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Conversations on Meaningful Memes 2024 关于 2024 年有意义的备忘录的对话
Corpus Mundi Pub Date : 2024-07-10 DOI: 10.46539/cmj.v5i1.89
Artur A. Dydrov, Alexandra S. Varlamova
{"title":"Conversations on Meaningful Memes 2024","authors":"Artur A. Dydrov, Alexandra S. Varlamova","doi":"10.46539/cmj.v5i1.89","DOIUrl":"https://doi.org/10.46539/cmj.v5i1.89","url":null,"abstract":"Internet microformats (short stories, gifs, pics, memes, demotivators, etc.) have a short life compared to “monumental” content, but are characterized by a high speed of circulation and reproduction. Metaphorically, this allows us to designate their life cycle and the specifics of penetration into the information environment, and from there to the consumer, as “virulent”. Memes are short messages, usually combining visual and verbal levels. Their social functions (not to mention cognitive ones), the nature of the impact on the values ​​of generations, the formation and catalysis of worldviews, are usually underestimated. In a dialogic format, representatives of different generations discuss current memes of 2024. The participants in the conversation (authors) talk about what memes broadcast new memes and how they do it. The focus is on corporeality and body representation in memes. The conversations also touch on “peripheral” topics – soviet and post-soviet culture, scandalous events in the media, etc. The dialogues perform at least two functions: first, they are the result of understanding significant microformats and transmitted meanings; second, the texts of the conversations can serve as material for understanding the values ​​of representatives of different generations, understanding patterns and stereotypes of thought. The authors hope that the texts offered to the reader will play at least one of these roles.","PeriodicalId":194838,"journal":{"name":"Corpus Mundi","volume":"24 16","pages":""},"PeriodicalIF":0.0,"publicationDate":"2024-07-10","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"141662325","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Blue-Blooded Dracula Fantasy with an Idyllic Coda — Dana Grigorcea's third Novel, “Die Nicht sterben”. Translation into English 带有田园诗结尾的蓝血德古拉奇幻小说--达娜-格里戈斯卡的第三部小说《Die Nicht sterben》。英文译本
Corpus Mundi Pub Date : 2024-07-10 DOI: 10.46539/cmj.v5i1.91
Markus Fischer
{"title":"Blue-Blooded Dracula Fantasy with an Idyllic Coda — Dana Grigorcea's third Novel, “Die Nicht sterben”. Translation into English","authors":"Markus Fischer","doi":"10.46539/cmj.v5i1.91","DOIUrl":"https://doi.org/10.46539/cmj.v5i1.91","url":null,"abstract":"All three hitherto published novels by Dana Grigorcea do explicitly refer to Romania. Had her first novel been set in the Danube Delta and her second in Bucharest, so the plot of the recently released novel Die nicht sterben is located in the touristic town B. (= Buşteni) at the foot of the Carpathian Mountains. Based on Bram Stoker’s Dracula as literary pre-text, the plot of Die nicht sterben interweaves elements of Romanian history, Romanian contemporary events as well as elements of the family history of the first-person narrator. The present paper is focused especially on the female narrator’s bodily, erotic and flying fantasies. The social and moral revolt which manifests itself first and foremost in the vampiresses’ urge to impale, subsides in the end in uncritical idyllic and narcissistic self-reflection. ","PeriodicalId":194838,"journal":{"name":"Corpus Mundi","volume":"37 13","pages":""},"PeriodicalIF":0.0,"publicationDate":"2024-07-10","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"141659200","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Representation of Male and Female Corporality in Different Religions 不同宗教中的男女肉体形象
Corpus Mundi Pub Date : 2024-07-10 DOI: 10.46539/cmj.v5i1.88
Regina V. Penner, Elena G. Sosnovskikh
