Literatura i Kultura Popularna最新文献

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„Ostatniej nocy w Soho” a tradycja włoskiego kina grozy "苏荷昨夜》与意大利恐怖电影的传统
Literatura i Kultura Popularna Pub Date : 2024-05-17 DOI: 10.19195/0867-7441.29.12
Michał Mazgaj
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引用次数: 0
Image(s) of the World’s End from Archtexts to Popular Culture (Example-Based Exposition) 从档案文本到大众文化中的世界末日形象(基于实例的阐述
Literatura i Kultura Popularna Pub Date : 2024-05-17 DOI: 10.19195/0867-7441.29.1
Martin Boszorád
{"title":"Image(s) of the World’s End from Archtexts to Popular Culture (Example-Based Exposition)","authors":"Martin Boszorád","doi":"10.19195/0867-7441.29.1","DOIUrl":"https://doi.org/10.19195/0867-7441.29.1","url":null,"abstract":"Methodologically connecting the experience- and interpretation-based aesthetic approach to popular culture (Juraj Malíček) and the pragmatist aesthetics (Richard Shusterman) on one hand and the views of what is called arch-textual thematology (Mariana Čechová) on the other, the paper seeks to observe the ties between arch-texts, in particular the final book of the New Testament — the Book of Revelation, and ‘pop-texts,’ i.e. such popcultural works of art (films, TV series, literary texts, comics etc.), within the frame of which the end of the world images appear in one way or another and which can be labelled with the agnomen ‘pop.’ Various appearances of a reanimation of the apocalypse-theme in various (popcultural) works of art become in the paper, an example-based exposition of the topic, referentially object of interest — from catastrophic films directed by Roland Emmerich and the post-apocalyptic comic book series Y: The Last Man written by Brian K. Vaughan to TV series like, for instance, Ragnarok (from 2020) and literary works like the pre-apocalyptic novel trilogy written by Ben H. Winters or other iconic genre fiction (for example, Cormac McCarthy’s post-apocalyptic novel The Road).","PeriodicalId":141509,"journal":{"name":"Literatura i Kultura Popularna","volume":"1 3","pages":""},"PeriodicalIF":0.0,"publicationDate":"2024-05-17","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"140964182","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Dlaczego warto badać heraldykę w literaturze fantasy (i jak wykorzystać do tego warsztat przekładoznawczy)? 为什么研究奇幻文学中的纹章很重要(以及如何利用翻译研究工作坊进行研究)?
Literatura i Kultura Popularna Pub Date : 2024-05-17 DOI: 10.19195/0867-7441.29.3
A. Żurek
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引用次数: 0
Poszerzanie pola i nowe wyzwania
Literatura i Kultura Popularna Pub Date : 2022-10-07 DOI: 10.19195/0867-7441.28.16
Dagmara Tomczyk
{"title":"Poszerzanie pola i nowe wyzwania","authors":"Dagmara Tomczyk","doi":"10.19195/0867-7441.28.16","DOIUrl":"https://doi.org/10.19195/0867-7441.28.16","url":null,"abstract":"This article discusses the main theses formulated in Poszerzanie pola literackiego. Studia o literackości w internecie written by Elżbieta Winiecka. The author of this monograph has noteworthily analysed relations between literature and the digital world. Important research context here is the notion of literariness and the concept of literary field. The scholar also combines theoretical reflection on the boundaries of literature and the consequences of technological development with critical interpretations of specific texts or projects. The great value of this book is the fact that the author places the reflection regarding digital e-literature in the context of Polish literature and culture. Furthermore, Winiecka emphasises the links between art and contemporary social and political problems. Thus, the researcher takes part in the debate on socially engaged art and the functioning of literary texts in the social space.","PeriodicalId":141509,"journal":{"name":"Literatura i Kultura Popularna","volume":"40 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2022-10-07","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"127128795","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Co jest grane? O relacjach muzyki i ruchomego obrazu w wideoklipach muzycznych
Literatura i Kultura Popularna Pub Date : 2022-10-07 DOI: 10.19195/0867-7441.28.15
Michał Pick
{"title":"Co jest grane? O relacjach muzyki i ruchomego obrazu w wideoklipach muzycznych","authors":"Michał Pick","doi":"10.19195/0867-7441.28.15","DOIUrl":"https://doi.org/10.19195/0867-7441.28.15","url":null,"abstract":"The article discusses the relations between sound and moving image in music videos. The author, referring to the concepts of researchers such as Jurij Łotman, Carol Vernallis, Urszula Jarecka, Mirosław Przylipiak, and others, draws attention to the special type of synthesis which occurs between sound and vision in music videos. Supporting his considerations with the analysis of representative video clips, the author proves that the mutual relation of sound and image is an important element of the narration present in music videos. Sound (in the form of a song) is the core element of music videos, but their polymedia nature allows to emphasize correlation and synthesis of individual layers comprising its structure. The higher-order communication quality created in this way results from the integration of semantically different-code elements, which can be seen in the analytical part.","PeriodicalId":141509,"journal":{"name":"Literatura i Kultura Popularna","volume":"21 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2022-10-07","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"133022492","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Wer sich nicht erinnert, hat keine Geschichte. Zum Phänomen gestörter Erinnerungen und heilsamen Vergessens in der Migrationsliteratur aufgrund des Erzähltextes „Das Gedächtnis der Libellen” von Marica Bodrožić 不记得的人,就没有历史到现象这记忆和遗忘,但在Migrationsliteratur由于Erzähltextes“记忆的“蜻蜓Marica Bodrožić
