TEXTURE : Art and Culture Journal最新文献

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MAKNA FASHION GENERASI Z DALAM FILM SUNSHINE BECOMES YOU ANALISIS SEMIOTIKA ROLAND BARTHEZ Makna时尚大腕zdalam电影阳光成为你分析的标志罗兰·巴尔特兹
TEXTURE : Art and Culture Journal Pub Date : 2022-04-28 DOI: 10.33153/texture.v4i1.4204
Nur Rochmat Indiarjo, Sapto Hudoyo
{"title":"MAKNA FASHION GENERASI Z DALAM FILM SUNSHINE BECOMES YOU ANALISIS SEMIOTIKA ROLAND BARTHEZ","authors":"Nur Rochmat Indiarjo, Sapto Hudoyo","doi":"10.33153/texture.v4i1.4204","DOIUrl":"https://doi.org/10.33153/texture.v4i1.4204","url":null,"abstract":"The research was meant to see through deeper about the signs that resides within the main actors’s costumes of Sunshine Becomes You as the fashion of Generation Z. The reseach method is descriptive and use Roland Barthes’s semiotic analysis about the denotative and connotative value of the signs. The conclusion of this research shows according to the signs from the main actors’s costume from Sunshine Becomes You that Generation Zs has a mindset of how very important look is for them, tend to be practice and instant behaviours, love freedom and high self-confidence, and also eagerly need for self-approvement from their society.","PeriodicalId":140607,"journal":{"name":"TEXTURE : Art and Culture Journal","volume":"4 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2022-04-28","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"125379830","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
KONTEKSTASI PILPRES 2014 & 2019 TERHADAP REMAJA MILENIAL SEBAGAI SUMBER INSPIRASI PENCIPTAAN KARYA SENI LUKIS 背景选举与2019年的千禧青少年为绘画艺术创作灵感的来源
TEXTURE : Art and Culture Journal Pub Date : 2022-04-28 DOI: 10.33153/texture.v4i1.4195
Gatrin Rukmanandi, Amir Gozali
{"title":"KONTEKSTASI PILPRES 2014 & 2019 TERHADAP REMAJA MILENIAL SEBAGAI SUMBER INSPIRASI PENCIPTAAN KARYA SENI LUKIS","authors":"Gatrin Rukmanandi, Amir Gozali","doi":"10.33153/texture.v4i1.4195","DOIUrl":"https://doi.org/10.33153/texture.v4i1.4195","url":null,"abstract":"Creation of a painting with a background of anxiety as well as the experience that has been generated from the 2014 & 2019 presidential election at that time. The presidential elections in 2014 and 2019 at that time made a lot of people especially teenagers in the millennial generation to receive the negative impacts they received directly and indirectly. These incidents also shape the attitudes of the millennial generation to face the turmoil of this presidential election. The purpose of creating this artwork is to explain the concept, process and visual description of the work whose source of inspiration comes from the context of the 2014 & 2019 presidential elections for millennial youth. The painting style used is the Pop Surrealism style. The creation of works refers to the three stages of creation put forward by Herman Von Helmholtz which describes the stages in the creation process, including: Saturation (Data Collection), Incubation (Precipitation), Illumination (Embodiment of Work). The creation of this painting work provide more insight into the tools, materials, techniques of working on a work. The results obtained from the creation of the work are paintings inspired by the context of the 2014 & 2019 presidential elections for millennial youth. Another result is empirical experience and the deepening of concepts in the creation of painting works with the inspiration for the context of the 2014 & 2019 presidential elections for millennial youth.","PeriodicalId":140607,"journal":{"name":"TEXTURE : Art and Culture Journal","volume":"126 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2022-04-28","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"127963589","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Ruang Kosong Ruang Kreasi: Seni Ruang Publik Sebagai Referensi Visual Budaya Tradisi 创造空间:公共空间艺术,作为传统文化的视觉参考
TEXTURE : Art and Culture Journal Pub Date : 2022-04-28 DOI: 10.33153/texture.v4i1.4194
Figur Rahman Fuad, Endang Sri Handayani, Endri Sintiana Murni
