发布求助
文献互助 智能选刊 最新文献

Necsus. European Journal of Media Studies最新文献

筛选
英文 中文
The Place of Voiceover in Academic Audiovisual Film and Television Criticism 画外音在学术视听影视批评中的地位
Necsus. European Journal of Media Studies Pub Date : 2016-12-04 DOI: 10.25969/MEDIAREP/3372
Ian Garwood
{"title":"The Place of Voiceover in Academic Audiovisual Film and Television Criticism","authors":"Ian Garwood","doi":"10.25969/MEDIAREP/3372","DOIUrl":"https://doi.org/10.25969/MEDIAREP/3372","url":null,"abstract":"","PeriodicalId":174743,"journal":{"name":"Necsus. European Journal of Media Studies","volume":"0 0 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2016-12-04","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"127232541","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 2
Virtual futures and cinematic pasts at the 65th Melbourne International Film Festival 第65届墨尔本国际电影节上的虚拟未来和电影的过去
Necsus. European Journal of Media Studies Pub Date : 2016-12-04 DOI: 10.25969/MEDIAREP/3364
Kirsten Stevens
{"title":"Virtual futures and cinematic pasts at the 65th Melbourne International Film Festival","authors":"Kirsten Stevens","doi":"10.25969/MEDIAREP/3364","DOIUrl":"https://doi.org/10.25969/MEDIAREP/3364","url":null,"abstract":"","PeriodicalId":174743,"journal":{"name":"Necsus. European Journal of Media Studies","volume":"36 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2016-12-04","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"125440166","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 1
The way we watched: Vintage television programmes, memories, and memorabilia 我们观看的方式:老式电视节目、回忆和纪念品
Necsus. European Journal of Media Studies Pub Date : 2015-11-27 DOI: 10.5117/NECSUS2015.2.PIPE
H. Piper
{"title":"The way we watched: Vintage television programmes, memories, and memorabilia","authors":"H. Piper","doi":"10.5117/NECSUS2015.2.PIPE","DOIUrl":"https://doi.org/10.5117/NECSUS2015.2.PIPE","url":null,"abstract":"This paper explores television viewing memories of a kind that have rarely been acknowledged, whether in in formal histories of television or by the ubiquitous archive ‘clip show’. Much of the academic work that explicitly addresses questions of television and memory has been disproportionately preoccupied with viewers’ recall of historical events, but here the author draws on a viewer reminiscence project to emphasise how the favourite entertainment shows once integral to family life in the 1960s and ‘70s, are today bound up with the more complex and diffuse emotions that surround the everyday past. The author also uses the idea of ‘vintage’, specifically as a designation for something that ‘belongs’ to a certain period, to think together the connections between memories of programmes and the sentiments evoked by the vestiges of television-related material culture (including ‘the box’ itself and other items of memorabilia). Both reminiscence and the acquisition of vintage goods are ways of constructing the cultural past, and both differ markedly in form and outcome from the re-consumption of the TV archive that is routinely promoted by broadcasters and DVD distributors. The paper will conclude that as critical re-engagement with the extant moving image text is a poor substitute for the original performance, reminiscence and vintage material culture might offer more effective insight into past engagement with television. For similar reasons, the study of both memory and materiality may provide appropriate intellectual contexts to complement the study of old programmes in text-centred critical/aesthetic discourse.","PeriodicalId":174743,"journal":{"name":"Necsus. European Journal of Media Studies","volume":"13 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2015-11-27","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"128192166","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 3
Temps Mort : Speaking about Chantal Akerman (1950-2015) Temps Mort:谈Chantal Akerman (1950-2015)
Necsus. European Journal of Media Studies Pub Date : 2015-11-27 DOI: 10.5117/NECSUS2015.2.KUYP
E. D. Kuyper, A. V. D. Oever
{"title":"Temps Mort : Speaking about Chantal Akerman (1950-2015)","authors":"E. D. Kuyper, A. V. D. Oever","doi":"10.5117/NECSUS2015.2.KUYP","DOIUrl":"https://doi.org/10.5117/NECSUS2015.2.KUYP","url":null,"abstract":"","PeriodicalId":174743,"journal":{"name":"Necsus. European Journal of Media Studies","volume":"1 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2015-11-27","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"122375166","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Made in Peru: Lima Film Festival comes of age 秘鲁制造:利马电影节成熟
