{"title":"On gesture, or of the blissful promise","authors":"M. D. Rosa","doi":"10.25969/MEDIAREP/13141","DOIUrl":"https://doi.org/10.25969/MEDIAREP/13141","url":null,"abstract":"","PeriodicalId":174743,"journal":{"name":"Necsus. European Journal of Media Studies","volume":"1 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2019-12-22","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"115003498","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Media and Emotion : An Introduction","authors":"J. Eder, Julian Hanich, Jane Stadler","doi":"10.25969/MEDIAREP/4189","DOIUrl":"https://doi.org/10.25969/MEDIAREP/4189","url":null,"abstract":"This article provides a meta-theoretical overview of the central research questions, concepts, and lines of conflict at the nexus between media and emotions. It interrogates key terms such as affect and emotion, discusses a variety of influential approaches in emotion research, and identifies debates and tensions in the field of study. Within this vast and complex interdisciplinary field and the broad range of affective phenomena it covers, we concentrate primarily on various types of media-induced emotions, with a focus on the development of ideas about screen media and spectatorship.","PeriodicalId":174743,"journal":{"name":"Necsus. European Journal of Media Studies","volume":"192 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2019-05-27","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"132067739","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Between scenes: Glasgow’s alternative film spaces in the 1990s","authors":"Maria Antonia Velez Serna, Alexandra Colta","doi":"10.25969/MEDIAREP/4187","DOIUrl":"https://doi.org/10.25969/MEDIAREP/4187","url":null,"abstract":"","PeriodicalId":174743,"journal":{"name":"Necsus. European Journal of Media Studies","volume":"1 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2019-05-27","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"126428662","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Early cinema, Sergei Eisenstein, and Film Culture Today : An Interview with Ian Christie on New Directions in Film History","authors":"M. Hagener, A. V. D. Oever","doi":"10.25969/MEDIAREP/3445","DOIUrl":"https://doi.org/10.25969/MEDIAREP/3445","url":null,"abstract":"","PeriodicalId":174743,"journal":{"name":"Necsus. European Journal of Media Studies","volume":"53 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2018-12-02","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"116700604","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Redressing Perspectives: Mediation, Embodiment and Materiality in Digital Fashion and Textiles","authors":"F. Joseph","doi":"10.25969/MEDIAREP/3403","DOIUrl":"https://doi.org/10.25969/MEDIAREP/3403","url":null,"abstract":"","PeriodicalId":174743,"journal":{"name":"Necsus. European Journal of Media Studies","volume":"41 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2017-12-06","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"115078381","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"The journeys of a film phenomenologist: An interview with Vivian Sobchack on being and becoming","authors":"Julian Hanich","doi":"10.25969/mediarep/3397","DOIUrl":"https://doi.org/10.25969/mediarep/3397","url":null,"abstract":"In this interview Vivian Sobchack, a leading film phenomenologist worldwide and Professor Emerita at UCLA, looks back at her career as a film and media scholar. She relates how she first wanted to become a novelist – as well as an astronomer – before academia and the study of film attracted her attention. She describes how she became interested in existential phenomenology, how her groundbreaking book The Address of the Eye took shape, and how it has influenced film studies since its first publication 25 years ago. She also reflects on the value of phenomenology as a research method and responds to criticism leveled against it as a philosophy that is too subjectivist and a-political.","PeriodicalId":174743,"journal":{"name":"Necsus. European Journal of Media Studies","volume":"31 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2017-12-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"130690633","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Introduction: The ring of the true in contemporary media","authors":"Ilona Hongisto, Toni Pape, A. Thain","doi":"10.25969/MEDIAREP/3378","DOIUrl":"https://doi.org/10.25969/MEDIAREP/3378","url":null,"abstract":"This introductory essay to the special section on ‘true’ seeks to outline and activate the ring of the true in contemporary media. It moves beyond the sceptic and positivist stances relating to ‘post-truth’ by foregrounding the audiovisual methodologies with which the true comes to be and by affirming the potentials of ‘falsification’. The essay insists on a critical distinction between falsification and a lie, and thereby builds on the speculative and aesthetic modalities in producing ‘truth-effects’ in contemporary media. In this way, the essay address uncertainty and the temporalisation of truth, the creative nodes of difference involved in knowledge production and subjectivation, as well as the intermedial and ecological immanence of truth-effects.","PeriodicalId":174743,"journal":{"name":"Necsus. European Journal of Media Studies","volume":"22 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2017-06-04","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"114930371","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Acts of laughter, acts of tears: The production of ‘truth-effects’ in Oriana Fox’s ‘The O Show’ and Gillian Wearing’s ‘Self Made’","authors":"Maria Walsh","doi":"10.25969/mediarep/3383","DOIUrl":"https://doi.org/10.25969/mediarep/3383","url":null,"abstract":"In this article, I explore the ‘truth-effects’ of the performative dimension of two artists’ works, Oriana Fox’s therapy chat show, The O Show (2011-ongoing), episodes of which were performed live and broadcast simultaneously online, and Gillian Wearing’s experimental documentary, Self Made (2010). Situating my argument in relation to Lionel Trilling’s Sincerity and Authenticity, I argue that authenticity has changed in contemporary cognitive capitalism from modernity’s advocacy of self-alienation to becoming a matter of ‘doing’ sincerity by means of deploying ritualistic formulae or techniques in social exchange. This is exemplified in the artists’ works by techniques such as R.E.B.T. (Rational Emotional Behavioural Therapy) and Method acting, which are used to produce a slippage between authenticity and sincerity for performers and spectators alike.","PeriodicalId":174743,"journal":{"name":"Necsus. European Journal of Media Studies","volume":"67 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2017-06-03","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"123948059","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Sweeping changes in Eastern Europe: the documentary frame in Gerd Kroske's 'Kehraus' trilogy (1990-2006)","authors":"Ilona Hongisto","doi":"10.25969/mediarep/3381","DOIUrl":"https://doi.org/10.25969/mediarep/3381","url":null,"abstract":"","PeriodicalId":174743,"journal":{"name":"Necsus. European Journal of Media Studies","volume":"134 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2017-05-28","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"116338520","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"The audiovisual essay as performative research","authors":"Catherine A. Grant","doi":"10.25969/mediarep/3370","DOIUrl":"https://doi.org/10.25969/mediarep/3370","url":null,"abstract":"Editorial introduction to the Audiovisual Essay section of NECSUS: European Journal of Media Studies, Autumn 2016.","PeriodicalId":174743,"journal":{"name":"Necsus. European Journal of Media Studies","volume":"34 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2016-12-04","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"115106059","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}