{"title":"Representation of Male and Female Corporality in Different Religions","authors":"Regina V. Penner, Elena G. Sosnovskikh","doi":"10.46539/cmj.v5i1.88","DOIUrl":"https://doi.org/10.46539/cmj.v5i1.88","url":null,"abstract":"The article, based on the material of world religions and new religious movements, examines the forms of representation of male and female corporeality. Gender, in turn, fixes the body and sex in a social framework and determines the initial parity of male and female, the hierarchical position of which is established not by the body itself in which a person was born, but by the actions of this body, or rather its owner. From the illustration of the Fall of Adam and Eve, which predetermined corporeality by reducing the body to desiring/sinful flesh, we observe a strict normalization of bodily practices in religious contexts. However, contemporarily offers us various cases that seem to violate established norms. In the article we turn to cases of the Hare Krishnas and Raelites, who in the realities of the 21st century practice parity of bodily principles. The masculine and feminine of given roles and statuses turn into one of many factors that can fix the Self. Or, conversely, they still remain a predetermined role in some contexts.","PeriodicalId":194838,"journal":{"name":"Corpus Mundi","volume":"19 17","pages":""},"PeriodicalIF":0.0,"publicationDate":"2024-07-10","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"141661507","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
“Crystal Bodies” of Leonardo da Vinci: Towards an Epistemology of Speculative Interfaces of the Renaissance 达芬奇的 "水晶体"：迈向文艺复兴时期投机界面的认识论
Corpus Mundi Pub Date : 2024-07-10 DOI: 10.46539/cmj.v5i1.90
Konstantin A. Ocheretyany
{"title":"“Crystal Bodies” of Leonardo da Vinci: Towards an Epistemology of Speculative Interfaces of the Renaissance","authors":"Konstantin A. Ocheretyany","doi":"10.46539/cmj.v5i1.90","DOIUrl":"https://doi.org/10.46539/cmj.v5i1.90","url":null,"abstract":"Modern graphical interfaces define the user's experience according to various metaphorical spectra – bringing it closer to bureaucratic, then to ritualistic, then to magical interactions over reality. The article suggests a view according to which the basis of this metaphor lies in the idea and image of utopia, and the first forms of realization of such utopia by geometric, optical and technical means, taking into account their philosophical, speculative and eidetic orientation belong to the Renaissance. The utopia of such a geometrized and optically verified city is gradually passing into our logic of thinking about speculative cities, possible spaces of life in general, including graphic user interfaces, Leonardo da Vinci's concepts of space, light, physicality, as well as the features of his approach to using the elements to create environments of life are considered in which: 1) technology does not use styles, but is embedded in them; 2) the space of life is organized not by the material embodiment of ideas, but by involvement through geometric and optical effects in the game of ideas, i.e. it is not the visible forms of the city that become important, but the conditions that allow you to see and navigate; 4) the physicality of the utopian optical-geometric project, in its instrumental and behavioral features, becomes the model that subsequent optical media will focus on, up to the invention of the graphical user interface.","PeriodicalId":194838,"journal":{"name":"Corpus Mundi","volume":"71 18","pages":""},"PeriodicalIF":0.0,"publicationDate":"2024-07-10","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"141662711","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Morphology of Pornography: Magical and Fairy-Tale Roots of Modern Porn Discourse 色情的形态学：现代色情话语的魔幻和童话根源
Corpus Mundi Pub Date : 2024-07-10 DOI: 10.46539/cmj.v5i1.92
M. Kyrchanoff
{"title":"Morphology of Pornography: Magical and Fairy-Tale Roots of Modern Porn Discourse","authors":"M. Kyrchanoff","doi":"10.46539/cmj.v5i1.92","DOIUrl":"https://doi.org/10.46539/cmj.v5i1.92","url":null,"abstract":"In this article, the author analyzes visual discourses of physicality in modern porn discourse through the prism of structuralist theory proposed by Russian researcher Vladimir Propp. The article is one of the first attempts in modern historiography to transplant the methods and principles proposed by Vladimir Propp to analyze the current state of porn in popular culture. The purpose of the article is to analyze the relationships and interdependencies between modern porn culture, presented in visual forms, and its historical predecessors. It is assumed that the origins of pornographic discourse, which operates in visual forms, can be localized in folk traditional culture. Forms and dimensions of physicality and actions of the heroes of modern pornographic discourse are perceived as structural elements of mass culture. The results of the study can be summarized in the following way: 