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Kyd e marlowe: um panorama do teatro elisabetano encontrado por Shakespeare e seu uso em Henry VI 基德和马洛:莎士比亚发现的伊丽莎白剧院及其在亨利六世中的使用概述
REVISTA Scripta Uniandrade Pub Date : 1900-01-01 DOI: 10.5935/1679-5520.20190033
L. T. C. Bastos
{"title":"Kyd e marlowe: um panorama do teatro elisabetano encontrado por Shakespeare e seu uso em Henry VI","authors":"L. T. C. Bastos","doi":"10.5935/1679-5520.20190033","DOIUrl":"https://doi.org/10.5935/1679-5520.20190033","url":null,"abstract":"The present work seeks to make an overview of the poetic techniques used by Shakespeare’s predecessors in theater, more specifically in tragedy. We refer to Thomas Kyd and Christopher Marlowe. Kyd changed the structure of the Elizabethan theater. If in Gorboduc we find monologues uttered by almost every character of any importance, Kyd placed almost all monologues in the main character’s mouth, creating a backbone in the play and allowing psychological examination. Marlowe, on the other hand, transformed the iambic pentameter into a rich and flexible instrument, creating the medium of expression of theater from then on. Early in his career, Shakespeare relied heavily on these two authors. We will examine excerpts from each of them, pointing to the possibilities of influence.","PeriodicalId":197371,"journal":{"name":"REVISTA Scripta Uniandrade","volume":"36 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"1900-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"116646227","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Opacidade e transparência no comportamento das personagens femininas na obra de Chimamanda Adichie 奇曼达·阿迪切作品中女性角色行为的不透明度和透明度
REVISTA Scripta Uniandrade Pub Date : 1900-01-01 DOI: 10.5935/1679-5520.20190006
Silvania Núbia Chagas
{"title":"Opacidade e transparência no comportamento das personagens femininas na obra de Chimamanda Adichie","authors":"Silvania Núbia Chagas","doi":"10.5935/1679-5520.20190006","DOIUrl":"https://doi.org/10.5935/1679-5520.20190006","url":null,"abstract":"Female characters stand out in the work of Chimamanda Adichie, whose narrative fabric is engendered around the feminine condition propitiated by the society in which they are inserted. Their lives are guided either by tradition or by modernity. However, they always have as their “backdrop” the intertwining between these two assumptions. Opposing this aspect, there is also the question of alterity, widely discussed, because the \"I\" who wants to be the \"other\", but does not renounce itself, generating the identity conflict in these characters, whose behavior oscillates between opacity and transparency. Supporting this dilemma is the process of colonization, largely responsible for the decimation of culture. The visibility of women in these societies is the result of a silent and constant struggle. Considering that, besides bearing the yoke of colonization, they also have to cope with the question of patriarchalism, that is, the hegemony of the male gender, which reveals itself from the beginning, because it underlies tradition and establishes itself in modernity. Thus, the female characters in Adichie’s work relate to this universe in which the feminine reveals itself in a silent way, through strategies that apparently are not aggressive, but determine and transform the future of the new generations. Analyzing the behavior of these characters is the purpose of this work. For theoretical foundation, we will use the studies of Said (1995), Bhabha (1998), Hall (2006), Spivak (2010), Bamisile (2007), Obiechina (1975), Bordieu (1999), among others.","PeriodicalId":197371,"journal":{"name":"REVISTA Scripta Uniandrade","volume":"1 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"1900-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"122691157","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Aspectos da visualidade no romance A máquina de fazer espanhóis 小说《西班牙制造机器》中的视觉方面
REVISTA Scripta Uniandrade Pub Date : 1900-01-01 DOI: 10.5935/1679-5520.20190041
S. V. Padilha