{"title":"Ruang Kosong Ruang Kreasi: Seni Ruang Publik Sebagai Referensi Visual Budaya Tradisi","authors":"Figur Rahman Fuad, Endang Sri Handayani, Endri Sintiana Murni","doi":"10.33153/texture.v4i1.4194","DOIUrl":"https://doi.org/10.33153/texture.v4i1.4194","url":null,"abstract":"The village is the main buffer of the city's culture. The stretching of the village community in developing the potential of human resources and the environment is something that is vital in the development of the city itself. The awareness of citizens to move independently to improve the quality of life is achieved through the arts. This paper wants to describe the collective awareness of residents in Purwodiningratan village in managing the empty space in the alleys of their village. Through the mural art, it is hoped that it can serve as a reminder of how to think and behave, as well as being a connector for traditional values and culture, so that the younger generation always has a foothold in projecting themselves into the future.","PeriodicalId":140607,"journal":{"name":"TEXTURE : Art and Culture Journal","volume":"82 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2022-04-28","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"122546476","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Topeng Surakarta Sebagai Sumber Ide Penciptaan Motif Batik Pada Busana Casual Wanita
TEXTURE : Art and Culture Journal Pub Date : 2022-04-28 DOI: 10.33153/texture.v4i1.4197
Kristanti Kristanti, F. S. Wuryani
{"title":"Topeng Surakarta Sebagai Sumber Ide Penciptaan Motif Batik Pada Busana Casual Wanita","authors":"Kristanti Kristanti, F. S. Wuryani","doi":"10.33153/texture.v4i1.4197","DOIUrl":"https://doi.org/10.33153/texture.v4i1.4197","url":null,"abstract":"The main idea behind the creation of this artworks is inspired by the visual form of the Surakarta masks. This concept was chosen because the Surakarta masks has a variety of shapes, colors, functions, and characters that are different and interesting for the source of ideas for the creation of batik motif, such as the masks of Panji Inu Kertapati, Dewi Sekartaji, Klana Sewandana, Gunungsari, and Jaya Kartolo. This final project aims to create women's casual outfit by applying the Surakarta masks as the basic idea in creating the artworks. The Surakarta mask's scope gives rise to ideas to be developed into the creation of written batik motif. The process of creating works starts from the exploration stage, which is observing the shape of the Surakarta masks and then pouring it into the design stage of an alternative design to be selected as a batik motif to be applied to casual outfit. The last stage is the embodiment stage, in this process starting from making a dress pattern, painting on a patterned fabric for casual cloth, batik, painting dyeing, sewing and finishing. The coloring technique used in the creation process is the technique dabbing using remasol dyes. The materials and tools used were wax, canting, remasol, waterglass, silk cotton, and satin fabric bridal. As the result of my final project, there are 5 women's casual outfits, each named according to the characters of the Surakarta mask. The first artworks entitled Lelanange Jagad (Handsome Man), the second entitled Kirana (Moonlight), the third entitled Ahengkara (Roam), the fourth entitled Sajjana (Immortal), and the last artworks entitled Warada (Strong). This design results an innovation to preserve Surakarta mask art culture and also the traditional art of batik in the fashion sector.","PeriodicalId":140607,"journal":{"name":"TEXTURE : Art and Culture Journal","volume":"10 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2022-04-28","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"125278861","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
MEMORI KETAKUTAN ANAK SEBAGAI SUMBER INSPIRASI KARYA SENI PATUNG
TEXTURE : Art and Culture Journal Pub Date : 2022-04-28 DOI: 10.33153/texture.v4i1.4190
Silviya Sukmawati, Effy Indratmo
{"title":"MEMORI KETAKUTAN ANAK SEBAGAI SUMBER INSPIRASI KARYA SENI PATUNG","authors":"Silviya Sukmawati, Effy Indratmo","doi":"10.33153/texture.v4i1.4190","DOIUrl":"https://doi.org/10.33153/texture.v4i1.4190","url":null,"abstract":"Violence from parents and violence from the immediate environment at the age of children causes them to become children who are easily afraid of sounds (Verbal), fear of physical violence (objects), and fear of the immediate environment. This final artwork project aims to create a sculpture art with the theme of the memory of a child's fear, which also explains the concept and process of creation and also the visual aesthetics of sculpture. The shape of the memory of children's fear is portrayed in the media of sculpture art with cast printing techniques. The creation of sculpture in this final project provides more insight into empirical experiences in creating works of art as well as the deepening of concepts in children's memory of fears.","PeriodicalId":140607,"journal":{"name":"TEXTURE : Art and Culture Journal","volume":"7 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2022-04-28","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"122384841","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
BUNGA LAYU DALAM FOTOGRAFI STILL LIFE
TEXTURE : Art and Culture Journal Pub Date : 2022-04-28 DOI: 10.33153/texture.v4i1.4192
