Babel – AFIAL : Aspectos de Filoloxía Inglesa e Alemá最新文献_第2页

Colorism, Passing for White, and Intertextuality in Brit Bennett's The Vanishing Half: Rewriting African American Women's Literary Tradition 布里特·班尼特《消失的一半:改写非裔美国女性文学传统》中的肤色主义、假借白人身份与互文性

Babel – AFIAL : Aspectos de Filoloxía Inglesa e Alemá Pub Date : 2022-12-16 DOI: 10.35869/afial.v0i31.4298

Mónica García Morgado

{"title":"Colorism, Passing for White, and Intertextuality in Brit Bennett's The Vanishing Half: Rewriting African American Women's Literary Tradition","authors":"Mónica García Morgado","doi":"10.35869/afial.v0i31.4298","DOIUrl":"https://doi.org/10.35869/afial.v0i31.4298","url":null,"abstract":"This article draws on various theories and studies about the color line, colorism, and racial passing in African American culture, history, and literature to examine the themes of colorism and passing for white in Brit Bennett’s 2020 novel The Vanishing Half. This article juxtaposes Bennett’s novel alongside earlier works written by twentieth-century African American women writers, underscoring Bennett’s intertextual influences, which include Nella Larsen’s Passing (1929), Zora Neale Hurston’s Their Eyes Were Watching God (1937), and Toni Morrison’s The Bluest Eye (1970), Sula (1973), and God Help the Child (2015). As Bennett revises and incorporates earlier novels into her own, she redeems tragic female characters such as Pecola Breedlove and Clare Kendry, highlights the persistence and damage of colorism, updates the passing narrative, and defies stereotypes about Black women. It concludes that in The Vanishing Half, Bennett proposes a fresh path for twenty-first-century African American fiction through the themes of colorism and passing for white in her rewriting of African American women’s literary tradition.","PeriodicalId":137533,"journal":{"name":"Babel – AFIAL : Aspectos de Filoloxía Inglesa e Alemá","volume":"114 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2022-12-16","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"127971743","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

引用次数: 0

When Irishness and Jewishness Meet: Maria Edgeworth’s ‘The Limerick Gloves’ (1804) and Harrington (1817) as Fictions of Cultural Identity 当爱尔兰性和犹太人性相遇:玛丽亚·埃奇沃斯的《利默里克手套》(1804)和哈林顿(1817)作为文化认同的小说

Babel – AFIAL : Aspectos de Filoloxía Inglesa e Alemá Pub Date : 2022-12-16 DOI: 10.35869/afial.v0i31.4297

Carmen María Fernández Rodríguez

{"title":"When Irishness and Jewishness Meet: Maria Edgeworth’s ‘The Limerick Gloves’ (1804) and Harrington (1817) as Fictions of Cultural Identity","authors":"Carmen María Fernández Rodríguez","doi":"10.35869/afial.v0i31.4297","DOIUrl":"https://doi.org/10.35869/afial.v0i31.4297","url":null,"abstract":"Maria Edgeworth (1767-1849) has recently attracted the interest of postcolonial studies for her portrayal of cultural stereotypes at the turn of the nineteenth century. In this paper I insist on the close connection between Edgeworth’s “The Limerick Gloves” (Popular Tales 1804) and Harrington (1817). By drawing on a close reading of the stories and previous research on Edgeworth’s oeuvre, I argue that in Harrington Jews share with the Irish a common landless condition and both are seen as a cultural menace. Cultural identity is here taken as the set of values that relate the individual to the world and reflects historical experiences and shared codes while Jewishness and Irishness refer to perceiving people as Jew or Irish with all the connotations that go with them. I maintain that the approach to woman in both narratives has to be associated with Irishness since both women and the Irish are discriminated in terms of prejudice and ethnic othering in relation to what was being presented as normative English society. “The Limerick Gloves” is paramount to understand Edgeworth’s attack against fanaticism in Harrington because the latter involves evolution in technique that makes her narrative so enticing even for readers nowadays.","PeriodicalId":137533,"journal":{"name":"Babel – AFIAL : Aspectos de Filoloxía Inglesa e Alemá","volume":"1 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2022-12-16","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"114603837","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

引用次数: 0

Literature as Travel Guide: Amenity Writing on Mallora as a Twenty-First-Century Consumer Product 文学作为旅游指南:马洛拉作为21世纪消费品的礼节性写作

Babel – AFIAL : Aspectos de Filoloxía Inglesa e Alemá Pub Date : 2022-12-16 DOI: 10.35869/afial.v0i31.4295

Patricia Bastida-Rodríguez, Gloria Bosch-Roig

引用次数: 0

Moya-Guijarro, A. Jesús and Eija Ventola, editors. A Multimodal Approach to Challenging Gender Stereotypes in Children’s Picture Books. Routledge, 2021. 306 pages moya - gujarro, A. Jesús和Eija Ventola，编辑。挑战儿童绘本性别刻板印象的多模式方法。劳特利奇,2021年。306页