Literatura i Kultura Popularna Pub Date : 2022-10-07 DOI: 10.19195/0867-7441.28.12
Adam Sobek
{"title":"Wer sich nicht erinnert, hat keine Geschichte. Zum Phänomen gestörter Erinnerungen und heilsamen Vergessens in der Migrationsliteratur aufgrund des Erzähltextes „Das Gedächtnis der Libellen” von Marica Bodrožić","authors":"Adam Sobek","doi":"10.19195/0867-7441.28.12","DOIUrl":"https://doi.org/10.19195/0867-7441.28.12","url":null,"abstract":"Enquiring into the process of remembering and forgetting seems to be a fundamentally neuropsychological issue. Many writers and novelists tend to take on that matter while depicting their main characters, who deliver an account of their past adventures to the reader via recollections and memories. The paper attempts to analyse the distinctive features of the space, especially after the recognition of the spatial turn and its main assumptions. The author indicates the vital importance of borders as well as their crossing. In addition to the analysis of the mentioned genres, the author focuses on the perception and capturing of space in general as well as juxtaposes its particular spatial variations, such as partial space.","PeriodicalId":141509,"journal":{"name":"Literatura i Kultura Popularna","volume":"59 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2022-10-07","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"114577087","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Zombie i inni zarażeni, czyli obraz epidemii w literaturze popularnej
Literatura i Kultura Popularna Pub Date : 2022-10-07 DOI: 10.19195/0867-7441.28.19
Elżbieta Górka
{"title":"Zombie i inni zarażeni, czyli obraz epidemii w literaturze popularnej","authors":"Elżbieta Górka","doi":"10.19195/0867-7441.28.19","DOIUrl":"https://doi.org/10.19195/0867-7441.28.19","url":null,"abstract":"Od dżumy do Eboli. Sposób przedstawienia wybranych chorób zaraźliwych w przykładowych tekstach literatury popularnej [From the plague to Ebola: The presentation of selected contagious diseases in popular literature texts] by Edyta Izabela Rudolf is a pioneering achievement in the Polish research field, opening scientific discourse on the image of an epidemic in popular literature. Published on the eve of the COVID-19 pandemic, the monograph also provides tools for the study of the newly created pandemic literature. \u0000Taking into account the complexity of the research material, which lies on the borderline between the humanities, the social, and biological sciences, the author has quite rightly decided to include her study in the field of medical humanities. The chronological distribution of the extensive research material allowed for taking into consideration the broad historical and social context which influenced the shape of works created in subsequent eras. \u0000Minor inaccuracies include the inappropriate use of terminology (such as the term topos) and the questionable assignment of the novel The Andromeda Strain to Chapter Three (it could easily have found its place in Chapter Four). \u0000Despite these shortcomings, Edyta Rudolf’s work is a valuable monograph which provides tools for studying the image of contagious diseases in popular literature.","PeriodicalId":141509,"journal":{"name":"Literatura i Kultura Popularna","volume":"1 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2022-10-07","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"122260016","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Zastrzyk z kurary, czyli „Dzieje grzechu” jako powieść metapopularna
Literatura i Kultura Popularna Pub Date : 2022-10-07 DOI: 10.19195/0867-7441.28.11
K. Chyła
{"title":"Zastrzyk z kurary, czyli „Dzieje grzechu” jako powieść metapopularna","authors":"K. Chyła","doi":"10.19195/0867-7441.28.11","DOIUrl":"https://doi.org/10.19195/0867-7441.28.11","url":null,"abstract":"Literary works of Stefan Żeromski have been eloquently and fruitfully analyzed in search of schemes and conventions typical for popular literature and culture of the late 19th and early 20th century. However, these ingenious interpretations did not emphasize a crucial aspect of Żeromski’s attitude toward popular fiction, which may be described as metaconscious. Dzieje grzechu [The History of Sin] is a novel in which Stefan Żeromski most unashamedly and outspokenly used various advantages and possibilities offered to him by the realm of popular culture. Yet, in this case being both outspoken and