8. 蒙太奇重装:从俄罗斯先锋派到视听散文

Beyond the Essay Film Pub Date : 2020-07-06 DOI:10.1515/9789048543922-010

J. Vassilieva

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引用次数: 0

摘要

在本章中，我探讨了早期俄罗斯蒙太奇理论和实践与从散文电影到视听散文的转变所带来的新问题的相关性。具体来说，我研究了谢尔盖·爱森斯坦在拍摄马克思的《资本论》项目中对新型电影思想的设想，吉加·维尔托夫在《带电影摄影机的人》中对主观性和反思性的强调，以及埃斯菲尔·舒布的“剪辑电影”实践如何促成了散文电影的出现，并继续刺激视听散文主义的理论和实践。

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8. Montage Reloaded: From Russian Avant-Garde to the Audiovisual Essay

In this chapter, I explore the relevance of early Russian montage theory and practice to new issues raised by the shift from the essay film to the audiovisual essay. I investigate how, specifically, Sergei Eisenstein’s vision of the new type of cinema of ideas formulated in his project for filming Marx’s Das Kapital, Dziga Vertov’s foregrounding of subjectivity and reflexivity in The Man with a Movie Camera, and Esphir Shub’s practice of ‘compilation film’ contributed to the emergence of the essay film and continue to stimulate the theory and practice of the audiovisual essayism.

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Beyond the Essay Film

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