Novos OlharesPub Date : 2020-07-10DOI: 10.11606/issn.2238-7714.no.2020.172000
Tatu-Ilari Laukkanen
{"title":"Shanghai gangster films and the politics of change","authors":"Tatu-Ilari Laukkanen","doi":"10.11606/issn.2238-7714.no.2020.172000","DOIUrl":"https://doi.org/10.11606/issn.2238-7714.no.2020.172000","url":null,"abstract":"Neste artigo, por meio de uma leitura textual muito aproximada, mostrarei as diferencas ideologicas entre dois filmes baseados na vida do gangster de Xangai Du Yuesheng (1888, Pudong - 1951, Hong Kong) atraves de uma analise formal e narrativa. Du ja era uma celebridade em sua epoca na era republicana e ainda e uma figura controversa na Grande China. No entanto, existem apenas dois filmes baseados na vida do chefao do opio da Confissao Francesa, a recente coproducao de Hong Kong/RPC The Last Tycoon (Da Shang Hai, Wong Jing, 2012) e as epicas duas partes Senhor do Mar da China Oriental I e II (Shang Hai huang di zhi: Sui yue feng yun e Shang Hai huang di zhi: Xiong ba tia xia, Hong Kong, Poon Man-kit 1993). Mostro como esses filmes refletem as mudancas politico-economicas de Hong Kong e da China, concentrando-se na representacao da classe social e do sujeito, na representacao da migracao e imigracao interna e no nacionalismo. Os filmes serao discutidos em relacao as mudancas na industria cinematografica de Hong Kong, no cinema chines e mundial e no genero de gângsteres transnacionais, mostrando como os cinemas locais e globais afetaram esses filmes.","PeriodicalId":159051,"journal":{"name":"Novos Olhares","volume":"134 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2020-07-10","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"122435064","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Novos OlharesPub Date : 2020-07-10DOI: 10.11606/issn.2238-7714.no.2020.171996
Niina Uusitalo
{"title":"Unveiling unseen climate practices on Instagram","authors":"Niina Uusitalo","doi":"10.11606/issn.2238-7714.no.2020.171996","DOIUrl":"https://doi.org/10.11606/issn.2238-7714.no.2020.171996","url":null,"abstract":"As mudancas climaticas geralmente sao retratadas por meio de mensagens estereotipadas, extremas ou controversas, com o papel de agencia humana ligado ao consumo e as demonstracoes. Tais representacoes podem ser desmotivadoras e causar fadiga. E necessario ampliar e elaborar nossa compreensao das conexoes humanas com as mudancas climaticas. O objetivo deste artigo e identificar uma ampla variedade de praticas climaticas expressas por usuarios de midia social. Foi realizado um estudo empirico de 42 contas ecologicas finlandesas do Instagram. O conteudo textual e visual dos posts relacionados ao clima foi analisado qualitativamente para identificar praticas climaticas e o papel que as imagens visuais desempenham nessas representacoes. Seis tipos de praticas climaticas foram identificados nos dados: destacando, reformando, transiluminando, perseverando, cuidando e consolidando. A visualizacao das praticas climaticas deve ser ampliada na midia para ampliar o entendimento da potencial agencia humana na crise climatica.","PeriodicalId":159051,"journal":{"name":"Novos Olhares","volume":"62 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2020-07-10","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"125042478","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Novos OlharesPub Date : 2020-07-10DOI: 10.11606/issn.2238-7714.no.2020.166393
Nivaldo Ferraz, Daniel Gambaro
{"title":"Podcast e radiojornalismo","authors":"Nivaldo Ferraz, Daniel Gambaro","doi":"10.11606/issn.2238-7714.no.2020.166393","DOIUrl":"https://doi.org/10.11606/issn.2238-7714.no.2020.166393","url":null,"abstract":"O artigo relaciona a formacao historica do radiojornalismo com o podcast, apontando que caracteristicas institucionalizadas se prolongam em novas praticas, e quais devem ser repensadas. O radio brasileiro valoriza o modelo “hard news”, com cobertura ao vivo, vozes de especialistas e entrevistas apoiadas por pautas apressadas, causa e consequencia da insignificante presenca de modos mais elaborados de producao. Ja plataformas assincronas como o podcast caracterizam nova Experiencia Midiatizada de Escuta, decorrencia das “estruturas de sentimento” contemporâneas, determinadas pela mediacao tecnologica de praticas cotidianas e por relacoes emergentes de representatividade, impondo uma nova logica de consumo de noticia. Escolhemos o podcast Vozes: historias e reflexoes, da CBN, como exemplo para um modelo que mantem a tradicao jornalistico-radiofonica de reportagens especiais, enquanto quebra o paradigma estabelecido e propoe uma nova ordem de producao e provocacao de consumo.","PeriodicalId":159051,"journal":{"name":"Novos Olhares","volume":"11 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2020-07-10","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"114443545","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Novos OlharesPub Date : 2020-07-09DOI: 10.11606/issn.2238-7714.no.2020.171990
