnam as refugees sailing on a boat across the waters, Agent Orange also has travelled, present within the waters in the river systems of both countries. Agent Orange's deadly legacy, ecocide, haunts Australian Vietnamese beyond physical and geographical space and time.","PeriodicalId":197436,"journal":{"name":"Swamphen: a Journal of Cultural Ecology (ASLEC-ANZ)","volume":"55 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2017-03-07","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"132544390","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

引用次数: 1

REVIEW: 'What Would Animals Say If We Asked the Right Questions? by Vinciane Despret 回顾:“如果我们问正确的问题，动物会说什么?”文西亚·德斯普雷特

Swamphen: a Journal of Cultural Ecology (ASLEC-ANZ) Pub Date : 2017-03-07 DOI: 10.60162/swamphen.6.11540

H. Tiffin

引用次数: 0

Under the Signs of Ecocriticism: An Interview with Professor Scott Slovic, Universiti Putra Malaysia 生态批评的标志下:访马来西亚博特拉大学史考特·斯洛维奇教授

Swamphen: a Journal of Cultural Ecology (ASLEC-ANZ) Pub Date : 2017-03-07 DOI: 10.60162/swamphen.6.11545

Sayyed Ali Mirenayat, Elaheh Soofastaei

引用次数: 0

The Green Man: the desire for deeper connections with nature 绿人:渴望与自然建立更深层次的联系

Swamphen: a Journal of Cultural Ecology (ASLEC-ANZ) Pub Date : 2017-03-07 DOI: 10.60162/swamphen.6.11398

Prudence Gibson

引用次数: 1

Country and climate change in Alexis Wright's 'The Swan Book'. 国家和气候变化在亚历克西斯·赖特的《天鹅之书》。

Swamphen: a Journal of Cultural Ecology (ASLEC-ANZ) Pub Date : 2017-03-07 DOI: 10.60162/swamphen.6.11503

Jane Gleeson-White

引用次数: 4