{"title":"Aspectos da visualidade no romance A máquina de fazer espanhóis","authors":"S. V. Padilha","doi":"10.5935/1679-5520.20190041","DOIUrl":"https://doi.org/10.5935/1679-5520.20190041","url":null,"abstract":"Valter Hugo Mãe is a Portuguese author who is known for the density of his text and for writing in remarkable poetic language. He received two important prizes for the novel A máquina de fazer espanhóis [The Machine for Making Spaniards]. The aim of this study is to highlight the proximity with photography that pervades the novel. In our analysis, we will emphasize the way the protagonist’s world – Mr. António Jorge da Silva – is shaped by his consciousness and memories. In his fictitious universe, Mãe employs verbal images that belong to the visual arts. This research intends to examine the relationship between photography and other elements of the book’s narrative. The study will be conducted in the light of theoretical perspectives by Boris Kossoy (2005, 2012), Irina Rajewsky (2012), Roland Barthes (2012), Susan Sontag (2004), among others.","PeriodicalId":197371,"journal":{"name":"REVISTA Scripta Uniandrade","volume":"26 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"1900-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"114922972","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
O interdito da sexualidade feminina na narrativa de Márcia Denser: transgredir para resistir
REVISTA Scripta Uniandrade Pub Date : 1900-01-01 DOI: 10.5935/1679-5520.20190014
Enedir Silva Santos
{"title":"O interdito da sexualidade feminina na narrativa de Márcia Denser: transgredir para resistir","authors":"Enedir Silva Santos","doi":"10.5935/1679-5520.20190014","DOIUrl":"https://doi.org/10.5935/1679-5520.20190014","url":null,"abstract":"Erected on ideals of transgression and resistance, the texts of Márcia Denser (2003) deconstruct stereotypes that subordinate the feminine to male superiority in several ways: in this case, the author uses eroticism to deconstruct the interdict of female virginity as an ideal of purity. The interdicts, established by Bataille (1987) as rules that regulate human behavior, have always understood the feminine subject as submissive to masculine power and, in a macho-patriarchal society such as ours, they have taken on multiple authoritarian and authorized discourses to condemn women who dared to oppose these rules. Narrated acidly and sarcastically, the texts deconstruct these regulations, subverting them from the viewpoint of female sexual experience, resulting in narratives that transgress social dictates.","PeriodicalId":197371,"journal":{"name":"REVISTA Scripta Uniandrade","volume":"5 5","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"1900-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"120901695","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
O que é identidade de gênero? 什么是性别认同?
REVISTA Scripta Uniandrade Pub Date : 1900-01-01 DOI: 10.5935/1679-5520.20190012
G. Bellin, R. D. C. M. Alcaraz
{"title":"O que é identidade de gênero?","authors":"G. Bellin, R. D. C. M. Alcaraz","doi":"10.5935/1679-5520.20190012","DOIUrl":"https://doi.org/10.5935/1679-5520.20190012","url":null,"abstract":"","PeriodicalId":197371,"journal":{"name":"REVISTA Scripta Uniandrade","volume":"168 4 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"1900-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"114099134","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Gênero, opressão e horror cósmico: a caracterização de Lavinia Whateley em O horror de Dunwich, de H. P. Lovecraft 类型、压迫和宇宙恐怖:洛夫克拉夫特的《Dunwich horror》中拉维尼娅·惠特利的角色塑造
REVISTA Scripta Uniandrade Pub Date : 1900-01-01 DOI: 10.5935/1679-5520.20190003
João Claudio Arendt, Roberto Rossi Menegotto
{"title":"Gênero, opressão e horror cósmico: a caracterização de Lavinia Whateley em O horror de Dunwich, de H. P. Lovecraft","authors":"João Claudio Arendt, Roberto Rossi Menegotto","doi":"10.5935/1679-5520.20190003","DOIUrl":"https://doi.org/10.5935/1679-5520.20190003","url":null,"abstract":"In The Dunwich horror, cosmic horror novel by H. P. Lovecraft, we can notice the opression suffered by Lavinia Whateley, imposed by her father, Old Whateley, and her son, Wilbur Whateley. Female, albino and deformed, Lavinia is deprived of social equality, manipulated to accept a religion based on adoration of horrifying monsters, and offered, by her own father, to gestate Yog-Sothoth’s offspring. In view of the issues mentioned above, the purpose of this article is to analyze the symbols that structure three contexts