{"title":"11. The Home Movie as Essay Film: On Making Memory Posthumously","authors":"T. Elsaesser","doi":"10.1515/9789048543922-013","DOIUrl":"https://doi.org/10.1515/9789048543922-013","url":null,"abstract":"The chapter outlines the posthumous constellations that led to the making\u0000 of Thomas Elsaesser’s essay film The Sun Island, about his grandfather,\u0000 Martin Elsaesser, chief city architect in Frankfurt during the Weimar\u0000 Republic. It reflects on the migration of non-theatrical film material into\u0000 archives and art spaces, encouraging the emergence of found footage\u0000 as essay film, but it also makes a case for The Sun Island as ‘home movies\u0000 re-purposed’ in order to highlight the specifics of home movies as a\u0000 historically and politically important practice. While acknowledging his\u0000 father as ‘author’, whose images the film ‘appropriates’, The Sun Island also\u0000 revisits topics associated with Thomas’s own film historical writings:\u0000 family melodrama; German cinema; media archaeology; history, memory,\u0000 and trauma.","PeriodicalId":162972,"journal":{"name":"Beyond the Essay Film","volume":"13 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2020-07-06","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"126238388","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"‘All I have to offer is myself’: The Film-Maker as Narrator","authors":"Richard Misek","doi":"10.5117/9789463728706_ch09","DOIUrl":"https://doi.org/10.5117/9789463728706_ch09","url":null,"abstract":"Who precisely is the ‘I’ referenced in so many essay films’ voice-overs?\u0000 It is easy to assume that it refers to the film-maker, but, even if the voice\u0000 that we hear is the film-maker’s own, an essay film’s narrative ‘voice’ is\u0000 always ambiguous. Starting from Chris Marker’s contradictory claim in a\u0000 letter about Sans Soleil (1983) that all he has to offer is himself, the chapter\u0000 explores how the aspiration of open and direct address is complicated\u0000 through the various mediations involved in film-making. With particular\u0000 focus on my own film, Rohmer in Paris (2013), it raises the paradoxical\u0000 possibility that essay film-makers can only offer themselves, but are\u0000 prevented by the form of the essay film from doing so.","PeriodicalId":162972,"journal":{"name":"Beyond the Essay Film","volume":"22 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2020-07-06","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"125242018","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Lines of Interpretation in Fields of Perception and Remembrance:","authors":"R. Gibson","doi":"10.2307/j.ctv12pntxp.9","DOIUrl":"https://doi.org/10.2307/j.ctv12pntxp.9","url":null,"abstract":"","PeriodicalId":162972,"journal":{"name":"Beyond the Essay Film","volume":"1 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2020-07-06","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"125855145","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"8. Montage Reloaded: From Russian Avant-Garde to the Audiovisual Essay","authors":"J. Vassilieva","doi":"10.1515/9789048543922-010","DOIUrl":"https://doi.org/10.1515/9789048543922-010","url":null,"abstract":"In this chapter, I explore the relevance of early Russian montage theory\u0000 and practice to new issues raised by the shift from the essay film to the\u0000 audiovisual essay. I investigate how, specifically, Sergei Eisenstein’s vision of\u0000 the new type of cinema of ideas formulated in his project for filming Marx’s\u0000 Das Kapital, Dziga Vertov’s foregrounding of subjectivity and reflexivity in\u0000 The Man with a Movie Camera, and Esphir Shub’s practice of ‘compilation film’\u0000 contributed to the emergence of the essay film and continue to stimulate\u0000 the theory and practice of the audiovisual essayism.","PeriodicalId":162972,"journal":{"name":"Beyond the Essay Film","volume":"16 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2020-07-06","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"131023953","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"‘Every love story is a ghost story’:","authors":"Deane Williams","doi":"10.2307/j.ctv12pntxp.8","DOIUrl":"https://doi.org/10.2307/j.ctv12pntxp.8","url":null,"abstract":"","PeriodicalId":162972,"journal":{"name":"Beyond the Essay Film","volume":"82 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2020-07-06","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"121114784","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"10. The Shudder of a Cinephiliac Idea? Videographic Film Studies Practice as Material Thinking","authors":"Catherine A. Grant","doi":"10.1515/9789048543922-012","DOIUrl":"https://doi.org/10.1515/9789048543922-012","url":null,"abstract":"This chapter carefully considers the practice of the audio-video essayist,\u0000 reflecting on the topics of subjectivity, textuality, and technology. Grant\u0000 is a film scholar who, in the last ten years, has begun to produce, write\u0000 about, and publish creative-critical digital-video essays on film and media\u0000 studies subjects, essays that use footage from the films studied, as well as\u0000 other moving image/sounds from existing media. Her chapter examines\u0000 the critical and theoretical threads that surround the audiovisual essay\u0000 as it belongs to the tradition of the essay film and as it belongs to the\u0000 broader realm of creative practice. She also thinks through some of the\u0000 spectatorial implications of her online practice as research.","PeriodicalId":162972,"journal":{"name":"Beyond the Essay Film","volume":"36 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2014-01-28","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"132315717","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
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