TEXTURE : Art and Culture Journal最新文献

PENERAPAN GAYA EKSPOSITORI DALAM PENYUTRADARAN FILM DOKUMENTER “SABANGKA SAROPE” 在纪录片《萨邦萨罗普》中应用我的解说员风格

TEXTURE : Art and Culture Journal Pub Date : 2023-01-27 DOI: 10.33153/texture.v5i2.4720

Farid Khairil Ilman, Widhi Nugroho

引用次数: 0

MY FASHION JOURNEY DALAM KARYA SENI GRAFIS LINOCUT

TEXTURE : Art and Culture Journal Pub Date : 2023-01-27 DOI: 10.33153/texture.v5i2.4643

Reza Yogi Saputri, Nunuk Nur Shokiyah

引用次数: 0

PERANCANGAN TEKSTIL MARBLING PADA MATERIAL DENIM UNTUK PRODUK SEPATU BOOTS WANITA

TEXTURE : Art and Culture Journal Pub Date : 2022-12-31 DOI: 10.33153/texture.v5i2.4876

Vincentia Natasha Evania

{"title":"PERANCANGAN TEKSTIL MARBLING PADA MATERIAL DENIM UNTUK PRODUK SEPATU BOOTS WANITA","authors":"Vincentia Natasha Evania","doi":"10.33153/texture.v5i2.4876","DOIUrl":"https://doi.org/10.33153/texture.v5i2.4876","url":null,"abstract":"ABSTRACTThe project background of this design final project is that the marbling technique has been widely known in the 15th century. This technique was initially applied to paper and now began to be applied to textile media. The marbling technique which has quite good potential in providing a variety of decorations to textiles has attracted the attention of the author to make technical innovations in exploring and innovating marbling techniques on denim material for women's boots.The purpose of designing this project is to produce marbling products on textile media with tapak dara flower visuals that can add variety to clothing complementary products that have distinctive and different characters with consideration of the function for textile motifs on women's boots.The method used in this design project is the design method. This method consists of 3 stages, namely the design method, design concept and visualization. The results of this design resulted in 8 motif designs, all of the motif designs processed the visual of the tapak dara flower as the main motif with the concept of coloring the forecasting trend 2019-2020: Cortex which produces bright colors.","PeriodicalId":140607,"journal":{"name":"TEXTURE : Art and Culture Journal","volume":"416 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2022-12-31","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"129024074","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

引用次数: 0

KAJIAN MOTIF “GARUDAMUKHA” BATIK SUMINAR 蜡染SUMINAR主题“GARUDAMUKHA”研究

TEXTURE : Art and Culture Journal Pub Date : 2022-12-27 DOI: 10.33153/texture.v5i2.2879

Ilham Rosyadi Hidayatulloh, S. R. Handayani

{"title":"KAJIAN MOTIF “GARUDAMUKHA” BATIK SUMINAR","authors":"Ilham Rosyadi Hidayatulloh, S. R. Handayani","doi":"10.33153/texture.v5i2.2879","DOIUrl":"https://doi.org/10.33153/texture.v5i2.2879","url":null,"abstract":"Kediri is one of the cities / regencies in East Java province that still produces textile production, namely batik. The problems discussed in this study are (1) what is the background of the creation of Garudamukha Batik in Kediri batik? (2) how to design Garudamukha Batik on Kediri batik using a design approach? This research uses descriptive qualitative research methods with the design approach and design theory from Nanang Rizali. Data obtained using passive role observation, in-depth interviews, and literature study. Focusing on the background of the formation of Garudamukha Batik and the symbolic meaning it contains. The research sites are in Kediri Regency and Kediri City, Badas District, Gurah District, Pagu District, Semen District, and Mojo District. The results showed that: 1) In the history of Batik Garudamukha was formed on the initiative of the City Government of Kediri. Garudamukha is one of the history in Kediri, the mount of Lord Vishnu. King Airlangga is trusted by his people as the incarnation of Lord Vishnu who has the territory in the City of Kediri namely DAHA or Dahapura (City of Fire). 2) The function aspect acts as the identity of the City of Kediri. Aesthetic aspects in the form of decoration, color, composition. The material aspect uses primissima cotton cloth, wax and remasol dyes. The aspect of the process uses written, stamped, printing or mixed techniques.","PeriodicalId":140607,"journal":{"name":"TEXTURE : Art and Culture Journal","volume":"124 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2022-12-27","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"131597572","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

引用次数: 0

OBESITAS SEBAGAI IDE DALAM PENCIPTAAN SENI PATUNG 肥胖是创作雕塑的理念

TEXTURE : Art and Culture Journal Pub Date : 2022-12-27 DOI: 10.33153/texture.v5i2.3396

Idwan Rivai Hakim, Nooryan Bahari

引用次数: 0

PROBLEMATIKA NELAYAN SEBAGAI SUMBER IDE DALAM PENCIPTAAN KARYA SENI LUKIS 关于渔民作为绘画艺术创作灵感的来源的问题

TEXTURE : Art and Culture Journal Pub Date : 2022-12-27 DOI: 10.33153/texture.v5i2.4385

