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Necsus. European Journal of Media Studies最新文献

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Pinpointing the ‘cinematic’ in twenty-first century art: ‘Dreamlands’ / ‘On desire’ 21世纪艺术中的“电影”:“梦境”/“欲望”
Necsus. European Journal of Media Studies Pub Date : 1900-01-01 DOI: 10.25969/MEDIAREP/13132
Fátima Chinita
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引用次数: 0
Early cinema’s touch(able) screens: from Uncle Josh to Ali Barbouyou 早期电影的触屏(可触屏):从Josh叔叔到Ali Barbouyou
Necsus. European Journal of Media Studies Pub Date : 1900-01-01 DOI: 10.5117/NECSUS2012.2.STRA
W. Strauven
{"title":"Early cinema’s touch(able) screens: from Uncle Josh to Ali Barbouyou","authors":"W. Strauven","doi":"10.5117/NECSUS2012.2.STRA","DOIUrl":"https://doi.org/10.5117/NECSUS2012.2.STRA","url":null,"abstract":"Disclaimer/Complaints regulations If you believe that digital publication of certain material infringes any of your rights or (privacy) interests, please let the Library know, stating your reasons. In case of a legitimate complaint, the Library will make the material inaccessible and/or remove it from the website. Please Ask the Library: https://uba.uva.nl/en/contact, or a letter to: Library of the University of Amsterdam, Secretariat, Singel 425, 1012 WP Amsterdam, The Netherlands. You will be contacted as soon as possible.","PeriodicalId":174743,"journal":{"name":"Necsus. European Journal of Media Studies","volume":"120 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"1900-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"115855423","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 7
Cinema’s Turing test: Consciousness, digitality, and operability in ‘Hardcore Henry’ 电影的图灵测试:《硬核亨利》中的意识、数字化和可操作性
Necsus. European Journal of Media Studies Pub Date : 1900-01-01 DOI: 10.25969/MEDIAREP/3384
Chang-Min Yu
{"title":"Cinema’s Turing test: Consciousness, digitality, and operability in ‘Hardcore Henry’","authors":"Chang-Min Yu","doi":"10.25969/MEDIAREP/3384","DOIUrl":"https://doi.org/10.25969/MEDIAREP/3384","url":null,"abstract":"","PeriodicalId":174743,"journal":{"name":"Necsus. European Journal of Media Studies","volume":"8 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"1900-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"131978392","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 10
Why not look at animals 为什么不看看动物呢
Necsus. European Journal of Media Studies Pub Date : 1900-01-01 DOI: 10.5117/NECSUS2015.1.PICK
A. Pick
{"title":"Why not look at animals","authors":"A. Pick","doi":"10.5117/NECSUS2015.1.PICK","DOIUrl":"https://doi.org/10.5117/NECSUS2015.1.PICK","url":null,"abstract":"Revisiting John Berger’s seminal essay ‘Why Look at Animals?’ (1980), this essay inverts Berger’s title in order to explore instances where the visibility of animals is at stake and where seeing is linked to forms of surveillance and control. In the context of advanced optical and tracking technologies that render animals permanently visible, the possibility of not-seeing emerges as a progressive modality of relation to animals that takes seriously the notion of animal privacy and the exposed animal’s resistance to the human gaze.","PeriodicalId":174743,"journal":{"name":"Necsus. European Journal of Media Studies","volume":"20 11","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"1900-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"132467033","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 22
The navigational gesture: Traces and tracings at the mobile touchscreen interface 导航手势:在移动触摸屏界面上进行跟踪和描摹
Necsus. European Journal of Media Studies Pub Date : 1900-01-01 DOI: 10.5117/NECSUS2014.1.VERH
N. Verhoeff, H. Cooley
{"title":"The navigational gesture: Traces and tracings at the mobile touchscreen interface","authors":"N. Verhoeff, H. Cooley","doi":"10.5117/NECSUS2014.1.VERH","DOIUrl":"https://doi.org/10.5117/NECSUS2014.1.VERH","url":null,"abstract":"the touchscreen interface is a threshold between site-specific data overlays and one’s fingers that touch, swipe, and pinch to access information about one’s surroundings and, in the process, leave traces – fingerprints – on the screen. the navigational ‘gesture’ is central to the process of making meaning in two forms of deictic transaction: the gesture of raising and pointing a mobile device (e.g. in the case of the augmented reality) and the finger’s pressing on the touchscreen (activating data overlays) – both of which require pointing and touching. the former is future-oriented, pointing toward some destination; the latter is past-oriented, accruing