Konsthistorisk tidskrift/Journal of Art History最新文献

Nordic Women Sculptors at the Turn of the 20th Century. Formation, Visibility, Self-CreationLinda Hinners (ed.), Nordic Women Sculptors at the Turn of the 20th Century. Formation, Visibility, Self-Creation . Stockholm, Nationalmuseum Stockholm, 2022. 311 pp, ISBN 978-91-7100-913-5 20 世纪之交的北欧女雕塑家。琳达-希纳斯（Linda Hinners）（编辑），《20 世纪之交的北欧女雕塑家》。斯德哥尔摩，斯德哥尔摩国家博物馆。斯德哥尔摩，斯德哥尔摩国家博物馆，2022 年。311 pp, ISBN 978-91-7100-913-5

Konsthistorisk tidskrift/Journal of Art History Pub Date : 2024-04-10 DOI: 10.1080/00233609.2024.2337397

A. Skovmøller

引用次数: 0

Fashion, Performance, and Performativity. The Complex Spaces of FashionAndrea Kollnitz, Marco Pecorari, Fashion, Performance, and Performativity. The Complex Spaces of Fashion , London, Bloomsbury Publishing, 2021. 232 pp, ISBN 9781350106185. 时尚、表演与表演性。时尚的复杂空间Andrea Kollnitz, Marco Pecorari, Fashion, Performance, and Performativity.时尚的复杂空间》，伦敦，布鲁姆斯伯里出版社，2021 年。232 pp, ISBN 9781350106185.

Konsthistorisk tidskrift/Journal of Art History Pub Date : 2024-03-27 DOI: 10.1080/00233609.2024.2327862

Joanne Entwistle

引用次数: 0

Menneske og drømmemaskine. Posthumane myteskabelser om AI hos Amalie Smith

Konsthistorisk tidskrift/Journal of Art History Pub Date : 2023-07-03 DOI: 10.1080/00233609.2023.2238689

Joachim Aagaard Friis

{"title":"Menneske og drømmemaskine. Posthumane myteskabelser om AI hos Amalie Smith","authors":"Joachim Aagaard Friis","doi":"10.1080/00233609.2023.2238689","DOIUrl":"https://doi.org/10.1080/00233609.2023.2238689","url":null,"abstract":"Summary In the present article, I analyse the process of making the artwork Machine Learning I II III (2018) by Danish artist Amalie Smith to examine how it conceptualizes a posthuman myth about computer vision and AI. Smith’s artwork investigates the phenomenon of computer vision through using a convolutional neural network to represent what this network is thought to “see”. The artwork is an aesthetic manifestation of the invisible operations of the machine learning algorithm in a form that is visible to humans, and thereby it engages aesthetic speculations about how computer vision works. The artist provides an insight into how machine learning algorithms interpret images in a way that is radically different from humans, but at the same time greatly affects human reality because of the algorithmic culture that permeates contemporary societies. I read Machine Learning I II III with posthuman thinkers Rosi Braidotti, Donna Haraway and N. Katherine Hayles to show how Smith imagines a co-creative relationship between human and technology that neglects a myth about “machine” and “human” as distinct and isolated categories; a myth where symbols, human and algorithmic intelligence, weaving, and written discourse intertwine to make the artwork. In this way, Machine Learning I II III moves towards a posthuman myth of computer vision and AI where it is impossible to unentangle human and technological forces.","PeriodicalId":164200,"journal":{"name":"Konsthistorisk tidskrift/Journal of Art History","volume":"17 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2023-07-03","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"126607208","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

引用次数: 0

Från Flux till Fest, Den internationella konsten i Lunds konsthall 1965-1967

Konsthistorisk tidskrift/Journal of Art History Pub Date : 2023-07-03 DOI: 10.1080/00233609.2023.2207539

Thomas Millroth

引用次数: 0

Portrait Exchange Between Stockholm and Vienna and the Formation of Gustav III’s Round Salon at Gripsholm Castle 斯德哥尔摩和维也纳之间的肖像交换和古斯塔夫三世在格里普斯霍尔姆城堡的圆形沙龙的形成

Konsthistorisk tidskrift/Journal of Art History Pub Date : 2023-07-03 DOI: 10.1080/00233609.2023.2242836

Michael Yonan

{"title":"Portrait Exchange Between Stockholm and Vienna and the Formation of Gustav III’s Round Salon at Gripsholm Castle","authors":"Michael Yonan","doi":"10.1080/00233609.2023.2242836","DOIUrl":"https://doi.org/10.1080/00233609.2023.2242836","url":null,"abstract":"Abstract This article analyzes the origins of an important artistic commission in eighteenth-century Sweden, the so-called Round Salon (Runda Salongen) at Gripsholm Castle, a room decorated with portraits of the reigning monarchs of Europe (a galerie contemporaine) commissioned by King Gustav III in the mid 1770s. Based on documents newly uncovered in the National Archives of Sweden, this essay demonstrates that the room emerged out of concerns about Sweden’s place in the European political system during the difficult years after the bloodless revolution of 19 August 1772, which restored absolutism to Sweden. Central to Sweden’s negotiation of this era’s political landscape was Austria. A portrait by Lorens Pasch the Younger was sent to Empress Maria Theresa in late 1774 to establish support between Stockholm and Vienna. The documentary record reveals how this portrait began a dialogue and exchange between the two nations that sheds light on the Round Salon’s early history. It further reveals how monarchical portraits were intended to stimulate feelings of empathy and sentimentality for their recipients, proposes a firmer chronology for the room, and posits the importance of the Swedish statesman Ulrik Scheffer (1716–1799) to its genesis.","PeriodicalId":164200,"journal":{"name":"Konsthistorisk tidskrift/Journal of Art History","volume":"27 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2023-07-03","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"116871233","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

