{"title":"小说《西班牙制造机器》中的视觉方面","authors":"S. V. Padilha","doi":"10.5935/1679-5520.20190041","DOIUrl":null,"url":null,"abstract":"Valter Hugo Mãe is a Portuguese author who is known for the density of his text and for writing in remarkable poetic language. He received two important prizes for the novel A máquina de fazer espanhóis [The Machine for Making Spaniards]. The aim of this study is to highlight the proximity with photography that pervades the novel. In our analysis, we will emphasize the way the protagonist’s world – Mr. António Jorge da Silva – is shaped by his consciousness and memories. In his fictitious universe, Mãe employs verbal images that belong to the visual arts. This research intends to examine the relationship between photography and other elements of the book’s narrative. The study will be conducted in the light of theoretical perspectives by Boris Kossoy (2005, 2012), Irina Rajewsky (2012), Roland Barthes (2012), Susan Sontag (2004), among others.","PeriodicalId":197371,"journal":{"name":"REVISTA Scripta Uniandrade","volume":"26 1","pages":"0"},"PeriodicalIF":0.0000,"publicationDate":"1900-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":"{\"title\":\"Aspectos da visualidade no romance A máquina de fazer espanhóis\",\"authors\":\"S. V. Padilha\",\"doi\":\"10.5935/1679-5520.20190041\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"Valter Hugo Mãe is a Portuguese author who is known for the density of his text and for writing in remarkable poetic language. He received two important prizes for the novel A máquina de fazer espanhóis [The Machine for Making Spaniards]. The aim of this study is to highlight the proximity with photography that pervades the novel. In our analysis, we will emphasize the way the protagonist’s world – Mr. António Jorge da Silva – is shaped by his consciousness and memories. In his fictitious universe, Mãe employs verbal images that belong to the visual arts. This research intends to examine the relationship between photography and other elements of the book’s narrative. The study will be conducted in the light of theoretical perspectives by Boris Kossoy (2005, 2012), Irina Rajewsky (2012), Roland Barthes (2012), Susan Sontag (2004), among others.\",\"PeriodicalId\":197371,\"journal\":{\"name\":\"REVISTA Scripta Uniandrade\",\"volume\":\"26 1\",\"pages\":\"0\"},\"PeriodicalIF\":0.0000,\"publicationDate\":\"1900-01-01\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"0\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"REVISTA Scripta Uniandrade\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.5935/1679-5520.20190041\",\"RegionNum\":0,\"RegionCategory\":null,\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"\",\"JCRName\":\"\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"REVISTA Scripta Uniandrade","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.5935/1679-5520.20190041","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"","JCRName":"","Score":null,"Total":0}
引用次数: 0
摘要
瓦尔特·雨果·米是一位葡萄牙作家，以其文本的密度和非凡的诗意语言而闻名。他凭借小说A máquina de fazer espanhóis(制造西班牙人的机器)获得了两个重要奖项。本研究的目的是强调小说中与摄影的接近性。在我们的分析中，我们将强调主人公的世界——António豪尔赫·达席尔瓦先生——是由他的意识和记忆塑造的。在他虚构的宇宙中，梅使用了属于视觉艺术的语言图像。本研究旨在探讨摄影与书中其他叙事元素之间的关系。本研究将借鉴Boris Kossoy(2005、2012)、Irina Rajewsky(2012)、Roland Barthes(2012)、Susan Sontag(2004)等人的理论观点。
Aspectos da visualidade no romance A máquina de fazer espanhóis
Valter Hugo Mãe is a Portuguese author who is known for the density of his text and for writing in remarkable poetic language. He received two important prizes for the novel A máquina de fazer espanhóis [The Machine for Making Spaniards]. The aim of this study is to highlight the proximity with photography that pervades the novel. In our analysis, we will emphasize the way the protagonist’s world – Mr. António Jorge da Silva – is shaped by his consciousness and memories. In his fictitious universe, Mãe employs verbal images that belong to the visual arts. This research intends to examine the relationship between photography and other elements of the book’s narrative. The study will be conducted in the light of theoretical perspectives by Boris Kossoy (2005, 2012), Irina Rajewsky (2012), Roland Barthes (2012), Susan Sontag (2004), among others.
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