{"title":"L'expression de la métonymie chez Henri Lopes","authors":"Sidoine Romaric Moukoukou","doi":"10.55595/srm","DOIUrl":"https://doi.org/10.55595/srm","url":null,"abstract":"This study focuses on the expression of metonymy in Henri Lopes. The analysis of this stylistic process occupies a prominent place in the novelistic work of the Congolese writer, through the use of various metonymic expressions of places, artistic works, drinks, authors and literary works, as well as other types of metonymic expressions well listed in Lopesian literary productions. All these numerous figurative uses that are taken from our corpus place the fictional texts of Henri Lopes in the perspective of the aesthetics of literary creation. These metonymic expressions serve to embellish the referent.","PeriodicalId":153931,"journal":{"name":"Cahiers Africains de rhétorique","volume":"7 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2022-07-30","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"129167119","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Représentation de la guerre dans la poésie nigériane","authors":"Anicet Odilon Matongo Nkouka","doi":"10.55595/aomn","DOIUrl":"https://doi.org/10.55595/aomn","url":null,"abstract":"This study depicts the quensequences of the war in the poetry of Nigerien authors namely Wole Soyinka, Chinua Achebe and Gabriel Okara. From the application of the sociocritical and autobiographical approaches, it appears from the texts that commitment is part of a moral and political awareness that identifies the poet in relation to a community of reprobates, no doubt, but a community fighting for a new morality. These texts are circumscribed in a context of deprivation of freedom by loneliness in prison, the slow and long disintegration that the man undergoes plunged into the abyss of prison isolation, the tortures suffered, the soiled walls, the fetid odors exhaled by the prison, the triumph of truth over the undermining of a system of repression. Prison disorients, disarticulates and fragments the personality of the prisoner who seeks to survive physical and mental attacks. It goes without saying that these texts have an autobiographical dimension. Keywords: Consequence; Death; Mental annihilation; Deprivation of freedom.","PeriodicalId":153931,"journal":{"name":"Cahiers Africains de rhétorique","volume":"142 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2022-07-30","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"116591612","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"LE LANGAGE ALIMENTAIRE DANS LA MUSIQUE CONGOLAISE. CAS DE BRAZZAVILLE (1991-2010)","authors":"Armeline Izis Ngantsio, Joseph Zidi","doi":"10.55595/ainjz","DOIUrl":"https://doi.org/10.55595/ainjz","url":null,"abstract":"This text analyzes the evolution of the mode of food in Brazzaville and the new language which sticks to it.It shows that to the following day events sociopolitic that this city knew, poverty led the latter to make the choice of the food of mass or street, in restaurants of fortune. This current consumption based on the frozen and flesh-colored products is declined under several names. In we let us support on onomastics and hymnology, this work explores the symbols and felt townsmen that the music congolaise, Rumba, celebrates in a normal way.However, the codes of this natural social relationship with the products for human consumption will be chamboulé by the youthful urban music, half-compartment-shifted, which exchanges the food lexicon to express the spite, the distress and the social marginalisation.Through a chopped and believed narration, it builds on the unvoiced comment and not known, imaginary in which certain names of the products pass to indicate parts of the body or bodies phallic female and pleasure that one can draw. Key words: food, Brazzaville, hymnology, language, onomastics","PeriodicalId":153931,"journal":{"name":"Cahiers Africains de rhétorique","volume":"1 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2022-07-30","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"131080800","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Le nom propre « Jéhovah » chez les auteurs français du XIXe siècle","authors":"A. Elongo","doi":"10.55595/ae","DOIUrl":"https://doi.org/10.55595/ae","url":null,"abstract":"This article discusses the proper name 'Jehovah' in nineteenth-century French authors. Our aim is to study such a name as a rhetorical feature of narrative and poetic modernity in French literature. Thus, our corpus is limited to authors in whom the use of this name is identified. To this end, the criteria of the enunciative approach allow us to analyse this proper name in relation to the cultural and ideological competences of authors such as Lamartine, Hugo, Flaubert, Gauthier and Balzac. The expected results are based on the literary uses of the proper name \"Jehovah\" which are built on the stylistic procedures of intertextuality, polyphony, persuasion and tropes. Keywords: Jehovah, Intertextuality; Polyphony; Tropes; Metaphor and Persuasion","PeriodicalId":153931,"journal":{"name":"Cahiers Africains de rhétorique","volume":"38 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2022-07-30","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"114907465","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Écriture, brièveté et humeur dans le Bloc-notes de François Mauriac","authors":"Bellarmin Iloki","doi":"10.55595/bei","DOIUrl":"https://doi.org/10.55595/bei","url":null,"abstract":"Since the revolution, as we know, journalism and polemics have gone hand in hand. We owe in particular to Voltaire to have united controversy and current affairs, \"hot speech\". But, it is after 1789 that the speech on the political controversies passes by the newspaper. And Mauriac gives, in his Bloc-notes, a period color of an implacable accuracy. He willingly takes topical polemics as his subject. Now the polemical discourse is an emotional discourse which reveals to us a passionate Mauriac (mood of pity, joy, hatred, etc.), which underlines the spontaneous and sincere character of an ego which is indignant. This is why Bloc-notes appears as a scene that, by nature, contradicts good faith and reason. This article seeks to show how the affectivity of the author controls the discourse and that he personally engages in it to speak directly to the reader, by revealing himself, and by confessing himself. Keywords: Mauriac, Bloc-notes, writing, passion, humor, brevity.","PeriodicalId":153931,"journal":{"name":"Cahiers Africains de rhétorique","volume":"1 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"1900-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"129800417","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
求助内容：
应助结果提醒方式：
京公网安备 11010802042870号