引用次数: 0

Instruments of Devotion in Close Bodily Contact – Jewellery, Costume Details and Other Personal Belongings in Relation to Late Medieval Piety 近距离身体接触中的奉献工具-与中世纪晚期虔诚有关的珠宝，服装细节和其他个人物品

Konsthistorisk tidskrift/Journal of Art History Pub Date : 2023-07-03 DOI: 10.1080/00233609.2023.2248959

Stina Fallberg Sundmark

{"title":"Instruments of Devotion in Close Bodily Contact – Jewellery, Costume Details and Other Personal Belongings in Relation to Late Medieval Piety","authors":"Stina Fallberg Sundmark","doi":"10.1080/00233609.2023.2248959","DOIUrl":"https://doi.org/10.1080/00233609.2023.2248959","url":null,"abstract":"Summary Late medieval personal belongings such as jewellery, costume details, weapons and tools are sometimes provided with direct and indirect prayers for help and protection, images of Christ and saints relating to motifs in the church interior and in prayer books, and image composition giving associations to altar-screens and shrines. Taken altogether these objects explicitly have a devotional character, which has been further strengthened through analysis of written sources such as exempla and preserved more extensive prayers. This point towards the relevance of talking about these objects as instruments of small-scale and everyday devotion. People were in constant need of help and protection from everyday threats. By relating to preserved prayers and exempla from late medieval Sweden, the article shows that these objects with prayers and holy images were regarded as transmitting divine help, protection, consolation and blessing. Due to the small size and portability of the personal objects carried on the body, divine intervention could take place irrespective of time and space. Lived religion and everyday devotion could therefore be performed anywhere, including on the move.","PeriodicalId":164200,"journal":{"name":"Konsthistorisk tidskrift/Journal of Art History","volume":"249 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2023-07-03","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"133040458","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

引用次数: 0

Interpreting Art 翻译的艺术

Konsthistorisk tidskrift/Journal of Art History Pub Date : 2023-06-16 DOI: 10.1080/00233609.2023.2223162

Charlotta Krispinsson

引用次数: 0

Becoming Artists: Self-Portraits, Friendship Images and Studio Scenes by Nordic Women Painters in the 1880s 成为艺术家:19世纪80年代北欧女画家的自画像、友谊形象和工作室场景

Konsthistorisk tidskrift/Journal of Art History Pub Date : 2023-05-29 DOI: 10.1080/00233609.2023.2214518

M. Olin

引用次数: 0

Arresting Actors: A Sámi Drum and its Complex Relations 拘捕演员:Sámi鼓及其复杂关系

Konsthistorisk tidskrift/Journal of Art History Pub Date : 2023-04-03 DOI: 10.1080/00233609.2023.2200763

Monica Grini

{"title":"Arresting Actors: A Sámi Drum and its Complex Relations","authors":"Monica Grini","doi":"10.1080/00233609.2023.2200763","DOIUrl":"https://doi.org/10.1080/00233609.2023.2200763","url":null,"abstract":"ABSTRACT The article centres around a well-known artefact in Sámi history, the more than 300-year-old drum that once belonged to Poala Ánde/Anders Poulsen, that has recently been returned to Sápmi after a long restitution process. Sámi drums were deemed sorcerers’ devices and routinely confiscated and destroyed during seventeenth century Danish autocracy; their users prosecuted and sometimes executed. In the early 1690s, the drum was seized and sent to Copenhagen and the Royal Danish Art Chamber, whereas the owner was killed in custody while awaiting the judicial decision. The case involves one of very few preserved Sámi drums accompanied by a contemporaneous indigenous voice conveyed in the trial document. Paradoxically, at the same time as Sámi drums were confiscated and, in many cases, destroyed, some were embarking on journeys as attractive collectors’ items. Today, Sámi drums are frequently “arrested” in museum exhibitions as “shamanistic devices”, often echoing old tools and tropes of othering. The article argues that there is a tendency to translate actors like Poala Ánde/Anders Poulsen and the drum into categories that immobilise them, and which prevent historical configurations to enter the narrative. It also contends that discussions about what the figures on the drumhead represent have dominated the reception and steered attention away from individual aspects of the drum and its vibrant materiality. In line with the biographical approach of the exhibition Ruoktot – The Return of the Sámi Drums by the Sámi Museum in Kárášjohka, I explore the entangled agency of the drum to help consider material aspects and concurrent meanings.","PeriodicalId":164200,"journal":{"name":"Konsthistorisk tidskrift/Journal of Art History","volume":"10 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2023-04-03","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"130172051","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

引用次数: 0

Traveling Images: On Carl Rasmussen’s “Greenland Paintings” 旅行影像:论卡尔·拉斯穆森的“格陵兰绘画”

Konsthistorisk tidskrift/Journal of Art History Pub Date : 2023-04-03 DOI: 10.1080/00233609.2023.2213207

Anna Vestergaard Jørgensen

引用次数: 0