{"title":"“一首爵士专辑胜过口红”(lieber jazzplatte als lippenstift): 1956年的爵士领奖台系列揭示了战后德国爵士乐和性别的形象","authors":"Ursel Schlicht","doi":"10.1515/9780822389224-013","DOIUrl":null,"url":null,"abstract":"","PeriodicalId":146801,"journal":{"name":"Big Ears","volume":"7 1","pages":"0"},"PeriodicalIF":0.0000,"publicationDate":"2020-12-31","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":"{\"title\":\"‘‘BETTER A JAZZ ALBUM THAN LIPSTICK’’ (LIEBER JAZZPLATTE ALS LIPPENSTIFT ) : THE 1956 JAZZ PODIUM SERIES REVEALS IMAGES OF JAZZ AND GENDER IN POSTWAR GERMANY\",\"authors\":\"Ursel Schlicht\",\"doi\":\"10.1515/9780822389224-013\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"\",\"PeriodicalId\":146801,\"journal\":{\"name\":\"Big Ears\",\"volume\":\"7 1\",\"pages\":\"0\"},\"PeriodicalIF\":0.0000,\"publicationDate\":\"2020-12-31\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"0\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"Big Ears\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.1515/9780822389224-013\",\"RegionNum\":0,\"RegionCategory\":null,\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"\",\"JCRName\":\"\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"Big Ears","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.1515/9780822389224-013","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"","JCRName":"","Score":null,"Total":0}
‘‘BETTER A JAZZ ALBUM THAN LIPSTICK’’ (LIEBER JAZZPLATTE ALS LIPPENSTIFT ) : THE 1956 JAZZ PODIUM SERIES REVEALS IMAGES OF JAZZ AND GENDER IN POSTWAR GERMANY