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Necsus. European Journal of Media Studies最新文献

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The tactile and the index - From the remote control to the hand-held computer, some speculative reflections on the bodies of the will 触觉和指数——从遥控器到掌上电脑，一些对身体的思辨反映了意志
Necsus. European Journal of Media Studies Pub Date : 1900-01-01 DOI: 10.5117/NECSUS2013.2.ENGE
L. Engell
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引用次数: 4
Codes of conflux: Collaborations between human and computer in MoMa’s ‘Thinking Machines’ 融合的代码:现代艺术博物馆“思考机器”中人与计算机的合作
Necsus. European Journal of Media Studies Pub Date : 1900-01-01 DOI: 10.25969/MEDIAREP/3452
Leo Goldsmith
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引用次数: 0
Of calendars and industries: IDFA and CPH:DOX 日历和行业:IDFA和CPH:DOX
Necsus. European Journal of Media Studies Pub Date : 1900-01-01 DOI: 10.25969/MEDIAREP/3336
Aida Vallejo
{"title":"Of calendars and industries: IDFA and CPH:DOX","authors":"Aida Vallejo","doi":"10.25969/MEDIAREP/3336","DOIUrl":"https://doi.org/10.25969/MEDIAREP/3336","url":null,"abstract":"","PeriodicalId":174743,"journal":{"name":"Necsus. European Journal of Media Studies","volume":"64 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"1900-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"126752945","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 3
The relocation of cinema 电影院的搬迁
Necsus. European Journal of Media Studies Pub Date : 1900-01-01 DOI: 10.5117/NECSUS2012.2.CASE
F. Casetti
{"title":"The relocation of cinema","authors":"F. Casetti","doi":"10.5117/NECSUS2012.2.CASE","DOIUrl":"https://doi.org/10.5117/NECSUS2012.2.CASE","url":null,"abstract":"In October 2011, the British artist Tacita Dean presented her work Film at the Tate Modern in London.2 Dean’s installation is a f ilm short projected in a continuous loop onto a large screen in a dark space furnished with seats for visitors. The written explication at the entrance to the room draws attention to the presence of all these elements: ‘35mm colour and black & white portrait format anamorphic f ilm with hand tinted sequences, mute, continuous loop, 11 minutes. Large front projection; projection booth; free standing screen; loop system; seating.’ In her article in the Guardian, Charlotte Higgins described Film as ‘pay[ing] homage to a dying medium’.3 In addition, Film is undoubtedly an act in defense of f ilm stock – that same f ilm stock which Kodak announced (on 22 June 2009) it would cease to manufacture after 74 years of production, due to a steep decline in sales. Beyond the preservation of a medium-support, Film seems to also invoke the preservation of a medium-device: in the Tate we f ind a projector, a reflective screen, a darkroom, a bench on which to sit – all things which are becoming increasingly rare in the age of digital images. In essence, Dean attempts to restore all the essential elements of the cinema, those which characterise its technical foundation. Paradoxically, she sets these elements before us as components of an artistic installation; she gathers and reunites them for the purposes of a work intended for a gallery or museum. It is no accident then that visitors to Turbine Hall do not hold the same expectations or display the same behavior as they would if they found themselves at the British Film Institute Southbank (which is not far from the Tate) to see a EUROPEAN JOURNAL OF MEDIA STUDIES","PeriodicalId":174743,"journal":{"name":"Necsus. European Journal of Media Studies","volume":"512 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"1900-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"123570106","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 41
Both inside the circle and out: Béla Tarr’s MISSING PEOPLE at the Vienna Festival 圈内圈外:维也纳艺术节上bassala Tarr的《失踪的人》
Necsus. European Journal of Media Studies Pub Date : 1900-01-01 DOI: 10.25969/mediarep/13129
Jonathan Klamer
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引用次数: 0
BREAKING BAD and surrealism 绝命毒师和超现实主义
Necsus. European Journal of Media Studies Pub Date : 1900-01-01 DOI: 10.25969/MEDIAREP/4185
A. Restivo
{"title":"BREAKING BAD and surrealism","authors":"A. Restivo","doi":"10.25969/MEDIAREP/4185","DOIUrl":"https://doi.org/10.25969/MEDIAREP/4185","url":null,"abstract":"","PeriodicalId":174743,"journal":{"name":"Necsus. European Journal of Media Studies","volume":"8 2 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"1900-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"122338675","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Gesture and videographic writing: Manifesting the ‘in between’ 手势和录像书写:体现“中间”
Necsus. European Journal of Media Studies Pub Date : 1900-01-01 DOI: 10.25969/mediarep/13134
Tracy Cox-Stanton
{"title":"Gesture and videographic writing: Manifesting the ‘in between’","authors":"Tracy Cox-Stanton","doi":"10.25969/mediarep/13134","DOIUrl":"https://doi.org/10.25969/mediarep/13134","url":null,"abstract":"","PeriodicalId":174743,"journal":{"name":"Necsus. European Journal of Media Studies","volume":"36 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"1900-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"121263463","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
The intangible ground: A neurophenomenology of the film experience 无形的基础:电影体验的神经现象学
Necsus. European Journal of Media Studies Pub Date : 1900-01-01 DOI: 10.5117/NECSUS2012.2.DALO
A. D'Aloia
{"title":"The intangible ground: A neurophenomenology of the film experience","authors":"A. D'Aloia","doi":"10.5117/NECSUS2012.2.DALO","DOIUrl":"https://doi.org/10.5117/NECSUS2012.2.DALO","url":null,"abstract":"The vivid and engaging nature of the audiovisual experience, particularly in character-driven narrative films, is specifically functional to the creation of a relationship between the spectator and the world of the film based on the perception of observed intentional actions. This essay explores the idea that the film spectator experiences a tangible relationship with the filmic objects, subjects, and environments by simulating the character’s actions and bodily postures. The hypothesis is evaluated in a theoretical neurophenomenological framework, with the aim of rethinking film spectatorship in the light of a perspective created by combining the results of neurocognitive and neurophysiological experiments with a phenomenological interpretation of the human experience.","PeriodicalId":174743,"journal":{"name":"Necsus. European Journal of Media Studies","volume":"16 3","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"1900-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"120994918","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 7
Films from Asia, attention around the world: 18th Far East Film Festival, Udine 来自亚洲的电影，全世界的关注:第18届远东电影节，乌迪内
Necsus. European Journal of Media Studies Pub Date : 1900-01-01 DOI: 10.25969/mediarep/3365
Jinuo Diao
{"title":"Films from Asia, attention around the world: 18th Far East Film Festival, Udine","authors":"Jinuo Diao","doi":"10.25969/mediarep/3365","DOIUrl":"https://doi.org/10.25969/mediarep/3365","url":null,"abstract":"","PeriodicalId":174743,"journal":{"name":"Necsus. European Journal of Media Studies","volume":"98 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"1900-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"125015554","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
A brief study of film festivals in Mexico: Consumption and historical evolution 2010-2016 墨西哥电影节简论:消费与历史演变2010-2016
Necsus. European Journal of Media Studies Pub Date : 1900-01-01 DOI: 10.25969/mediarep/3449
J. Banuelos, J. Olmedo
{"title":"A brief study of film festivals in Mexico: Consumption and historical evolution 2010-2016","authors":"J. Banuelos, J. Olmedo","doi":"10.25969/mediarep/3449","DOIUrl":"https://doi.org/10.25969/mediarep/3449","url":null,"abstract":"","PeriodicalId":174743,"journal":{"name":"Necsus. European Journal of Media Studies","volume":"9 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"1900-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"115143943","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
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