unashamed is not equivocal with a lack of literary self-awareness, as some earlier commentators suggested. Therefore, a central point for my interpretation is a famous scene of homicide committed by the novel’s protagonist, Ewa Pobratyńska, on her lover during their erotic act. This scene, so long and so often dismissed by reviewers and researchers as exaggerated, sordid, cruel, and a sign of the writer’s declining taste, is in fact a verbatim quotation from the late 19th-century penny dreadful as a specific literary convention. When Ewa’s two relentless partners in crime first present her that project, she herself exposes its trivial sources, calling it a “rank idea” taken directly from a vulgar romance. In this way, Dzieje grzechu unmasks fictional and popular elements of its own construction. Yet, it avoids becoming a sheer pastiche, remaining a multidimensional text of several facets and perspectives.","PeriodicalId":141509,"journal":{"name":"Literatura i Kultura Popularna","volume":"519 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2022-10-07","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"123205007","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
„Cordel” — brazylijska literatura „sznurkowa”. Zastosowanie dydaktyczne
Literatura i Kultura Popularna Pub Date : 2022-10-07 DOI: 10.19195/0867-7441.28.18
Eliasz Chmiel
{"title":"„Cordel” — brazylijska literatura „sznurkowa”. Zastosowanie dydaktyczne","authors":"Eliasz Chmiel","doi":"10.19195/0867-7441.28.18","DOIUrl":"https://doi.org/10.19195/0867-7441.28.18","url":null,"abstract":"In Letramento literário e cordel: o ensino de literatura por um novo olhar [Literary literacy and cordel literature: literature teaching from a new perspective], Gilles Villeneuve Souza Nascimento presents the literary literacy through the cordel genre as a potential solution to the reading and literature teaching crisis in Brazil. \u0000Initially, the author dialogues with the theoretical findings of Regina Zilberman, Ângela Kleiman, Rildo Cosson, Ana Cristina Marinho, and Hélder Pinheiro (among others) regarding the reader formation, literacy, literary literacy, and the use of the cordel in literature teaching. The most interesting part, however, is the practical one, which contains a description of the school workshop which proved the appropriateness of the proposal. \u0000Although its conclusions are based on results of an experiment on merely 16 students from one school, from a region where cordel literature is particularly popular, Letramento literário e cordel… is a valuable publication which presents very interesting possibilities of making use of a literature often considered — due to its simplicity — as “second-class art.” Moreover, despite the local character of the research, the majority of the author’s observations have a universal application.","PeriodicalId":141509,"journal":{"name":"Literatura i Kultura Popularna","volume":"43 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2022-10-07","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"122319280","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Prehistoria nowych mediów w wersji krajowej (uwagi na marginesie lektury monografii Piotra Sitarskiego, Marii B. Gardy i Krzysztofa Jajki „Nowe media” w PRL)
Literatura i Kultura Popularna Pub Date : 2022-10-07 DOI: 10.19195/0867-7441.28.14
A. Mazurkiewicz
{"title":"Prehistoria nowych mediów w wersji krajowej (uwagi na marginesie lektury monografii Piotra Sitarskiego, Marii B. Gardy i Krzysztofa Jajki „Nowe media” w PRL)","authors":"A. Mazurkiewicz","doi":"10.19195/0867-7441.28.14","DOIUrl":"https://doi.org/10.19195/0867-7441.28.14","url":null,"abstract":"The article presents the monograph by Piotr Sitarski, Maria B. Garda, and Krzysztof Jajko Nowe media w PRL [New Media in the Polish People’s Republic]. The authors of the book presented how technological development was assimilated by society in the final stage of the existence of the Polish People’s Republic. Individual chapters describe the process of social assimilation of video, microcomputers, and satellite television in Poland. Referring to social history, the authors show the beginnings of the Polish digital society in the 1980s. They do this using modern methodologies from history of technology, social history, and oral history. The aim of the article is to show the processes discussed in the book against the background of social and political changes of the epoch. The documents cited (Uchwała generalna VI Kongresu Techników Polskich [Resolution of the VI Congress of Polish Technicians]) and events (Rok Nauki Polskiej [Year of Polish Science], II Kongres Nauki [II Congress of Science]) allow us to see the links between the modernization of the Polish and communist propaganda. The technology was aimed to certify the strength of the socialist system.","PeriodicalId":141509,"journal":{"name":"Literatura i Kultura Popularna","volume":"214 ","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2022-10-07","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"120866522","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
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