1) the visual structure of modern porn has lost its uniqueness and originality in the consumer society; 2) the plots and sequence of actions of the heroes of modern pornographic discourse can be compared with similar plots and behavioral strategies of folk discourse; 3) porn in modern society plays roles that are similar to ones played by fairy tales in the traditional culture of pre-modern societies. The author believes that modern porn discourse imitates reality, although initially the behavior of the characters and the plots are fantastic and unrealistic in their nature. It is shown that the development of porn became a reaction to the demand of consumer society for visualized narrative constructions based on the archetypes of traditional folk culture.","PeriodicalId":194838,"journal":{"name":"Corpus Mundi","volume":"29 11","pages":""},"PeriodicalIF":0.0,"publicationDate":"2024-07-10","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"141658774","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
What are Monsters in Computer Games? 电脑游戏中的怪物是什么？
Corpus Mundi Pub Date : 2024-07-10 DOI: 10.46539/cmj.v5i1.87
V. V. Kirichenko
{"title":"What are Monsters in Computer Games?","authors":"V. V. Kirichenko","doi":"10.46539/cmj.v5i1.87","DOIUrl":"https://doi.org/10.46539/cmj.v5i1.87","url":null,"abstract":"The current paper is a review of the monograph by Czech computer games researcher Jaroslav Švelch “Player vs. Monster. The Making and Breaking of Videogame Monstrosity” (2023). Švelch's work is dedicated to the figure of the monster in the gaming industry. The first chapter examines different theoretical approaches to the monstrosity. The second chapter touches on the classic gaming concept: “Player vs. Environment”. The third chapter analyzes “monster realism” as a special form of visuality. The fourth chapter of the monograph is devoted to new trends in game designers’ attitudes towards the monstrous: the manifestation of sympathy for monsters, the formlessness and incorporeality of monsters.","PeriodicalId":194838,"journal":{"name":"Corpus Mundi","volume":"7 3","pages":""},"PeriodicalIF":0.0,"publicationDate":"2024-07-10","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"141662115","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
The Unpredictable Corporeal Topos. A Review of F. Bork Petersen's Book “Body Utopianism. Prosthetic Being Between Enhancement and Estrangement 不可预知的肉体拓扑。对 F. Bork Petersen 的著作《身体乌托邦主义》的评论。介于强化与疏远之间的假体存在
Corpus Mundi Pub Date : 2023-12-25 DOI: 10.46539/cmj.v4i2.86
Olesya S. Yakushenkova
{"title":"The Unpredictable Corporeal Topos. A Review of F. Bork Petersen's Book “Body Utopianism. Prosthetic Being Between Enhancement and Estrangement","authors":"Olesya S. Yakushenkova","doi":"10.46539/cmj.v4i2.86","DOIUrl":"https://doi.org/10.46539/cmj.v4i2.86","url":null,"abstract":"This is a review of Franziska Bork-Petersen's book “Body Utopianism. Prosthetic Being Between Enhancement and Estrangement”, which discusses the changes in corporeality and the use of various tools that have become an important part of contemporary culture. It explores the relationship between culture, the transformation of corporeality and our perception of these changes. The book offers an interesting perspective on the changing corporeality of the contemporary world and its socio-cultural implications.","PeriodicalId":194838,"journal":{"name":"Corpus Mundi","volume":"9 6","pages":""},"PeriodicalIF":0.0,"publicationDate":"2023-12-25","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"139157808","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Corporeal Representations of Lenin in Post‑Soviet Ideological Games 后苏联意识形态游戏中的列宁形象
Corpus Mundi Pub Date : 2023-12-25 DOI: 10.46539/cmj.v4i2.81
Ivan V. Suslov
