{"title":"Astrology and Sarcasm in Three Medieval Portuguese Songs of Mockery","authors":"Helena Avelar de Carvalho","doi":"10.46472/cc.0122.0207","DOIUrl":"https://doi.org/10.46472/cc.0122.0207","url":null,"abstract":"This article argues that the basic tenets of astrology were not restricted to astrologers but were known to, and understood by, most people. It presents two thirteenth-century Portuguese songs of mockery describing the misfortunes of a self-proclaimed astrologer and the unpleasant, but hilarious, consequences of his poor understanding of astrology. These songs were also very popular in the thirteenth century among all social groups, from the common people to the royal court. For these jokes to be understood, the public had to recognize at least a few technical terms, otherwise the joke would simply not have worked.","PeriodicalId":152044,"journal":{"name":"Culture and Cosmos","volume":"56 3-4","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2018-06-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"114025851","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"An Investigation of Internet Solstice Celebrations of Supposed Prehistoric Sacred Places","authors":"Reinhard Mussik","doi":"10.46472/cc.0122.02011","DOIUrl":"https://doi.org/10.46472/cc.0122.02011","url":null,"abstract":"The sun, moon, stars and planets have been worshipped in many cultures in different historical periods. At the beginning of the seventeenth century in the German region of Upper Lusatia some people were caught ‘redhanded’ by their parish priest praying to the sun at rock formations at sunrise and sunset. At the summer solstice 2012 a group of hobbyist archaeoastronomers established an Internet interconnection between similar rock formations in the same region. All the rock formations involved were mooted to have been sacred sites of a prehistoric sun cult. Could this phenomenon be a revival of a longforgotten cult? This article explores the motivation of the organisers of and participants in the virtual interconnections at the summer solstice 2014. Surprisingly, these people were mainly interested in archaeoastronomy and local history, not in New Age spiritual ideas. Furthermore, they felt connected to an assumed pan-European sun cult which could have been ubiquitous at a time when borders between the European countries did not exist","PeriodicalId":152044,"journal":{"name":"Culture and Cosmos","volume":"1 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2018-06-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"122701293","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Before the Celts: Cosmology, Landscape and Folklore in Neolithic Northwest Iberia","authors":"F. P. Silva","doi":"10.46472/cc.0122.0205","DOIUrl":"https://doi.org/10.46472/cc.0122.0205","url":null,"abstract":"This paper applies a combined landscape and skyscape archaeology methodology to the study of megalithic passage graves in the North-west of the Iberian Peninsula, in an attempt to glimpse the cosmology of these Neolithic Iberians. The reconstructed narrative is found to be supported also by a toponym for a local mountain range and associated folklore, providing an interesting methodology that might be applied in future Celtic studies. The paper uses this data to comment on the ‘Celticization from the West’ hypothesis that posits Celticism originated in the European Atlantic façade during the Bronze Age. If this is the case, then the Megalithic phenomenon that was widespread along the Atlantic façade would have immediately preceded the first Celts.","PeriodicalId":152044,"journal":{"name":"Culture and Cosmos","volume":"92 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2018-06-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"122744961","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Ancient Deities and New Meanings: The Role of Myths in Twentieth-Century Astrology","authors":"Astrid B. Leimlehner","doi":"10.46472/cc.0122.0209","DOIUrl":"https://doi.org/10.46472/cc.0122.0209","url":null,"abstract":"This paper examines a peculiar notion of divinity: the observation that authors of twentieth century astrology books recount myths of ancient Greek deities. These old stories seem to contradict the often cited ‘new’ psychological nature of Western astrology since the 1920s following the influence of C. G. Jung’s psychology. On a larger scale, this observation has the potential to blur the boundaries between so-called ‘traditional’ and ‘psychological’ astrology. And yet astrological authors had their reasons for including Greek mythology in their books. The task of this paper is to flesh out the role that ancient deities play in – putatively – new astrological concepts using examples of the German astrologer Olga von Ungern-Sternberg (1895-1997).","PeriodicalId":152044,"journal":{"name":"Culture and Cosmos","volume":"74 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2018-06-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"116174150","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Edward Burne-Jones’s The Planets: Luna, A Celestial Sphere","authors":"L. Cheney","doi":"10.46472/cc.01221.0631","DOIUrl":"https://doi.org/10.46472/cc.01221.0631","url":null,"abstract":"Edward Burne-Jones (1833–98), a Pre-Raphaelite painter, was fascinated with astronomy as noted in his memorials and accounts. In 1879 he executed cartoon drawings for a cycle on the planets for the artisans of the William Morris firm, who would transform them into stained-glass windows. The commission was for the decoration of Woodlands, the Victorian home of Baron Angus Holden (1833–1912), a mayor of Bradford. Presently, seven of the cartoons – The Moon (Luna), Earth (Terra), Sol (Apollo), Venus, Jupiter, Saturn, and Evening Star) – are in the Torre Abbey Museum in Torquay, UK, while the cartoon for Mars is part of the collection of drawings at the Birmingham Museum of Art, UK, and the drawing Morning Star is located at Lady Margaret Hall in Oxford, UK. In the creation of the Planets cycle, Burne-Jones was inspired by cultural events of the time, such as British scientific astronomical discoveries and British and Italian humanistic sources in literature and visual arts portraying astronomy. This essay examines – art historically and iconographically – only one of the eight planets, the cartoon of Luna (The Moon) as an astral planetary formation and a celestial sphere. This study is composed of two sections. The first section discusses the history of the artistic commission and the second section explains some of Burne-Jones’s cultural sources for the Planets cycle and the Moon, both of which partake of heavenly and terrestrial realms.","PeriodicalId":152044,"journal":{"name":"Culture and Cosmos","volume":"89 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2017-10-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"114767266","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