Necsus. European Journal of Media Studies Pub Date : 2015-11-26 DOI: 10.5117/NECSUS2015.2.BARR
S. Barrow
{"title":"Made in Peru: Lima Film Festival comes of age","authors":"S. Barrow","doi":"10.5117/NECSUS2015.2.BARR","DOIUrl":"https://doi.org/10.5117/NECSUS2015.2.BARR","url":null,"abstract":"The Festival de Cine de Lima (Lima Film Festival) was launched in 1997 as ‘elcine’ with ten days of screenings composed of 21 features and 38 shorts from ten Latin American countries alongside a three-day event in the southern city of Arequipa. Over 15,000 spectators attended what was described by its organisers as an ‘unprecedented event’[1] – not just for its statistics but also for the way it encouraged private enterprise to support a major cultural activity, involved many young people in its organisation, included events designed to provoke debate about the value of cinema, sparked mass participation on the part of the public through its competition voting system, and caught the attention of the national and international press. \u0000 \u0000In August 2015, the 19th edition introduced around 300 international films to audiences across the Peruvian capital and beyond, with more of those films than ever before made by Peruvian directors, including several selected for the feature competition. Indeed, while many of the original features of this resilient festival have been retained it has been intriguing to witness the gradual increase in profile granted by the event to home-grown talent. After years of tension and mistrust between the most prominent film critics in Peru and many local film-makers battling with a precarious set of cultural, political, and financial circumstances, this change signals a welcome recognition of national production by those that have tended to look beyond national borders for inspiration. Moreover, despite the relative paucity of co-ordinated film production activity in Peru compared with other Latin American nations, it would seem that this festival (and other smaller film events that have emerged around the city over the last two decades[2]) provides some evidence of a growing interest in cinema ‘made in Peru’. This article aims to shed some light on the development of this key cultural event, to unravel its role as instigator and mediator of national and regional cinema, and to consider its place as part of the film ecology of Peru.","PeriodicalId":174743,"journal":{"name":"Necsus. European Journal of Media Studies","volume":"8 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2015-11-26","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"128176785","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Technostalgia of the Present: From Technologies of Memory to a Memory of Technologies 当前的技术怀旧:从记忆的技术到技术的记忆
Necsus. European Journal of Media Studies Pub Date : 2015-11-16 DOI: 10.5117/NECSUS2015.2.HEIJ
T. V. D. Heijden
{"title":"Technostalgia of the Present: From Technologies of Memory to a Memory of Technologies","authors":"T. V. D. Heijden","doi":"10.5117/NECSUS2015.2.HEIJ","DOIUrl":"https://doi.org/10.5117/NECSUS2015.2.HEIJ","url":null,"abstract":"This article reflects on today’s ‘technostalgic’ trend in media culture by examining the various ways in which Super 8 film as a media technology from the past is re-appropriated and remediated in contemporary memory practices. By looking specifically at restorative and reflective forms of technostalgia manifest in the project Bye Bye Super 8 – In Loving Memory of Kodachrome (2011) and the digital smartphone app iSupr8 (2011), the author explores how in contemporary memory practices media technologies not only construct and mediate memories but have also become the objects of memory themselves. While analysing this double mnemonic process – accounting for both the memory construction by the media technology and the reminiscence of the media technology itself – it is argued that we currently witness a new kind of memory practice enforcing an attentive shift from technologies of memory to a memory of technologies.","PeriodicalId":174743,"journal":{"name":"Necsus. European Journal of Media Studies","volume":"54 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2015-11-16","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"117080987","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 20
Death, beauty, and iconoclastic nostalgia: Precarious aesthetics and Lana Del Rey 死亡、美与反传统怀旧:不稳定美学与拉娜·德雷
Necsus. European Journal of Media Studies Pub Date : 2015-09-30 DOI: 10.5117/NECSUS2015.2.FETV
Arild Fetveit
