The Korean Association for the Study of Popular Music最新文献

Tradition and Innovation in 1st Generation Idol Music - The Case of Remakes 第一代偶像音乐中的传统与创新--翻拍案例

The Korean Association for the Study of Popular Music Pub Date : 2023-11-30 DOI: 10.36775/kjpm.2023.32.117

Yun Jae Son

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Jazz Elements in the Music of 20th Century Soviet Composer Kapustin - Focusing on “Piano Concerto No. 2 Op. 14” 20 世纪苏联作曲家卡普斯京音乐中的爵士乐元素 - 以 "第二钢琴协奏曲作品 14 "为重点

The Korean Association for the Study of Popular Music Pub Date : 2023-11-30 DOI: 10.36775/kjpm.2023.32.35

Soo Jin Kim, Eu Jeong Zhang

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The Korean Association for the Study of Popular Music Pub Date : 2023-11-30 DOI: 10.36775/kjpm.2023.32.151

Junghwan Shin

{"title":"Theory of Popular Music Singing Performance - Beyond Style Reflectionism","authors":"Junghwan Shin","doi":"10.36775/kjpm.2023.32.151","DOIUrl":"https://doi.org/10.36775/kjpm.2023.32.151","url":null,"abstract":"This study theoretically examines singing in popular music. This study defines “style reflectionism” as the view of singing style dominated by structure, system, and norm. Along with criticizing reflectionist view, this study constructs a preliminary theory of popular music singing performance. Singing and vocal style in popular music is more diverse than western classical music, but there is an obvious tendency of convention in each genre’s context. Existing studies on singing focus on interpretation of techniques and music analysis. Hence, it is necessary to reconsider the theoretical approach of popular music singing itself beyond convention as normatizing and representing. Although music studies considering performance and performativity have recently emerged, there remains a gap in the literature. John Potter, a tenor and a scholar, not only theorized singing style but also made a valid approach. Potter’s theory, which covers both traditions of western classical and popular music, explains how specific singing style exercises hegemonic power contemplating sociocultural conditions and structure. However, he schematizes the historical development of style centered on ideology, and does not overstep the limits of style reflectionism. This study reconsider Louis Althusser’s ideas of ideology, subject, and interpellation as constructing the timbral subject (subject of timbre). Furthermore, Roland Barthes’s concept of “the grain of the voice” is also reconsidered. These are useful for building and considering an anti-reflectionist view. Finally, this study argues that the theory of popular music singing performance beyond style reflectionism can be imagined by emphasizing singularity, not in a dominant-subordinate relationship between universality and specificity, which is continuous differentiation of meaning and subjectivity.","PeriodicalId":165088,"journal":{"name":"The Korean Association for the Study of Popular Music","volume":"1 1","pages":""},"PeriodicalIF":0.0,"publicationDate":"2023-11-30","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"139200105","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

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Death in Korean Popular Songs : An Exploratory Study - Focusing on the 1920s to 1950s 韩国流行歌曲中的死亡：一项探索性研究--以 20 世纪 20 年代至 50 年代为重点

The Korean Association for the Study of Popular Music Pub Date : 2023-11-30 DOI: 10.36775/kjpm.2023.32.9

Saehoon Kim, OkRan Yu

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Inter-Korea Musical Exchanges and Emotional Politics of Popular Music on the Korean Peninsula 朝韩音乐交流与朝鲜半岛流行音乐的情感政治

The Korean Association for the Study of Popular Music Pub Date : 2023-11-30 DOI: 10.36775/kjpm.2023.32.73

Hee-sun Kim

{"title":"Inter-Korea Musical Exchanges and Emotional Politics of Popular Music on the Korean Peninsula","authors":"Hee-sun Kim","doi":"10.36775/kjpm.2023.32.73","DOIUrl":"https://doi.org/10.36775/kjpm.2023.32.73","url":null,"abstract":"In the wake of the 2018 Pyeongchang Winter Olympics, inter-Korean musical exchanges featuring reciprocal performances by South and North Korean performing arts troupes resumed after a hiatus of 16 years. Such exchanges began in 1985, serving as peace events affirming ethnic homogeneity and persisted intermittently, subject to interruption by conflict between the two Koreas arising from domestic or international political contexts. However, the 2018 inter-Korea performance deviated from earlier programs of gugak, traditional Korean music from the South and minjok eumak, ethnic music from the North, which had long been highlighted in previous peace events, and instead brought popular music from both sides to the forefront. This change demands closer examination and discussion. Since 1999, other than events primarily organized by broadcasting companies visiting North Korea, there have been no instances of the complete absence of traditional music, which represents the exclusion of national music in favor of popular music. This study initially examines the trajectory of South-North Korean musical exchange, then discuss the meaning of ‘ethnic’ music and the collective sentiments of popular music in the context of 21st-century Korean Peninsula Cold War politics, The allocation of meanings relation to ‘ethnicity,’ ‘nation,’ and ‘peace’ to the popular music in the nation-led South-North Korean musical exchange symbolically signifies the position of popular music in the 21st century Korean Peninsula. Consequently, the 2018 musical exchange became an event that both the elevated status of popular music, which had previously occupied a lowest position within the hierarchy of music genres in the 20th century Korean Peninsula, and effectively reflected shifts in attitudes and sentiments toward popular music.","PeriodicalId":165088,"journal":{"name":"The Korean Association for the Study of Popular Music","volume":"804 ","pages":""},"PeriodicalIF":0.0,"publicationDate":"2023-11-30","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"139203032","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