A. Sedeño-Valdellós
{"title":"Cultura visual y música popular","authors":"A. Sedeño-Valdellós","doi":"10.11606/issn.2238-7714.no.2020.171990","DOIUrl":"https://doi.org/10.11606/issn.2238-7714.no.2020.171990","url":null,"abstract":"La perspectiva de la ecología de los medios, que asume que los objetos mediáticos como interdisciplinares y de desarrollo transmediático, en un contexto de convergencia mediática, como ya Henry Jenkins describió en The logic of convergence culture (2004). El videoclip es uno de los formatos audiovisuales centrales en esta cultura audiovisual contemporánea: imitado por todo tipo de mensajes emergentes, tomado como referencia en su duración, en su composición de materiales, por su un componente promocional o como vehículo de contenido, normalmente de venta o promoción de una idea. El texto analizará estos aspectos, así como los derivative videos, hibridaciones o recirculaciones entre la industria musical y de la creación fan, que pueblan las redes sociales de video como YouTube.","PeriodicalId":159051,"journal":{"name":"Novos Olhares","volume":"5 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2020-07-09","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"127939347","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Novos OlharesPub Date : 2020-07-09DOI: 10.11606/issn.2238-7714.no.2020.171986
Weiting Hsiao
{"title":"Analysis on the perspective and value of the “cultivation” documentary images","authors":"Weiting Hsiao","doi":"10.11606/issn.2238-7714.no.2020.171986","DOIUrl":"https://doi.org/10.11606/issn.2238-7714.no.2020.171986","url":null,"abstract":"As a multi-sensory expression, moving images have a stronger ability to express beyond time and space. The creator uses the camera to depict history through images and sounds, so that the audience can reflect more on the process of watching. From \"The Up series\" to other similar long-term videos, they have become important chronicles of the era. This article will focus on the relationship between documentary images and history, and the characteristics of \"cultivation\" formed by these long-term images. Analyze and interpret its value from a multidimensional perspective. The context of the development of the times and the critical observation of the creators have led to the creation of works that reflect on social change. This kind of creation has also become a reference mode for many countries, bringing about a rich and dynamic cultural exchange based on cross-regional cultural differences, which has contributed to the development of the globalization era.","PeriodicalId":159051,"journal":{"name":"Novos Olhares","volume":"154 2 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2020-07-09","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"116836823","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Novos OlharesPub Date : 2020-07-09DOI: 10.11606/issn.2238-7714.no.2020.171987
F. Neira
{"title":"Cine familiar y emigración","authors":"F. Neira","doi":"10.11606/issn.2238-7714.no.2020.171987","DOIUrl":"https://doi.org/10.11606/issn.2238-7714.no.2020.171987","url":null,"abstract":"El cine familiar constituye una muy reveladora herramienta para indagar en el conocimiento visual de un pasado íntimo y personal, útil para la reconstrucción de usos y costumbres que ayuden a comprender la evolución de las sociedades contemporáneas. Nuestro trabajo se basa en la consideración del emplazamiento nuclear que este cine ocupa en el universo audiovisual del siglo XX, tal como asegura Patricia Zimmerman. Para esta autora, la singularidad de estas películas está en que son los propios espectadores quienes se hacen cargo de los mecanismos audiovisuales. Nos proponemos el análisis de una pieza audiovisual que permita abordar en toda su complejidad un fenómeno histórico-social muy concreto: la emigración española en la segunda mitad del siglo XX y cómo, en ella, se gestionó la memoria familiar o la reconstrucción del pasado a través de la imagen.","PeriodicalId":159051,"journal":{"name":"Novos Olhares","volume":"28 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2020-07-09","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"131687824","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Novos OlharesPub Date : 2020-07-09DOI: 10.11606/issn.2238-7714.no.2020.171995
K. Nordenstreng