Yeti Septo Rini, Setyo Tohari Caturiyanto
{"title":"BUNGA LAYU DALAM FOTOGRAFI STILL LIFE","authors":"Yeti Septo Rini, Setyo Tohari Caturiyanto","doi":"10.33153/texture.v4i1.4192","DOIUrl":"https://doi.org/10.33153/texture.v4i1.4192","url":null,"abstract":"Flowers are one of the extraordinary forms that are enjoyed by their beauty. Starting from a childhood experience, this work tries to manifest anxiety through the art of photography. The object selected in this work is a lay flower. Wither is where a condition is not fresh or pale. Based on changes in flower color, irregular textures and shapes are interesting to visualize in a photographic work. One of the genres of photography used is still life photography. A work of art that creates an image of an inanimate object or object to make it appear much more alive. The work of this work, uses air-filled media with other supporting objects. The selection of media that contains water is used to facilitate the arrangement in order to achieve aesthetic or beauty value. The values of beauty include unity, complexity, and sincerity in creating such works. All of these things are related to the results in the process of working on the work. The Creation of Withered Flowers in Still life Photography has meaning, not just a visual form without aesthetic value.","PeriodicalId":140607,"journal":{"name":"TEXTURE : Art and Culture Journal","volume":"43 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2022-04-28","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"128163841","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
MEMOAR RASA TAKUT DALAM DIRI SEBAGAI SUMBER PENCIPTAAN SENI GRAFIS 作为平面艺术创作的来源,激发对自我的恐惧
TEXTURE : Art and Culture Journal Pub Date : 2022-04-28 DOI: 10.33153/texture.v4i1.4198
D. Setiawan, Theresia Agustina Sitompul
{"title":"MEMOAR RASA TAKUT DALAM DIRI SEBAGAI SUMBER PENCIPTAAN SENI GRAFIS","authors":"D. Setiawan, Theresia Agustina Sitompul","doi":"10.33153/texture.v4i1.4198","DOIUrl":"https://doi.org/10.33153/texture.v4i1.4198","url":null,"abstract":"Departing from the author's empirical experience about the memoir of fear in oneself and experiencing scary and sad events, the writer wants to know himself more deeply. the creation of a work of graphic art this final project is to create a work of graphic art that takes the inspiration of fear, which indirectly also explains the concept of its creation, as well as the visual aesthetics of the work of graphic art, with the aim of creating the work of graphic art itself. The creation of the work refers to three stages, namely finding the initial idea, developing, perfecting and strengthening the initial idea. The result obtained from the creation of this work is self-therapy using high print art media.","PeriodicalId":140607,"journal":{"name":"TEXTURE : Art and Culture Journal","volume":"115 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2022-04-28","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"116597151","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Perjuangan Masa Sekolah Sebagai Inspirasi Penciptaan Karya Seni Lukis
TEXTURE : Art and Culture Journal Pub Date : 2021-12-02 DOI: 10.33153/texture.v4i2.4191
Angling Yoga Bayu, Satriana Didiek Isnanta
{"title":"Perjuangan Masa Sekolah Sebagai Inspirasi Penciptaan Karya Seni Lukis","authors":"Angling Yoga Bayu, Satriana Didiek Isnanta","doi":"10.33153/texture.v4i2.4191","DOIUrl":"https://doi.org/10.33153/texture.v4i2.4191","url":null,"abstract":"The creation of this final project entitled The Struggle for the School Period as an Inspiration for the Creation of Painting Art is a response to the author's experience of being part of rural children who have dreams of studying in a big city. The limit of the discussion is on the struggle of a child in an underprivileged family, determined to study at the SMK level in Solo, which tends to require a lot of money than school in the village. The struggle for the school period is a form of effort to complete the study period smoothly even though there are constraints. The purpose of the creation of this final project is to create a work of art that painting inspiration from the struggles of the school period by explaining the concept of its creation, the process of its creation and the meaning of the artwork created. The creation of works refers to the three stages of creation proposed by Herman Von Helmholtz, including the stages of collecting facts, data and sansation, the deposition stage and the stage of expressing the form of an artwork. This final project produces six works of decorative-surrealistic painting that emphasize visual forms by cultivating stylization, deformation and transformation using acrylic paint on canvas media and using plaque and sungging techniques as ideas for color processing.Keywords: school period struggle, painting, decorative-surrealistic, sungging","PeriodicalId":140607,"journal":{"name":"TEXTURE : Art and Culture Journal","volume":"26 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2021-12-02","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"114784084","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
