{"title":"A Melancholy Idyll","authors":"V. Sukhnev","doi":"10.2753/RSL1061-197519020332","DOIUrl":"https://doi.org/10.2753/RSL1061-197519020332","url":null,"abstract":"It's very symptomatic that S. Lesnevskii's article, which began this exchange, appears right next to material by A. Urban and G. Krasnikov, who are discussing Evgenii Evtushenko's narrative poem Mom and the Neutron Bomb [Mama i neitronnaia bomba]. Lesnevskii says that in our era book-events have become a rarity, that it seems as though no one is exclaiming, \"Look - the stars have again been decapitated….\" First of all, such books are rare precisely because they become events. This is how it has always been and always will be. Second, isn't Evtushenko's new long poem an event of that order? I'll note in passing that Krasnikov's position with regard to its poetic qualities is nearer to mine than Urban's. But with regard to Lesnevskii's thesis that not a single school of poetry in the last quarter-century has produced a poet of the epoch…. \"Large things can only be seen at a distance.\" Esenin is completely correct in this. The water of history should stand a little. At the moment we see in its impetuous stre...","PeriodicalId":173745,"journal":{"name":"Soviet Studies in Literature","volume":"5 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"1983-04-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"130020240","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"The Dialectic of Constancy","authors":"E. Isaev","doi":"10.2753/RSL1061-197519020339","DOIUrl":"https://doi.org/10.2753/RSL1061-197519020339","url":null,"abstract":"We must, we must remember the Mayakovskian traditions. After all, what is Mayakovsky? Above all, a life – and only after that literature. This is why Mayakovsky is a great artist. A great life makes him a great artist. A great revolution, the greatest of all revolutions on earth, by its social, as well as philosophic, aesthetic, and economic significance. The revolution took place here in Russia, but it belongs to the whole world and is equal to the whole world. Had this revolution not taken place, a giant like Mayakovsky – whose significance, like that of the revolution, is worldwide – would not have appeared. I know of no other poet who is both a national and world poet to the same degree.","PeriodicalId":173745,"journal":{"name":"Soviet Studies in Literature","volume":"78 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"1983-04-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"129165992","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"A Glance Across the Years","authors":"B. Pankin","doi":"10.2753/RSL1061-1975170459","DOIUrl":"https://doi.org/10.2753/RSL1061-1975170459","url":null,"abstract":"Mark Shcheglov did not know those joys which fall to the lot of almost every child, no matter the conditions in which it spent its childhood. From his early years he was ill with osseous tuberculosis; and later, when his peers had to go away to wind up the war, then went on to study, to play Chapaev, to pass the tests of the GTO and join the Komsomol circles and sections, he, imprisoned in his gypsum fetters, made the rounds from one hospital to another, from outpatient clinics to sanatoria; and often, for months, even for years, his only companions and interlocutors were books. Books, books, and more books.","PeriodicalId":173745,"journal":{"name":"Soviet Studies in Literature","volume":"53 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"1981-10-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"121089308","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Singer of a Harsh Land: Notes for a Portrait of Iurii Rytkheu","authors":"David Kugul'tinov","doi":"10.2753/RSL1061-1975170376","DOIUrl":"https://doi.org/10.2753/RSL1061-1975170376","url":null,"abstract":"— \"I shall never tire of repeating the truth, which has become obvious, that the peoples of the North were saved by the Great October Socialist Revolution.\"","PeriodicalId":173745,"journal":{"name":"Soviet Studies in Literature","volume":"2 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"1981-07-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"133512872","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Matëra - Farewells and Encounters","authors":"B. Pankin","doi":"10.2753/RSL1061-1975170346","DOIUrl":"https://doi.org/10.2753/RSL1061-1975170346","url":null,"abstract":"One enters literature in generations, grows within it, lives, and answers — each for himself. A person begins to count for something in literature only after his name is spoken independently — not in tandem, not in company with others.","PeriodicalId":173745,"journal":{"name":"Soviet Studies in Literature","volume":"123 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"1981-07-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"122393302","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Am I Not in My Own Home","authors":"B. Pankin","doi":"10.2753/RSL1061-197517033","DOIUrl":"https://doi.org/10.2753/RSL1061-197517033","url":null,"abstract":"It was long ago and aptly observed that it sometimes takes just a single solitary fact to make the connection between events evident. I have been