{"title":"The challenge of the BRICS countries","authors":"K. Nordenstreng","doi":"10.11606/issn.2238-7714.no.2020.171995","DOIUrl":"https://doi.org/10.11606/issn.2238-7714.no.2020.171995","url":null,"abstract":"The challenge of the BRICS countries is an overview of an international project. First, the history and rationale of the project is shortly reviewed. Secondly, main points of the research plan submitted to the Academy of Finland in 2011 are presented with selected references of literature. Thirdly, the implementation and results are summarized with links to respective pages of the project website and with main publications.","PeriodicalId":159051,"journal":{"name":"Novos Olhares","volume":"1 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2020-07-09","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"133722965","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Novos OlharesPub Date : 2020-07-09DOI: 10.11606/issn.2238-7714.no.2020.171992
Johanna Pérez Daza
{"title":"Prosumidores visuales","authors":"Johanna Pérez Daza","doi":"10.11606/issn.2238-7714.no.2020.171992","DOIUrl":"https://doi.org/10.11606/issn.2238-7714.no.2020.171992","url":null,"abstract":"We studied the role of image prosumers in the context of the Venezuelan protests between 2014 and 2018, years of high confrontation in which images that circulated challenged the government and its controls. We refer to them with the category of \"uncomfortable photographs\" due to their direct confrontation with power and the questions they pose due to their violent, outrageous and disturbing content. From the documentary review and consultation with experts, we analyze these photographs and trace a route in which we investigate the relevance of their mass dissemination and reflect on their impact, taking as reference the ideas of George Didi Huberman, Joan Fontcuberta, Manuel Castells and Guy Debord.","PeriodicalId":159051,"journal":{"name":"Novos Olhares","volume":"2006 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2020-07-09","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"128822308","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Novos OlharesPub Date : 2020-07-09DOI: 10.11606/issn.2238-7714.no.2020.171991
J. Doménech
{"title":"Modos de ver, formas de pensar","authors":"J. Doménech","doi":"10.11606/issn.2238-7714.no.2020.171991","DOIUrl":"https://doi.org/10.11606/issn.2238-7714.no.2020.171991","url":null,"abstract":"Los actuales procesos de digitalizacion ponen de manifiesto la profunda transformacion de la vision humana que ha venido gestandose subterraneamente desde el advenimiento de la fotografia hace casi doscientos anos. Las ultimas derivas neovanguardistas del cine de lo real, desde los documentales interactivos a los de realidad virtual, senalan la emergencia de una posvision que desplaza la vista mas alla del cotejo optico y naturalista: aliada con la tecnologia, la vista se convierte en un dispositivo hermeneutico alimentado por la confluencia de la imaginacion con el pensamiento. La posvision implica el paso del tradicional ver es creer a un expresivo ver es pensar, cuyas bases ya sento Gilles Deleuze al plantear que el cine era la imagen del pensamiento.","PeriodicalId":159051,"journal":{"name":"Novos Olhares","volume":"21 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2020-07-09","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"122169127","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Novos OlharesPub Date : 2020-07-09DOI: 10.11606/issn.2238-7714.no.2020.171984
J. Drew, Glenda Drew
{"title":"Algorithmic cinema and collective memory","authors":"J. Drew, Glenda Drew","doi":"10.11606/issn.2238-7714.no.2020.171984","DOIUrl":"https://doi.org/10.11606/issn.2238-7714.no.2020.171984","url":null,"abstract":"The Pixeldust project is a contributory, interactive video/audio/text engine that can be output to many different forms of exhibition. It is conceived of as a form of algorithmic filmmaking, that blends the aesthetics and visual power of cinema with the flexibility and mutability of computer programming. Written in the Processing language, the Pixeldust engine accepts photographic portraits, disassembles them into component pixels and particles that lie like dust in the bottom of the projected screen, then dramatically sweeps them up and crystallizes them into a complete portrait accompanied by the spoken word attributed to the portrayed person. Pixeldust is a platform that encourages individuals and communities to share their own examples of inspirational people.","PeriodicalId":159051,"journal":{"name":"Novos Olhares","volume":"1 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2020-07-09","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"133036082","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
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