R. Maulana, Syamsiar - Syamsiar

{"title":"PROBLEMATIKA NELAYAN SEBAGAI SUMBER IDE DALAM PENCIPTAAN KARYA SENI LUKIS","authors":"R. Maulana, Syamsiar - Syamsiar","doi":"10.33153/texture.v5i2.4385","DOIUrl":"https://doi.org/10.33153/texture.v5i2.4385","url":null,"abstract":"The creation of the Final Project entitled \"The Problem of Fishermen as a Source of Ideas in the Creation of Paintings\" is motivated by personal experience in the environment around the house related to the problems faced by fishermen in Brebes Regency. The author describes the expression of concern and hope for fishermen about the importance of welfare for fishermen and understands the problems that have an impact on the fishermen's environment. The process of making this Final Project uses the Herman Von Helmholtz method, including the saturation stage, namely the collection of facts, data and sensations, then the incubation stage, namely the deposition stage and the last stage (illumination). The concept of the creation of works contains the Aesthetic Relationship of Art with Reality that the occurrence of works of art cannot be separated from the reality that arises how the role of nature provides everything according to human needs in terms of practical life according to N. G. Chernyshevky. The creation of this painting presents representations of various things related to elements related to fishermen and the social activities of fishing communities, using the metaphor of sea fish, shrimp, crabs, squid, jellyfish, sea water, waves, sky, boat, tree roots. mangroves, baskets and others. Making the final project using ballpoint media and acrylic paint on canvas with sweeping techniques, shading techniques, blocking techniques and splashing techniques. The process of visualizing the work goes through several stages, starting from the stage of making the background on the canvas, making sketches of the main object and supporting objects, coloring objects with blocking and dusel, detailing objects using a small brush, contouring using ballpoints and the final stage of coating varnish on the canvas. Paint. This Final Project presents eight works of art that outline the problems faced by fishermen.","PeriodicalId":140607,"journal":{"name":"TEXTURE : Art and Culture Journal","volume":"12 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2022-12-27","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"129806692","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

引用次数: 0

STRATEGI PENCERITAAN FILM-FILM BERPRESTASI KARYA MAHASISWA FILM UMN YANG DIPRODUKSI DI TENGAH PANDEMI COVID-19 在COVID-19大流行期间制作的UMN学生电影专业运用策略

TEXTURE : Art and Culture Journal Pub Date : 2022-12-27 DOI: 10.33153/texture.v5i2.4490

Perdana Kartawiyudha

引用次数: 0

TATA CAHAYA DALAM MEMBANGUN UNSUR DRAMATIK PADA FILM MARLINA SI PEMBUNUH DALAM EMPAT BABAK 在《致命的玛丽莲》的电影中，灯光增强了杀手玛丽莲的戏剧性元素，分四幕

TEXTURE : Art and Culture Journal Pub Date : 2022-12-27 DOI: 10.33153/texture.v5i2.4210

Naufal Muhammad, Cito Yasuki Rahmad

引用次数: 0

JUNK FOOD DALAM SUMBER IDE PENCIPTAAN SENI GRAFIS 平面艺术创造理念的垃圾食品

TEXTURE : Art and Culture Journal Pub Date : 2022-12-27 DOI: 10.33153/texture.v5i2.3392

Dimas Candra Kharismawan, Dyah Yuni Kurniawati

引用次数: 0

Penerapan Struktur Penceritaan pada Film Dua Garis Biru Berdasarkan Pendekatan Sequence 根据序列方法对双蓝线薄膜的感知结构的应用

TEXTURE : Art and Culture Journal Pub Date : 2022-08-19 DOI: 10.33153/texture.v5i1.4317

Angga Setyo Apriyono, Sri Wastiwi Setiawati

{"title":"Penerapan Struktur Penceritaan pada Film Dua Garis Biru Berdasarkan Pendekatan Sequence","authors":"Angga Setyo Apriyono, Sri Wastiwi Setiawati","doi":"10.33153/texture.v5i1.4317","DOIUrl":"https://doi.org/10.33153/texture.v5i1.4317","url":null,"abstract":"This study aims to describe the application of the story structure in the film Dua Garis Biru based on Paul Joseph Gulino’s sequence approach. The research method used is qualitative research. The results showed that the structure of the story used in the film Dua Garis Biru uses an eight-sequence story structure approach. Sequence 1 begins with the introduction of the main characters Dara and Bima with their lives, and there is a point of attack when it is confirmed that Dara is pregnant due to having sex with Bima. Sequence 2 introduces the limitations of Dara and Bima which affect the way they will run to overcome the problem by covering up Dara’s pregnancy. Sequence 3 Bima and Dara began to carry out their plan but an unexpected obstacle appeared that made Dara’s pregnancy revealed which resulted in Dara having to be expelled from school and expelled from the house. Sequence 4 shows how poorly prepared the characters are and the midpoint culmination appears. Sequence 5 shows the consequences of the midpoint culmination which makes Bima finally married to Dara, although a bigger problem arises. Sequence 6 shows the consequences of a big problem at the end of sequence 5 leading Dara to realize that they have not been able to become parents, which makes Dara and Bima do the last resort which is risky. At the beginning of sequence 7 an unexpected problem arose from Dara and Bima’s final plan, which made them aware of the importance of the role of parents in children’s growth, then led to a twist, namely Bima finally chose to take care of his own child. Sequence 8 problems were finally resolved, Bima took care of his son and Dara went to Korea.","PeriodicalId":140607,"journal":{"name":"TEXTURE : Art and Culture Journal","volume":"119 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2022-08-19","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"122943386","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

引用次数: 1