20 世纪苏联作曲家卡普斯京音乐中的爵士乐元素 - 以 "第二钢琴协奏曲作品 14 "为重点

Soo Jin Kim, Eu Jeong Zhang
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引用次数: 0

摘要

在 20 世纪世界政治的变化和音乐文化的混乱中,出现了研究古典音乐与爵士乐融合的需求。因此,本研究揭示了《卡普斯京第二钢琴协奏曲作品 14》(协奏曲)中的爵士乐元素与古典音乐相结合的特点,为现代音乐的发展做出了贡献。根据管弦乐谱对音乐形式、速度、节奏、旋律、和声、配器等多方面进行的分析表明,卡普斯京的《协奏曲》通过古典音乐与爵士乐的融合展现了音乐的多样性和创新性,是一部超越了传统和实验界限的作品。卡普斯京将爵士乐元素融入古典音乐,形成了独特的音乐风格,展示了第三流音乐的潜力。卡普斯京的音乐融合清楚地揭示了现代音乐中各种音乐元素相互作用的新趋势。这些成果有助于发现和创作新作品,促进古典音乐的普及和流行音乐的创新。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Jazz Elements in the Music of 20th Century Soviet Composer Kapustin - Focusing on “Piano Concerto No. 2 Op. 14”
Amid changes in world politics and the chaos of musical culture in the 20th century, the need for research on the fusion of classical music and jazz emerged. Therefore, this study reveals the characteristics that the jazz elements in “Kapustin’s Piano Concerto No. 2 Op. 14” (Concerto) combined with classical music to contribute to the evolution of modern music. Analysis of various aspects such as musical form, tempo, rhythm, melody, harmony, and instrumentation based on the orchestral score revealed that Kapustin’s Concerto exhibited musical diversity and innovation through the fusion of classical music and jazz, and was a work that went beyond the boundaries of tradition and experiment. Kapustin developed a unique musical style by incorporating jazz elements into classical music and demonstrated the potential of the third stream. Kapustin’s musical fusion was clearly revealed as a new trend in modern music in which various musical elements interacted. These results can help find and create new works by promoting the popularization of classical music and innovation of popular music.
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