{"title":"Corporeal Representations of Lenin in Post‑Soviet Ideological Games","authors":"Ivan V. Suslov","doi":"10.46539/cmj.v4i2.81","DOIUrl":"https://doi.org/10.46539/cmj.v4i2.81","url":null,"abstract":"This article discusses the significance of the study of Lenin's corporeality in the context of mass and elite culture of the post-Soviet space. The author highlights the importance of understanding the role of Lenin's images in the ideological and political context and suggests analyzing them using theoretical tools. The article also shows that interest in Lenin's images persists in contemporary mass and elite culture, being realized in such strategies of representation of Lenin's bodily aspects as phantasmagoric mystification, “skomoroshchestvo”, annihilation and dehumanization. The phantasmagoric strategy of representing the leader of the world proletariat includes attempts to depict Lenin in unusual and paradoxical bodily images, often with elements of fantasy and mystification. The strategy of “skomoroshchestvo” allows researchers and artists to play with Lenin's image and reinterpret it in a comical and absurd way. The strategy of annihilation emphasizes the contrasting views and emotions associated with Lenin's image in the contemporary world and provokes discussions about the boundaries of art, symbolism and respect for historical figures. The strategy of dehumanizing Lenin in the representation of his corporeal image is expressed in transformations that take him away from his human historical context and reduce him to an object of irony, satire and symbolic associations.","PeriodicalId":194838,"journal":{"name":"Corpus Mundi","volume":"42 3 1","pages":""},"PeriodicalIF":0.0,"publicationDate":"2023-12-25","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"139159113","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
The Vampire, a Mythical Monster for Eternity 吸血鬼，一个永恒的神话怪物
Corpus Mundi Pub Date : 2023-07-10 DOI: 10.46539/cmj.v4i1.79
Victoria Hurtado
{"title":"The Vampire, a Mythical Monster for Eternity","authors":"Victoria Hurtado","doi":"10.46539/cmj.v4i1.79","DOIUrl":"https://doi.org/10.46539/cmj.v4i1.79","url":null,"abstract":"The purpose of this paper is a new approach from an interdisciplinary standpoint to the long lasting phenomena of the vampires. Consequently, I have drawn on from multiple sources in history, folklore, literary studies and anthropology. As monsters, they have been analysed in the light of their symbolic meaning. Previous studies place them in realms of mythical thinking and belonging to a liminal state of the nature-culture classification. As undead, their specificity is to trespass sides, a matter of fear for the living. Although we want to consider our civilization as rational and free from superstition, undead keep coming back through different narrative media. I will try to address that question by emphasising the liminality of death and the allure of immortality. The chosen case of research is Bram Stoker's Dracula (1897) and the film adaptation directed by Francis Ford Coppola (1992). By comparing the changes in the characters and the plot I have tried to frame them as different versions along the history of a myth. Any social order need to set boundaries but, being humans, we are tempted to trespass at least through fiction.","PeriodicalId":194838,"journal":{"name":"Corpus Mundi","volume":"15 4","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2023-07-10","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"114020409","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
The Beauty, the Beast and the Cinema. “The Chain Scheme” in Chinese Literature and Cinematography. Part 2 美女，野兽和电影。中国文学与电影中的“链条计划”。第2部分
Corpus Mundi Pub Date : 2023-07-10 DOI: 10.46539/cmj.v4i1.78
E. Sarakaeva
{"title":"The Beauty, the Beast and the Cinema. “The Chain Scheme” in Chinese Literature and Cinematography. Part 2","authors":"E. Sarakaeva","doi":"10.46539/cmj.v4i1.78","DOIUrl":"https://doi.org/10.46539/cmj.v4i1.78","url":null,"abstract":"In the first part of the work, entitled “The Beauty, the Beast and the Red Hare” published in “Corpus Mundi” Vol. 3(2), 2022, I trace the origin of the “Chain Scheme” legend in the Chinese historical chronicles, analyze the development of the plot in the poetry, fiction and other works of art and make conclusions about the interpretation of the main characters’ morals and motivations in pre-modern Chinese culture. In the present paper, which is the second part of the same research, I analyze artistic devices and narrative tropes in TV versions of “Three Kingdoms”, I comment on the changes that the plot has undergone in the course of history and especially in modern TV-dramas and make some conclusions as to the clash of traditional and modern value systems.","PeriodicalId":194838,"journal":{"name":"Corpus Mundi","volume":"15 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2023-07-10","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"114583215","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
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