KECERIAAN ANAK-ANAK DALAM BERMAINSEBAGAI SUMBER IDE PENCIPTAAN KARYA SENI LUKIS 孩子们对玩耍的热爱是绘画艺术创作思想的源泉
TEXTURE : Art and Culture Journal Pub Date : 2021-12-02 DOI: 10.33153/texture.v4i2.4201
Kim Myung Hee Myung Hee, Amir Gozali
{"title":"KECERIAAN ANAK-ANAK DALAM BERMAINSEBAGAI SUMBER IDE PENCIPTAAN KARYA SENI LUKIS","authors":"Kim Myung Hee Myung Hee, Amir Gozali","doi":"10.33153/texture.v4i2.4201","DOIUrl":"https://doi.org/10.33153/texture.v4i2.4201","url":null,"abstract":"The creation of the painting in this final project was inspired by the life of the artist's family who believed that the joy of children was important in giving a positive impact on their lives. Happiness is the right of every human being, including children, regardless of their family background and the problems they are facing. The joy of children while playing is the main concern and is used as an idea in the creation of paintings. While the expression of the joy of children when playing, interacting, and socializing among them in the open is a concept that will be offered in this painting, with the hope that it can be a place to express ideas as well as be a lesson about the importance of having fun for children from an early age. The artist uses a method consisting of several stages, namely observation, incubation, documentation, and others. In its realization, several processes are carried out, namely making sketches of shapes, color blocking, working on details, finishing touches, and then packaging presentations to be presented in the form of exhibitions.","PeriodicalId":140607,"journal":{"name":"TEXTURE : Art and Culture Journal","volume":"326 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2021-12-02","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"133875594","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
DESAIN INTERIOR RUMAH TINGGAL MIKRO SEBAGAI DAMPAK ADAPTASI KEBIASAAN BARU DI MASA NEW NORMAL 微住宅设计是适应新常态的新习惯的结果
TEXTURE : Art and Culture Journal Pub Date : 2021-12-02 DOI: 10.33153/texture.v4i2.4225
Ahmad Fajar Ariyanto, I. Indarto
{"title":"DESAIN INTERIOR RUMAH TINGGAL MIKRO SEBAGAI DAMPAK ADAPTASI KEBIASAAN BARU DI MASA NEW NORMAL","authors":"Ahmad Fajar Ariyanto, I. Indarto","doi":"10.33153/texture.v4i2.4225","DOIUrl":"https://doi.org/10.33153/texture.v4i2.4225","url":null,"abstract":"This research takes the title Reprogramming Interior of Micro Houses as the Impact of Adapting New Habits in the New Normal Era. This applied research as an effort to reprogram the interior of residential houses,especially homes with limited land (micro houses) is an urgent verb to be carried out immediately to savethe smallest environment in the community against the dangers of a pandemic and the possibility of further outbreak movements.The problem formulation in applied research is 1) Why is interior reprogramming as a result of changes in human behavior in the new normal era needed to prevent the transmission of Covid 19 in the community? 2) How is interior design thinking reprogramming to find the basic concepts of residential interiors that are in accordance with the adaptation of habits in the new normal era? and 3) How is the interior design of residential houses in the new normal era? The purpose of the research is to find the concept of interior programming as a basis for planning residential interiors that are in accordance with the adaptation of new habits and COVID 19 health protocols in the New Normal era. This applied research is a qualitative research with analytical descriptive with design thinking approach. The designsolving approach uses a functional, ergonomic, technical and Covid 19 health protocol approach that is centered on the user center or users. The results of the research that will be achieved in interior design are: identification of the causes and needs for Reprogramming Interior of Micro Residential Houses as the Impact of Adapting New Habits in the New Normal era.","PeriodicalId":140607,"journal":{"name":"TEXTURE : Art and Culture Journal","volume":"23 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2021-12-02","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"131431895","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
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