following the career of Chingiz Aitmatov almost from the outset, writing about his new works almost as soon as they come out. However, A Spotted Dog Running along the Sea Shore [Pegii pes, begushchii kraem moria] had to appear so that what I want to talk about here became clear to me.","PeriodicalId":173745,"journal":{"name":"Soviet Studies in Literature","volume":"28 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"1981-07-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"122896603","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Three Meetings With Grin","authors":"V. Shklovsky","doi":"10.2753/RSL1061-1975170297","DOIUrl":"https://doi.org/10.2753/RSL1061-1975170297","url":null,"abstract":"I shall Start with the second. The twenties. A House of the Arts had opened. It was in the former mansion of a rich man, Eliseev, on the corner of the Nevsky and the Moika. Writers, poets, painters assembled under a single roof. N. Tikhonov, V. Rozhdestvenskii, O. Forsh, Al. Sandler, Mikh, Slonimskii — I cannot remember them all — occupied small rooms opening onto a long hallway. A tall man in a tunic, stooped, with prominent cheekbones and uncommonly serious eyes, came to live in one of those rooms: Aleksandr Grin. I had known Grin earlier. Our first meeting occurred when I was still a boy. I had seen that silent man in the apartment of Kalistrat Faleevich Zhakov, a Zyrianian [Komi]. A literary circle attended by young and not so young writers met at Zhakov's. I was the youngest, then a student in the local high school. At that time Grin was in hiding and lived under another name, which I do not remember because it was so long ago. He had a very poor room on Vasil'evksii Island, the greatest merit of whi...","PeriodicalId":173745,"journal":{"name":"Soviet Studies in Literature","volume":"140 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"1981-04-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"123359017","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"P. A. Pavlenko's Letters to Maredzhan","authors":"Vakhtang Alaniia","doi":"10.2753/RSL1061-1975170290","DOIUrl":"https://doi.org/10.2753/RSL1061-1975170290","url":null,"abstract":"Eighty years have passed since the birth of the prominent Soviet writer and public figure Petr Andreevich Pavlenko. The writer's entire life was bound up with Georgia, which he described as his second homeland. This \"second homeland\" held a major place in the writer's work, starting with the first essays published in the newspaper Dawn of the East [Zaria Vostoka] and ending with the well-known novel Happiness [Schast'e].","PeriodicalId":173745,"journal":{"name":"Soviet Studies in Literature","volume":"158 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"1981-04-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"121089061","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Lecture on Twentieth-Century French Literary Criticism (From the Course \"The History of Western European Criticism\")","authors":"A. Lunacharsky","doi":"10.2753/RSL1061-1975170267","DOIUrl":"https://doi.org/10.2753/RSL1061-1975170267","url":null,"abstract":"The stenographic report offered to the reader's attention contains a record of the second lecture in the course \"A History of Western European Literary Criticism,\" which Anatolii Vasil'evich began to deliver to students in the Moscow University Department of Literature in March 1931.","PeriodicalId":173745,"journal":{"name":"Soviet Studies in Literature","volume":"12 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"1981-04-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"129277818","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"For His Whole Life: Notes on Konstantin Simonov's Novel So-called Private Life","authors":"L. Lazarev","doi":"10.2753/RSL1061-197517023","DOIUrl":"https://doi.org/10.2753/RSL1061-197517023","url":null,"abstract":"When these comments were written, it could not have occurred to me that the recently published novel So-called Private Life would be Konstantin Simonov's last major work. What plans he still had'. How many things were in progress — reminiscences about his contemporaries, which he had wanted to write drawing on his extremely wide correspondence; the screenplay for a feature film for Aleksei German, who had previously filmed his Twenty Days without War [Dvadtstat' dnei bez voiny]; a documentary film about Marshal G. K. Zhukov, which he wanted to make with Marina Babak, as had been the case with No Sorrow Is Foreign [Chuzhogo goria ne byvaet], A Soldier Marched … [Shel soldat…], and Soldierly Reminiscences [Soldatskie memuary]; and a documentary book on the soldier of World War II. How much he wanted to and was capable of yet creating. And here, as I was sending these observations to the printer's, it was necessary to replace the word \"new\" (so normal with respect to Simonov, whose new works over a period of...","PeriodicalId":173745,"journal":{"name":"Soviet Studies in Literature","volume":"27 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"1981-04-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"134059998","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
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