{"title":"Death, beauty, and iconoclastic nostalgia: Precarious aesthetics and Lana Del Rey","authors":"Arild Fetveit","doi":"10.5117/NECSUS2015.2.FETV","DOIUrl":"https://doi.org/10.5117/NECSUS2015.2.FETV","url":null,"abstract":"","PeriodicalId":174743,"journal":{"name":"Necsus. European Journal of Media Studies","volume":"15 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2015-09-30","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"122242728","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 9
Richard Serra: Sculpture, television, and the status quo 理查德·塞拉:雕塑、电视和现状
Necsus. European Journal of Media Studies Pub Date : 2015-09-30 DOI: 10.5117/NECSUS2015.2.SPAM
F. Spampinato
{"title":"Richard Serra: Sculpture, television, and the status quo","authors":"F. Spampinato","doi":"10.5117/NECSUS2015.2.SPAM","DOIUrl":"https://doi.org/10.5117/NECSUS2015.2.SPAM","url":null,"abstract":"While he is appreciated primarily as a sculptor, Richard Serra also made several films and videos in the 1960s and 1970s which have a pivotal role in both the history of avant-garde film and the development of early video art. This article takes into account this ‘collateral’ production, suggesting that Serra’s work is not merely formalist or materialist. Rather, as his video work suggests, his larger sculptural works and conceptual approach require a reinterpretation as commentaries on social and political issues. This essay focuses on the artist’s videos, reading them as an extension of both his films and his sculptural production, but which takes a more explicit stance than either. The essay will also take into account the similarities between Serra’s stance and that of the contemporary Guerrilla Television movement, trying to position them within the articulated history of the relationships between contemporary art andmass media.","PeriodicalId":174743,"journal":{"name":"Necsus. European Journal of Media Studies","volume":"32 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2015-09-30","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"128905947","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Retro, faux-vintage, and anachronisme: when cinema looks back 复古，仿古，和时代错误:当电影回顾
Necsus. European Journal of Media Studies Pub Date : 2015-09-30 DOI: 10.5117/NECSUS2015.2.BASC
Stefano Baschiera, Elena Caoduro
{"title":"Retro, faux-vintage, and anachronisme: when cinema looks back","authors":"Stefano Baschiera, Elena Caoduro","doi":"10.5117/NECSUS2015.2.BASC","DOIUrl":"https://doi.org/10.5117/NECSUS2015.2.BASC","url":null,"abstract":"This article explores the definition of ‘vintage cinema’ and specifically re-evaluates the fetishism for the past and its regurgitation in the present by providing a taxonomy of the phenomenon in recent film production. Our contribution identifies three aesthetic categories: faux-vintage, retro and anachronistic; by illustrating their overlapping and discrepancies it argues that the past remains a powerful negotiator of meaning for the present and the future. Drawing on studies of memory and digital nostalgia, this article focuses on the latter category: anachronism. It furthermore unravels the persistence of and the filmic fascination for obsolete analogue objects through an analysis of Only Lovers Left Alive (Jim Jarmusch, 2013).","PeriodicalId":174743,"journal":{"name":"Necsus. European Journal of Media Studies","volume":"39 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2015-09-30","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"121078141","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 8
No time like the past? On the new role of vintage and retro in the magazines SCANDINAVIAN RETRO and RETRO GAMER 没有时间像过去一样?关于《SCANDINAVIAN retro》和《retro GAMER》杂志中复古和复古的新角色
Necsus. European Journal of Media Studies Pub Date : 2015-09-30 DOI: 10.5117/NECSUS2015.2.HAND
Kristian Handberg
{"title":"No time like the past? On the new role of vintage and retro in the magazines SCANDINAVIAN RETRO and RETRO GAMER","authors":"Kristian Handberg","doi":"10.5117/NECSUS2015.2.HAND","DOIUrl":"https://doi.org/10.5117/NECSUS2015.2.HAND","url":null,"abstract":"","PeriodicalId":174743,"journal":{"name":"Necsus. European Journal of Media Studies","volume":"91 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2015-09-30","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"126172819","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 2
首页 上一页 下一页 尾页
0
×
引用
GB/T 7714-2015
复制
MLA
复制
APA
复制
导出至
BibTeX EndNote RefMan NoteFirst NoteExpress
×
提示
您的信息不完整，为了账户安全，请先补充。
现在去补充
×
提示
您因"违规操作"
具体请查看互助需知
我知道了
×
提示
现在去查看 取消
×
提示
确定
请完成安全验证×
相关产品
×
本文献相关产品
联系我们：info@booksci.cn Book学术提供免费学术资源搜索服务，方便国内外学者检索中英文文献。致力于提供最便捷和优质的服务体验。 Copyright © 2023 布克学术 All rights reserved.
京ICP备2023020795号-1
ghs 京公网安备 11010802042870号
Book学术文献互助
Book学术文献互助群
群 号：481959085
Book学术官方微信