A. C. González García, F. Criado-Boado, Benito Vilas Estévez
{"title":"Megalithic Skyscapes in Galicia","authors":"A. C. González García, F. Criado-Boado, Benito Vilas Estévez","doi":"10.46472/cc.01221.0211","DOIUrl":"https://doi.org/10.46472/cc.01221.0211","url":null,"abstract":"We present the results of our analysis of two singular Neolithic monuments and two prominent megalithic groups in Galicia. The two singular monuments are the dolmen of Dombate (Baio, Coruña county), perhaps the largest megalithic chamber in Galicia (or at least the most investigated and well-known) that houses an elaborate decorative program with engravings and paintings, and Forno dos Mouros (Bocelo mountains, Coruña county), also housing paintings and belonging to a bigger group aligned along an historical path following the mountain ridge. Both chambers house interesting illumination effects. The group analysis concerns the Barbanza (Coruña county) and Leboreiro, (Ourense county and borderland with Portugal) necropoleis. There, we find that apart from chamber orientation, location and spatial relations of the monuments within the landscape, the monuments incorporate skyscape associations that complemented and dialogued with that of the chamber orientations. Besides, if the particular directions that we find are related to the movements of the sun and/or moon they may indicate the appropriate ritual time for the dead. Of course, skyscape is not the only or the main factor to explain the location of the mounds within the necropolis but are part of a complex system of relations making those monuments part of a cultural landscape. When taking all factors into consideration a complex picture emerges where we can envisage the ways of construction of social time and space in the megalithic period.","PeriodicalId":152044,"journal":{"name":"Culture and Cosmos","volume":"PP 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2017-10-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"126452140","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"The Skyscape Planetarium","authors":"G. Zotti, Florian Schaukowitsch, M. Wimmer","doi":"10.46472/cc.01221.0629","DOIUrl":"https://doi.org/10.46472/cc.01221.0629","url":null,"abstract":"Communicating scientific topics in state of the art exhibitions frequently involves the creation of impressive visual installations. In the exhibition ‘STONEHENGE. A Hidden Landscape.’ in the MAMUZ museum for prehistory in Mistelbach, Lower Austria, LBI ArchPro presents recent research results from the Stonehenge Hidden Landscape Project. A central element of the exhibition which extends over two floors connected with open staircases is an assembly of original-sized replica of several stones of the central trilithon horseshoe which is seen from both floors. In the upper floor, visitors are at eye level with the lintels, and on a huge curved projection screen which extends along the long wall of the hall they can experience the view out over the Sarsen circle into the surrounding landscape. This paper describes the planning and creation of this part of the exhibition, and some first impressions after opening.","PeriodicalId":152044,"journal":{"name":"Culture and Cosmos","volume":"55 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2017-10-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"132490153","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"An Examination of the Images of the Sun and the Moon in the Visoki Dečani Monastery in Kosovo","authors":"Dragana Van de moortel-Ilić","doi":"10.46472/cc.01221.0633","DOIUrl":"https://doi.org/10.46472/cc.01221.0633","url":null,"abstract":"This paper investigates the celestial-religious images in the Visoki Dečani monastery in Kosovo, particularly the tear-shaped paintings with human figures inside located on the left and right side of The Crucifixion of Christ fresco. The aim of this research is to put these images into a cultural and contemporary cosmological context. The images in the fresco that contain human figures have been the subject of controversy in the second part of the last century. A highly speculative popular view was put forward, that the images portrayed extraterrestrials in UFOs. Yet these images have been mostly ignored in academic circles. In this research the images from The Crucifixion fresco were compared with similar frescoes from other Serbian medieval churches and with the philosophical thought of the time. The methodology used was, first, a personal visit and observation of the images, including photos taken by a professional photographer. A comparison of those findings was then made with what had been written about those images in the academic literature. The conclusion is that they present personifications of the Sun and the Moon which could be explained by the synergy of Hellenistic and Christian thought.","PeriodicalId":152044,"journal":{"name":"Culture and Cosmos","volume":"165 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2017-10-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"134431659","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Celestial Art: An Interview with Geoff MacEwan","authors":"Nicholas Campion","doi":"10.46472/cc.0118.0411","DOIUrl":"https://doi.org/10.46472/cc.0118.0411","url":null,"abstract":"","PeriodicalId":152044,"journal":{"name":"Culture and Cosmos","volume":"10 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2014-06-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"123923874","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"The Invisible Universe","authors":"M. Rowan‐Robinson","doi":"10.46472/cc.001216.0241","DOIUrl":"https://doi.org/10.46472/cc.001216.0241","url":null,"abstract":"With our own eyes we can see the night sky of the stars, planets and the Milky Way, the arena of pre-telescopic astronomy. Modern optical telescopes have opened up the universe of galaxies and we are familiar with the superb images of the Hubble Space Telescope. But with the invisible wavelengths of radio, infrared and X-ray, a very different universe comes into view. The astronomy of the invisible wavelengths was inaugurated by William Herschel in 1800 but developed very slowly over the next 160 years. The past fifty years have seen an explosion in our understanding of this strange world.","PeriodicalId":152044,"journal":{"name":"Culture and Cosmos","volume":"85 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2012-10-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"115762841","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}