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Exploring the Characteristics of Son Seok-woo’s Music through Analysis 浅析孙锡宇音乐的特点

The Korean Association for the Study of Popular Music Pub Date : 2023-05-31 DOI: 10.36775/kjpm.2023.31.127

Ok Ran Yu

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Modern Korean trot that is being reevaluated in various ways 以各种方式重新评价的现代韩国小步舞曲

The Korean Association for the Study of Popular Music Pub Date : 2023-05-31 DOI: 10.36775/kjpm.2023.31.281

小林孝行

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The Themes of “Passivity” and “Loneliness” in Lee Sora’s Lyrics: An Analysis 李苍生歌词中的“被动”与“孤独”主题分析

The Korean Association for the Study of Popular Music Pub Date : 2023-05-31 DOI: 10.36775/kjpm.2023.31.147

Byeong Joo Lee

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Sports and Anthems: a Collective Eexpression of Iintense Emotion 体育与国歌:强烈情感的集体表达

The Korean Association for the Study of Popular Music Pub Date : 2023-05-31 DOI: 10.36775/kjpm.2023.31.207

Y. Jeong

{"title":"Sports and Anthems: a Collective Eexpression of Iintense Emotion","authors":"Y. Jeong","doi":"10.36775/kjpm.2023.31.207","DOIUrl":"https://doi.org/10.36775/kjpm.2023.31.207","url":null,"abstract":"Sports is a cultural field where public desires are directly expressed. The cheering song resounding at this time is condensed with the social and cultural desires of the time. \u0000This thesis grasps how cheering culture and cheering songs have changed in the development of Korean sports, and analyzes the public's desire expression through sports. To this end, an analysis of self-cultural descriptions and various literature data was attempted. \u0000After independence from Japanese imperialism, Korean sports cheering culture was dominated by collectivism for a long time. During the long-term military regime, sports policy was consistent with a project to Nationalism and the cheering culture was also expressed in a collectivist style. With the launch of professional sports and the 1988 Seoul Olympics, the desire to rise to the middle class and the aspect of urban culture practice developed, and before and after this, the use of popular music was developed. In addition, popular music became an effective way to immediately combine public sentiment and express it enthusiastically in the professional sports scene where excessive nationalism and regional base were weak before and after the 2002 Korea-Japan World Cup.","PeriodicalId":165088,"journal":{"name":"The Korean Association for the Study of Popular Music","volume":"215 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2023-05-31","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"115511259","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

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A Qualitatove Stidu of Artist Identity through Interviews with Artists in the Music Field 通过对音乐领域艺术家的访谈对艺术家身份的定性分析

The Korean Association for the Study of Popular Music Pub Date : 2023-05-31 DOI: 10.36775/kjpm.2023.31.61

Hyun Jong Kim

{"title":"A Qualitatove Stidu of Artist Identity through Interviews with Artists in the Music Field","authors":"Hyun Jong Kim","doi":"10.36775/kjpm.2023.31.61","DOIUrl":"https://doi.org/10.36775/kjpm.2023.31.61","url":null,"abstract":"Although the concept of art has long been discussed by philosophers and theorists, it has not been clearly defined and a variety of perspectives coexist today. Contemporarily, the borderline of art is becoming increasingly vague. The introduction of art created by animals or AI has triggered the need for a fundamental reconsideration of artist identity. This paper focuses on the origin of artist identity and the factors that affect it, through in-depth interviews with artists in the music field. Artist identity is formed by the inspiration received from art and shaped through the process of artistic “grinding” or creation. An artist subjectively sets “a boundary of perceived art”top of the identity salience hierarchy under the title “artist.” Next in the hierarchy sits the “art worker” as a functional being in the art field, and multi-identity is placed at the bottom. The main factors that affect artist identity are whether the artist’s intention resides in their art, changes in the sense of belonging, and feedback from colleagues in the same artistic field. Artist identity constitutes the essential factor in art and culture and often comes to closely relate to a nation’s foreign policy and economy. A study of artist identity and its discrepancies would further solidify our grasp of the true nature and meaning of art. It is also applicable in practical terms to fostering a more effective and efficient creative artistic environment.","PeriodicalId":165088,"journal":{"name":"The Korean Association for the Study of Popular Music","volume":"32 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2023-05-31","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"132197018","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

引用次数: 0