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SEPARATED AT ‘‘BIRTH’’ : SINGING AND THE HISTORY OF JAZZ 《出生时分离:歌唱与爵士乐的历史》
Big Ears Pub Date : 2020-12-31 DOI: 10.1515/9780822389224-003
L. Pellegrinelli
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引用次数: 2
Frontmatter
Big Ears Pub Date : 2020-12-31 DOI: 10.1515/9780822389224-fm
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引用次数: 0
‘‘BORN OUT OF JAZZ . . . YET EMBRACING ALL MUSIC’’ : RACE, GENDER, AND TECHNOLOGY IN GEORGE RUSSELL’S LYDIAN CHROMATIC CONCEPT “诞生于爵士乐之中……然而，拥抱所有的音乐”:种族，性别和技术在乔治·罗素的吕底亚半音概念
Big Ears Pub Date : 2020-12-31 DOI: 10.1515/9780822389224-010
E. Porter
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引用次数: 0
FITTING THE PART 装配部件
Big Ears Pub Date : 2020-12-31 DOI: 10.1215/9780822389224-013
Ingrid T. Monson, Nichole T. Rustin, S. Tucker
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引用次数: 1
FROM THE POINT OF VIEW OF THE PAVEMENT: A GEOPOLITICS OF BLACK DANCE 从人行道的角度来看:一场黑人舞蹈的地缘政治
Big Ears Pub Date : 2020-12-31 DOI: 10.1515/9780822389224-008
Jayna Brown
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引用次数: 0
WITH LOVIE AND LIL: REDISCOVERING TWO CHICAGO PIANISTS OF THE 1920s 《与洛维和莉儿:重新发现20世纪20年代的两位芝加哥钢琴家》
Big Ears Pub Date : 2020-12-31 DOI: 10.1515/9780822389224-004
J. Taylor
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引用次数: 0
‘‘THE BATTLE OF THE SAXES’’ : GENDER, DANCE BANDS, AND BRITISH NATIONALISM IN THE SECOND WORLD WAR 《萨克斯之战》:二战中的性别、舞蹈乐队和英国民族主义
Big Ears Pub Date : 2020-12-31 DOI: 10.1515/9780822389224-006
Christina Baade
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引用次数: 0
‘‘BLOW, MAN, BLOW!’’: REPRESENTING GENDER, WHITE PRIMITIVES, AND JAZZ MELODRAMA THROUGH A YOUNG MAN WITH A HORN “吹，老兄，吹!”:通过一个拿着号角的年轻人来表现性别、白人原始人和爵士乐情节剧
Big Ears Pub Date : 2020-12-31 DOI: 10.1515/9780822389224-016
Nichole T. Rustin
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引用次数: 0
Index 指数
Big Ears Pub Date : 2020-12-31 DOI: 10.1515/9780822389224-020
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引用次数: 0
EXCLUSION, OPENNESS, AND UTOPIA IN BLACK MALE PERFORMANCE AT THE WORLD STAGE JAZZ JAM SESSIONS 排斥、开放和乌托邦在世界舞台上的黑人男性表演爵士演奏会
Big Ears Pub Date : 2020-12-31 DOI: 10.1515/9780822389224-014
João H. Costa Vargas
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引用次数: 0
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