in which the disparity, between female and male genders, is evidenced, so as to highlight Lavinia Whateley’s negative characterization. Our theoretical framework consists of authors such as Gilbert Durand (1995; 1998; 2002), Jean Chevalier and Alain Gheerbrant (2017), H. P. Lovecraft (2007), Michelle Perrot (1991a; 1991b), Pierre Bourdieu (2012) and Simone de Beauvoir (1980a; 1980b).","PeriodicalId":197371,"journal":{"name":"REVISTA Scripta Uniandrade","volume":"145 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"1900-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"127573217","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Identidade e memória do horror em O prisioneiro, de Érico Veríssimo 《囚犯》中的恐怖身份与记忆，作者:erico verissimo
REVISTA Scripta Uniandrade Pub Date : 1900-01-01 DOI: 10.5935/1679-5520.20190007
J. Saraiva, Éderson de Oliveira Cabral
{"title":"Identidade e memória do horror em O prisioneiro, de Érico Veríssimo","authors":"J. Saraiva, Éderson de Oliveira Cabral","doi":"10.5935/1679-5520.20190007","DOIUrl":"https://doi.org/10.5935/1679-5520.20190007","url":null,"abstract":"","PeriodicalId":197371,"journal":{"name":"REVISTA Scripta Uniandrade","volume":"58 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"1900-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"124538524","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Transconstruindo Shakespeare no palco e nas telas 在舞台和银幕上重新建构莎士比亚
REVISTA Scripta Uniandrade Pub Date : 1900-01-01 DOI: 10.5935/1679-5520.20190030
Marcel Álvaro de Amorin
{"title":"Transconstruindo Shakespeare no palco e nas telas","authors":"Marcel Álvaro de Amorin","doi":"10.5935/1679-5520.20190030","DOIUrl":"https://doi.org/10.5935/1679-5520.20190030","url":null,"abstract":"","PeriodicalId":197371,"journal":{"name":"REVISTA Scripta Uniandrade","volume":"24 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"1900-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"134282666","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Noites de vigília: um romance contemporâneo entre a literatura e a história angolana 《守夜:安哥拉文学与历史之间的当代小说》
REVISTA Scripta Uniandrade Pub Date : 1900-01-01 DOI: 10.5935/1679-5520.20190008
Derneval Andrade Ferreira, Adelino Pereira dos Santos
{"title":"Noites de vigília: um romance contemporâneo entre a literatura e a história angolana","authors":"Derneval Andrade Ferreira, Adelino Pereira dos Santos","doi":"10.5935/1679-5520.20190008","DOIUrl":"https://doi.org/10.5935/1679-5520.20190008","url":null,"abstract":"The novel Noites de vigília, by the Angolan writer Boaventura Cardoso, presents a narrative that is marked by a construction nourished by both the literary aesthetics and the historical process in which it is inserted. The novel presents a pluralistic aesthetic and its main approaches unfold in so many others, thus allowing negotiations of meaning in a game of polysemy. It was from these conceptions of textual and literary analysis that this essay was articulated, whose objective is to discuss the problematic of colonialist and anticolonialist discourse as necessary tools to better understand the libertarian and autonomous construction of aspects related to Angolan society in its national formation.","PeriodicalId":197371,"journal":{"name":"REVISTA Scripta Uniandrade","volume":"320 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"1900-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"122707670","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Outra olímpia, olímpia outra: a leitura de Hans Bellmer da Boneca Romântica de E. T. A. Hoffmann 另一个奥林匹亚，另一个奥林匹亚:汉斯·贝尔默对e·t·a·霍夫曼的浪漫娃娃的解读
REVISTA Scripta Uniandrade Pub Date : 1900-01-01 DOI: 10.5935/1679-5520.20190021
L. Silva, Karin Volobuef
{"title":"Outra olímpia, olímpia outra: a leitura de Hans Bellmer da Boneca Romântica de E. T. A. Hoffmann","authors":"L. Silva, Karin Volobuef","doi":"10.5935/1679-5520.20190021","DOIUrl":"https://doi.org/10.5935/1679-5520.20190021","url":null,"abstract":"","PeriodicalId":197371,"journal":{"name":"REVISTA Scripta Uniandrade","volume":"60 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"1900-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"114736736","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
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