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引用次数: 0
摘要
这一章概述了托马斯·埃尔萨塞尔(Thomas Elsaesser)死后的星座，这些星座导致了他的散文电影《太阳岛》(The Sun Island)的制作，该片讲述了他的祖父马丁·埃尔萨塞尔(Martin Elsaesser)的故事，他是魏玛共和国时期法兰克福的首席城市建筑师。它反映了非剧场电影材料向档案和艺术空间的迁移，鼓励了发现的片段作为散文电影的出现，但它也为太阳岛作为“家庭电影的重新用途”提出了一个案例，以突出家庭电影作为历史和政治上重要实践的具体内容。在承认他的父亲是“作者”的同时，《太阳岛》也重新审视了与托马斯自己的电影历史著作相关的主题:家庭情节剧;德国的电影;媒体考古学;历史，记忆和创伤。
11. The Home Movie as Essay Film: On Making Memory Posthumously
The chapter outlines the posthumous constellations that led to the making
of Thomas Elsaesser’s essay film The Sun Island, about his grandfather,
Martin Elsaesser, chief city architect in Frankfurt during the Weimar
Republic. It reflects on the migration of non-theatrical film material into
archives and art spaces, encouraging the emergence of found footage
as essay film, but it also makes a case for The Sun Island as ‘home movies
re-purposed’ in order to highlight the specifics of home movies as a
historically and politically important practice. While acknowledging his
father as ‘author’, whose images the film ‘appropriates’, The Sun Island also
revisits topics associated with Thomas’s own film historical writings:
family melodrama; German cinema; media archaeology; history, memory,
and trauma.
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