not only traces of where one has been but also the residue of touching the screen. gesture and touch intersect in the tracing-tracking that transpires in the present and that holds both past (‘where i’ve been’) and future (‘where i’m headed’). Extending arguments we have made elsewhere about the way navigation shapes and determines how, today, we understand and perform space, time, and subjectivity, in this article we explore how the navigational gesture as a cultural form is related to a deeper cultural logic of indexicality. We consider the relation between the physical use of the mobile micro screen and the haptic experience that this interaction brings about. We address how various traces produced at the intersection of technology and practice function to inscribe time in space. ultimately we argue that navigation by means of locative (media) technologies proceeds according to a specifically deictic indexicality that opens onto a layeredness that characterised the mobile present.","PeriodicalId":174743,"journal":{"name":"Necsus. European Journal of Media Studies","volume":"26 10","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"1900-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"132836227","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 9
Transcending obsolescence in technological ruins? Questions of conservation and presentation in Nam June Paik’s Something Pacific and Rembrandt Automatic 在技术废墟中超越过时?白南准作品《太平洋》与伦勃朗作品的保存与呈现问题
Necsus. European Journal of Media Studies Pub Date : 1900-01-01 DOI: 10.5117/NECSUS2013.2.HOLL
A. Schneider, W. Strauven, H. Hölling
{"title":"Transcending obsolescence in technological ruins? Questions of conservation and presentation in Nam June Paik’s Something Pacific and Rembrandt Automatic","authors":"A. Schneider, W. Strauven, H. Hölling","doi":"10.5117/NECSUS2013.2.HOLL","DOIUrl":"https://doi.org/10.5117/NECSUS2013.2.HOLL","url":null,"abstract":"","PeriodicalId":174743,"journal":{"name":"Necsus. European Journal of Media Studies","volume":"10 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"1900-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"132877182","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Current trends across three European human rights film festivals 三个欧洲人权电影节的当前趋势
Necsus. European Journal of Media Studies Pub Date : 1900-01-01 DOI: 10.25969/mediarep/3385
M. D. Valck
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引用次数: 0
Historiographies of women in early cinema 早期电影中女性的历史编纂
Necsus. European Journal of Media Studies Pub Date : 1900-01-01 DOI: 10.25969/mediarep/4178
A. Ozgen-Tuncer
{"title":"Historiographies of women in early cinema","authors":"A. Ozgen-Tuncer","doi":"10.25969/mediarep/4178","DOIUrl":"https://doi.org/10.25969/mediarep/4178","url":null,"abstract":"","PeriodicalId":174743,"journal":{"name":"Necsus. European Journal of Media Studies","volume":"123 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"1900-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"124187280","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
The biennale as a device – 4th Athens Biennale 双年展作为一种装置——第四届雅典双年展
Necsus. European Journal of Media Studies Pub Date : 1900-01-01 DOI: 10.5117/NECSUS2014.1.FOTI
E. Fotiadi
{"title":"The biennale as a device – 4th Athens Biennale","authors":"E. Fotiadi","doi":"10.5117/NECSUS2014.1.FOTI","DOIUrl":"https://doi.org/10.5117/NECSUS2014.1.FOTI","url":null,"abstract":"","PeriodicalId":174743,"journal":{"name":"Necsus. European Journal of Media Studies","volume":"29 1 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"1900-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"123430431","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 1
Crisis and Capitalism in Contemporary Argentine Cinema - written by Joanna Page, Durham-London: Duke University Press, 2009 当代阿根廷电影中的危机与资本主义——乔安娜·佩奇著，达勒姆-伦敦:杜克大学出版社，2009年
Necsus. European Journal of Media Studies Pub Date : 1900-01-01 DOI: 10.5117/NECSUS2012.1.APPI
Fausto Appiolaza
{"title":"Crisis and Capitalism in Contemporary Argentine Cinema - written by Joanna Page, Durham-London: Duke University Press, 2009","authors":"Fausto Appiolaza","doi":"10.5117/NECSUS2012.1.APPI","DOIUrl":"https://doi.org/10.5117/NECSUS2012.1.APPI","url":null,"abstract":"","PeriodicalId":174743,"journal":{"name":"Necsus. European Journal of Media Studies","volume":"75 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"1900-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"124075796","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
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