第一代偶像音乐中的传统与创新--翻拍案例

Yun Jae Son
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引用次数: 0

摘要

21 世纪的到来标志着一个发展阶段的到来,它以大约 20 年的周期在文化上照亮了过去。目前,对 20 世纪 90 年代和 21 世纪初的文化环境正在进行重大的重新探索,其影响在 K-pop 流行音乐流派中显而易见。本研究阐明了第一代偶像音乐在第三代和第四代之间被翻拍的现象不仅仅是模仿,而是一种塑造新的音乐景观和价值观的复杂现象。对第一代偶像翻拍音乐的探索集中于传统与现代之间相互交织的文化延续与变迁。这凸显了重复中的内在差异和转变的可能性,或强调了社会和文化赋予偶像粉丝的尊重价值。通过对第一代偶像所建立的音乐传统进行重新诠释和再创造,有望消除人们对 K-pop 音乐真实性的普遍担忧。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Tradition and Innovation in 1st Generation Idol Music - The Case of Remakes
The onset of the 21st century marked a developmental phase that illuminated the past culturally with cycles spanning approximately 20 years. Currently, a significant re-exploration of the cultural environment manifested in the 1990s and the early 2000s is underway, with its impact discernible in the K-pop genre of popular music. This study clarified that the phenomenon of 1st generation idol music being remade across the 3rd and 4th generations is not merely imitation but a complex phenomenon shaping new musical landscapes and values. The exploration of 1st generation idol remake music focused intensively on the intertwined cultural continuity and changes between tradition and the modern era. This highlights the inherent differences and possibilities of transformation within repetition, or emphasizing the societal and cultural values of respect bestowed upon idol fandoms. The reinterpretation and recreation of musical traditions established by the 1st generation idols through subsequent generations are expected to address prevalent concerns about the authenticity of K-pop.
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