Deeds and Days最新文献

Plantes méditerranéennes en Lituanie : l’extraordinaire voyage des cuivres et des illustrations de Pierre Richer de Belleval au XVIIIe siecle 立陶宛的地中海植物:18世纪皮埃尔·里奇·德·贝尔瓦尔的铜和插图的非凡旅程

Deeds and Days Pub Date : 2015-10-06 DOI: 10.7220/2335-8769.63.13

P. Daszkiewicz

{"title":"Plantes méditerranéennes en Lituanie : l’extraordinaire voyage des cuivres et des illustrations de Pierre Richer de Belleval au XVIIIe siecle","authors":"P. Daszkiewicz","doi":"10.7220/2335-8769.63.13","DOIUrl":"https://doi.org/10.7220/2335-8769.63.13","url":null,"abstract":"L’article presente l’histoire du voyage de Montpellier en Lituanie des plaques de cuivre representant les plantes mediterraneennes. Ces plaques furent preparees par Pierre Richer de Belleval (1555–1632), professeur de botanique, medecin des rois et fondateur du jardin botanique de Montpellier. Les plaques furent destinees a illustrer son ouvrage magistral sur la flore du Languedoc. Longtemps considerees comme perdues, ces plaques furent retrouvees en 1760 et sauvees grâce a Antoine Gouan (1733–1821), naturaliste de l’Universite de Montpellier. Ensuite elles furent achetees par Jean-Emmanuel Gilibert (1741–1814) grâce aux fonds avances par Stanislas-Auguste Poniatowski. Gilibert les amena en Lituanie dans le but de les faire publier. Il realisa son projet seulement partiellement en utilisant une partie des fonds pour illustrer Exercita phytologica, seu Flora Lithuanica . Des son retour en France, Gilibert negocia avec Poniatowski le retour des plaques ; le roi et grand-duc lui en fit cadeau. Une majeure partie de ces illustrations fut publiee a Lyon dans Demonstrations elementaires de Botaniques . Apres la prise de Lyon par l’armee revolutionnaire, les herbiers lituaniens de Gilibert furent detruits et les cuivres de Belleval perdus probablement a jamais.","PeriodicalId":184184,"journal":{"name":"Deeds and Days","volume":"13 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2015-10-06","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"129819980","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

引用次数: 0

The great primaeval contract of eternal society : Edmund Burke’s views on the social contract 永恒社会的伟大原始契约:埃德蒙·伯克的社会契约观

Deeds and Days Pub Date : 2015-10-05 DOI: 10.7220/2335-8769.63.4

P. Lurbe

{"title":"The great primaeval contract of eternal society : Edmund Burke’s views on the social contract","authors":"P. Lurbe","doi":"10.7220/2335-8769.63.4","DOIUrl":"https://doi.org/10.7220/2335-8769.63.4","url":null,"abstract":"At first glance, the attempt to find common ground between Edmund Burke and Kristijonas Donelaitis is gratuitous and doomed to fail: biographically, nothing connects them, and they cannot even have heard of each other. Yet what they at least have in common is a deep-seated interest in the notions of time and duration: for the Lithuanian poet, the ever-recurring seasons provide human life with substance and pattern; for the Irish philosopher, they are of the essence of what nations are all about. As a critic of contractual theories, Burke argues that society is eternal, and proceeds from a primaval contract that was always there. He is particularly critical of the view that the earth belongs exclusively to the living, a view that has come to be associated with Thomas Jefferson: for Burke, if such were really the case, men would be no better than “the flies of a summer.” This image immediately conjures up a vision of the summer months, and makes us realize that Burke and Donelaitis are in fact kindred spirits: they share a common Protestant faith, a concern for the downtrodden peasantry, a view of the social contract as primaval, and the belief that men belong to deeply rooted, historical communities that make them truly human.","PeriodicalId":184184,"journal":{"name":"Deeds and Days","volume":"17 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2015-10-05","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"134126169","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

引用次数: 0

Countryfolk in Thomson’s seasons : the dark side of the landscape, or emblems of natural integration? 汤姆逊笔下的乡下人:是风景的阴暗面，还是自然融合的象征?

Deeds and Days Pub Date : 2015-10-05 DOI: 10.7220/2335-8769.63.5

P. Carboni

{"title":"Countryfolk in Thomson’s seasons : the dark side of the landscape, or emblems of natural integration?","authors":"P. Carboni","doi":"10.7220/2335-8769.63.5","DOIUrl":"https://doi.org/10.7220/2335-8769.63.5","url":null,"abstract":"It is generally assumed that James Thomson’s poetic cycle The Seasons (1730–1746) is is a celebration of nature’s omnipotence interspersed with pastoral or georgic episodes in which human protagonists reflect the contemporary trend in landscape painting towards representing idealised shepherds and happy swains. However, a closer reading of Thomson’s numerous desciptions of countryfolk reveals that his peasant figures are not mere ‘figures in the landscape’. On the contrary, they appear as key elements in the poet’s physico-theology. Inspired by John Barrell’s analysis of the ambiguities of the depiction of the ‘rural poor’ in eighteenth-century English painting and by Tim Fulford’s discussion of ‘landscapes of authority’, this paper would like to show that the numerous episodes of rural life in The Seasons were not intended as a superficial decor champetre . Our argument is that Thomson uses countryfolk as emblems of the complex relationship between nature and mankind. This paper analyzes the way descriptive elements from contemporary country life serve alternatively as sad reminder of man’s frailty when confronted to natural elements and also as unconscious models of human integration in the superior order of things. Despite their conventional appearance, these poetic constructions show evidence of a sharp departure from earlier definitions of the pastoral and georgic modes. In poetic and philosophical project of Thomson’s Seasons, countryfolk are a reminder that man is not a dweller in (and even less the master of) nature, but a component of the biosphere.","PeriodicalId":184184,"journal":{"name":"Deeds and Days","volume":"83 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2015-10-05","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"124167840","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

引用次数: 0

From person to nonperson : mapping guilt, adiaphora, and austerity 从人到非人:绘制内疚、逃避和紧缩

Deeds and Days Pub Date : 2015-04-01 DOI: 10.7220/2335-8769.62.6

Leonidas Donskis

引用次数: 1

Exploring Lithuanian reflexive verbs from the generative syntactic perspective 从生成句法的角度探讨立陶宛语反身动词

Deeds and Days Pub Date : 2015-04-01 DOI: 10.7220/2335-8769.62.4

Julija Korostenskienė

引用次数: 1

Gyvenimo šventė : Salomėjos Nėries lyrika ir literatūrinis jugendas

Deeds and Days Pub Date : 1900-01-01 DOI: 10.7220/2335-8769.36.1

Rita Tūtlytė