Music Scholarship / Problemy Muzykal'noj Nauki最新文献_第2页

Certain Peculiarities of the Dramaturgical and Compositional Structure of John Adams’ Opera Doctor Atomic 约翰·亚当斯歌剧《原子医生》的戏剧结构与作曲结构的若干特点

Music Scholarship / Problemy Muzykal'noj Nauki Pub Date : 2021-12-01 DOI: 10.33779/2782-3598.2021.4.181-188

A. Shornikova

引用次数: 0

Specific Features of Work with the Poetic Text in the Post-Opera (by the Example of Tan Dun’s Opera Marco Polo) 后歌剧时代诗性文本作品的特点(以谭盾歌剧《马可波罗》为例)

Music Scholarship / Problemy Muzykal'noj Nauki Pub Date : 2021-12-01 DOI: 10.33779/2782-3598.2021.4.170-180

Elena V. Kiseyeva

引用次数: 1

Tan Dun’s Conception of Organic Music 谭盾的有机音乐观

Music Scholarship / Problemy Muzykal'noj Nauki Pub Date : 2021-12-01 DOI: 10.33779/2782-3598.2021.4.116-125

Linji Zhu

引用次数: 0

Strophic and Sonata Form in the Italian Opera Aria of the 1720s and the 1730s 1720年代和1730年代意大利歌剧咏叹调中的韵律和奏鸣曲形式

Music Scholarship / Problemy Muzykal'noj Nauki Pub Date : 2021-12-01 DOI: 10.33779/2782-3598.2021.4.063-075

Pavel V. Lutsker, Irina P. Susidko

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Aspects of Spiritual Meaning in Francis Poulenc’s Opera Dialogues of the Carmelites 普朗克歌剧《加尔默罗修士对话录》的精神内涵

Music Scholarship / Problemy Muzykal'noj Nauki Pub Date : 2021-12-01 DOI: 10.33779/2782-3598.2021.4.52-62

V. Azarova

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Vsevolod Zaderatsky – a Composer with a Tragic Fate 扎德拉茨基——一个命运悲惨的作曲家

Music Scholarship / Problemy Muzykal'noj Nauki Pub Date : 2021-12-01 DOI: 10.33779/2782-3598.2021.4.076-092

A. Rovner

引用次数: 0

“The Magic of Repetition” in Iraida Yusupova’s Music 伊莱达·尤苏波娃音乐中的“重复的魔力”

Music Scholarship / Problemy Muzykal'noj Nauki Pub Date : 2021-12-01 DOI: 10.33779/2782-3598.2021.4.025-033

Yuliya N. Panteleeva

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To Verify Algebra with Harmony (About Beslan Ashkhotov’s Book “The Musical Nartiad: An Attempt of Research”) 用和声验证代数(关于别斯兰·阿什霍托夫的《音乐叙事:一种研究尝试》)

Music Scholarship / Problemy Muzykal'noj Nauki Pub Date : 2021-12-01 DOI: 10.33779/2587-6341.2021.4.197-204

K. Tkhagapsoev

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About the Theory of National Music: Towards a Methodology of Comparative Study of Musical and Poetic Folklore Systems 关于民族音乐理论:音乐与诗歌民俗系统比较研究的方法论探讨

Music Scholarship / Problemy Muzykal'noj Nauki Pub Date : 2020-12-01 DOI: 10.33779/2587-6341.2020.4.008-019

M. G. Kondratyev

{"title":"About the Theory of National Music: Towards a Methodology of Comparative Study of Musical and Poetic Folklore Systems","authors":"M. G. Kondratyev","doi":"10.33779/2587-6341.2020.4.008-019","DOIUrl":"https://doi.org/10.33779/2587-6341.2020.4.008-019","url":null,"abstract":"The study of folk music in each culture, according to Kliment Kvitka, passes through several stages: from the initial stage of collecting folk songs to the emergence of a “theory of national music” and an overcoming of the stereotypes of an “all-triumphant contemporary musical theory and practice.” In this type of theory Boris Asafiev highlighted the following aims: 1. A scholarly substantiation of the bases of folk songs; 2. Indications of its dissimilarities with the songs of other peoples; 3. The study of “the process of its evolution.” The process of formation of theories of national music took place during the entire 20th century in Russian music theory, including the Near-Volga region, where the most large-numbered of all of Russia’s non-Slavic peoples are concentrated. For the sake of discussing the issues of methodology of disclosing the dissimilarities of the music of this culture from the music of other people’s we have chosen as an example the structural-typological features of the musical-poetical systems of two Finnish-language peoples of the Near-Volga region – the Mari and the Mordvins. A comparison of their musical-poetic systems shows that from the perspective of their song cultures they represent two distinctly different musical worlds, differing, so to speak, on a civilizational level. The features of the examined musical-poetic systems are stipulated by their historically formed intercultural dialogue.","PeriodicalId":171243,"journal":{"name":"Music Scholarship / Problemy Muzykal'noj Nauki","volume":"1 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2020-12-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"129114296","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

引用次数: 1

“Il Mio Tesoro” by Wolfgang Amadeus Mozart: The Individual Features of Breath Control by Tenor Singers upon Performance of Vocalizations 沃尔夫冈·阿玛德乌斯·莫扎特的《我的灵魂》:男高音歌唱家在发声表演中呼吸控制的个体特征

Music Scholarship / Problemy Muzykal'noj Nauki Pub Date : 2020-12-01 DOI: 10.33779/2587-6341.2020.4.241-249

Vsevolod E. Kuzmin

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引用次数: 0