{"title":"后歌剧时代诗性文本作品的特点(以谭盾歌剧《马可波罗》为例)","authors":"Elena V. Kiseyeva","doi":"10.33779/2782-3598.2021.4.170-180","DOIUrl":null,"url":null,"abstract":"","PeriodicalId":171243,"journal":{"name":"Music Scholarship / Problemy Muzykal'noj Nauki","volume":"31 1","pages":"0"},"PeriodicalIF":0.0000,"publicationDate":"2021-12-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"1","resultStr":"{\"title\":\"Specific Features of Work with the Poetic Text in the Post-Opera (by the Example of Tan Dun’s Opera Marco Polo)\",\"authors\":\"Elena V. Kiseyeva\",\"doi\":\"10.33779/2782-3598.2021.4.170-180\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"\",\"PeriodicalId\":171243,\"journal\":{\"name\":\"Music Scholarship / Problemy Muzykal'noj Nauki\",\"volume\":\"31 1\",\"pages\":\"0\"},\"PeriodicalIF\":0.0000,\"publicationDate\":\"2021-12-01\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"1\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"Music Scholarship / Problemy Muzykal'noj Nauki\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.33779/2782-3598.2021.4.170-180\",\"RegionNum\":0,\"RegionCategory\":null,\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"\",\"JCRName\":\"\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"Music Scholarship / Problemy Muzykal'noj Nauki","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.33779/2782-3598.2021.4.170-180","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"","JCRName":"","Score":null,"Total":0}