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IDENTITY FOR SALE: GLENN MILLER, WYNTON MARSALIS, AND CULTURAL REPLAY IN MUSIC 出售身份:格伦·米勒，温顿·马萨利斯，音乐中的文化重播
Big Ears Pub Date : 2020-12-31 DOI: 10.1515/9780822389224-007
Tracy M McMullen
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引用次数: 0
‘‘BUT THIS MUSIC IS MINE ALREADY!’’ : ‘‘WHITE WOMAN’’ AS JAZZ COLLECTOR IN THE FILM NEW ORLEANS (1947) “但这音乐已经是我的了!”:“白人妇女”在电影《新奥尔良》(1947)中扮演爵士乐收藏家。
Big Ears Pub Date : 2020-12-31 DOI: 10.1515/9780822389224-011
S. Tucker
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引用次数: 0
PERVERSE HYSTERICS: THE NOISY CRI OF LES DIABOLIQUES 反常的歇斯底里:恶魔的喧嚣呐喊
Big Ears Pub Date : 2020-12-31 DOI: 10.1515/9780822389224-009
Julie Dawn Smith
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引用次数: 0
THE GENDERED JAZZ AESTHETICS OF THAT MAN OF MINE : THE INTERNATIONAL SWEETHEARTS OF RHYTHM AND INDEPENDENT BLACK SOUND FILM 我的那个男人的性别爵士美学:节奏和独立黑人有声电影的国际甜心
Big Ears Pub Date : 2020-12-31 DOI: 10.1515/9780822389224-017
Kristin McGee
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引用次数: 0
‘‘BETTER A JAZZ ALBUM THAN LIPSTICK’’ (LIEBER JAZZPLATTE ALS LIPPENSTIFT ) : THE 1956 JAZZ PODIUM SERIES REVEALS IMAGES OF JAZZ AND GENDER IN POSTWAR GERMANY “一首爵士专辑胜过口红”(lieber jazzplatte als lippenstift): 1956年的爵士领奖台系列揭示了战后德国爵士乐和性别的形象
Big Ears Pub Date : 2020-12-31 DOI: 10.1515/9780822389224-013
Ursel Schlicht
{"title":"‘‘BETTER A JAZZ ALBUM THAN LIPSTICK’’ (LIEBER JAZZPLATTE ALS LIPPENSTIFT ) : THE 1956 JAZZ PODIUM SERIES REVEALS IMAGES OF JAZZ AND GENDER IN POSTWAR GERMANY","authors":"Ursel Schlicht","doi":"10.1515/9780822389224-013","DOIUrl":"https://doi.org/10.1515/9780822389224-013","url":null,"abstract":"","PeriodicalId":146801,"journal":{"name":"Big Ears","volume":"7 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2020-12-31","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"127788167","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
‘‘IT TAKES TWO PEOPLE TO CONFIRM THE TRUTH’’ : THE JAZZ FICTION OF SHERLEY ANN WILLIAMS AND TONI CADE BAMBARA “需要两个人来证实真相”:雪莉·安·威廉姆斯和托尼·卡德·班巴拉的爵士小说
Big Ears Pub Date : 2020-12-31 DOI: 10.1515/9780822389224-015
F. Griffin
{"title":"‘‘IT TAKES TWO PEOPLE TO CONFIRM THE TRUTH’’ : THE JAZZ FICTION OF SHERLEY ANN WILLIAMS AND TONI CADE BAMBARA","authors":"F. Griffin","doi":"10.1515/9780822389224-015","DOIUrl":"https://doi.org/10.1515/9780822389224-015","url":null,"abstract":"","PeriodicalId":146801,"journal":{"name":"Big Ears","volume":"42 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2020-12-31","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"132058941","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
GENDER, JAZZ, AND THE POPULAR FRONT 性别，爵士乐，还有大众阵线
Big Ears Pub Date : 2020-12-31 DOI: 10.1515/9780822389224-005
Monica Hairston
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引用次数: 0
Acknowledgments 致谢
Big Ears Pub Date : 2020-12-31 DOI: 10.1515/9780822389224-001
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引用次数: 0
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