Babel – AFIAL : Aspectos de Filoloxía Inglesa e Alemá Pub Date : 2022-12-16 DOI: 10.35869/afial.v0i31.4305

Amanda Ellen Gerke

引用次数: 0

Construyendo el País de las Maravillas. El proceso de creación de mundos en la obra de Lewis Carroll 建造仙境。刘易斯·卡罗尔作品中创造世界的过程

Babel – AFIAL : Aspectos de Filoloxía Inglesa e Alemá Pub Date : 2022-12-16 DOI: 10.35869/afial.v0i31.4303

Andrea Valeiras Fernández

引用次数: 0

The Unlikely Heroine beyond Family Trauma: Four Women’s Fictions of the Second World War in Greece 超越家庭创伤的不可能的女英雄:二战时期希腊的四位女性小说

Babel – AFIAL : Aspectos de Filoloxía Inglesa e Alemá Pub Date : 2022-12-16 DOI: 10.35869/afial.v0i31.4299

Eva M. Pérez Rodríguez

{"title":"The Unlikely Heroine beyond Family Trauma: Four Women’s Fictions of the Second World War in Greece","authors":"Eva M. Pérez Rodríguez","doi":"10.35869/afial.v0i31.4299","DOIUrl":"https://doi.org/10.35869/afial.v0i31.4299","url":null,"abstract":"My analysis of Victoria Hislop’s The Island (2005), Leah Fleming’s The Girl under the Olive Tree (2013), Sofka Zinovieff’s The House on Paradise Street (2012), and Brenda Reid’s The House of Dust and Dreams (2010) examines their treatment of the exotic setting of Greece in the specific historical context of World War II, while following the conventions of popular romance or popular women’s fiction. As a consequence of the conflict, the traditional family structure is compromised. This is particularly evident in the case of the female protagonists, heroines who refuse to fall within the traditional happyever-after ending and opt for a fulfilling career, a longfelt vocation, singlehood or simply unusual friendships of their choice. As a result, even in novels categorized as “romances”, the presence of a hero or lover is questioned and redefined. My analysis starts with Victoria Hislop’s The Island, a historical narrative of the leper colony at Spinalonga, around the time of the Second World War. For comparative purposes regarding the treatment of popular fiction elements, Brenda Reid’s The House of Dust and Dreams and Leah Fleming’s The Girl under the Olive Tree are discussed as being more generically romantic. Finally, Sofka Zinovieff’s The House on Paradise Street offers an example of a cohesive, compact combination of political confrontation and popular romance, while at the same time England appears as the counterpoint to the exoticism of Greece.","PeriodicalId":137533,"journal":{"name":"Babel – AFIAL : Aspectos de Filoloxía Inglesa e Alemá","volume":"27 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2022-12-16","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"127564232","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

引用次数: 0

La traducción española de las voces rurales y sureñas: Una infancia de Harry Crews 乡村和南方之声的西班牙语翻译:哈里·克鲁斯的童年

Babel – AFIAL : Aspectos de Filoloxía Inglesa e Alemá Pub Date : 2022-12-16 DOI: 10.35869/afial.v0i31.4302

Miguel Sanz Jiménez

{"title":"La traducción española de las voces rurales y sureñas: Una infancia de Harry Crews","authors":"Miguel Sanz Jiménez","doi":"10.35869/afial.v0i31.4302","DOIUrl":"https://doi.org/10.35869/afial.v0i31.4302","url":null,"abstract":"Este artículo aborda la traducción española de A Childhood: The Biography of a Place. La autobiografía de Harry Crews se publicó en 1978 y se tradujo al castellano en 2014, cuando la editorial Acuarela y A. Machado editó la versión de Javier Lucini. A Childhood se inscribe en el subgénero de la Grit Lit, pues narra las vidas de los blancos pobres en la Georgia de finales de los años treinta y la protagonizan los freaks que suelen asociarse con el Otro en la literatura estadounidense canónica. El libro da voz a la alteridad y retrata su variedad lingüística no estándar. Este trabajo observa cómo el dialecto literario de A Childhood recrea ciertos rasgos del inglés sureño estadounidense, los cuales suponen un reto traductológico. Se describen los contextos fuente y meta y se examinan la recepción de la obra y los paratextos que la acompañan. Se analizan las estrategias de Lucini para verter al castellano el dialecto literario de A Childhood y se muestra cómo recrea las voces sureñas al introducir marcas no estándar y una serie de notas, las cuales enfatizan la narrativa de Nosotros contra la Alteridad en el texto meta.","PeriodicalId":137533,"journal":{"name":"Babel – AFIAL : Aspectos de Filoloxía Inglesa e Alemá","volume":"11 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2022-12-16","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"125575436","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

引用次数: 0

The Blithedale Romance. A Woman's Story Blithedale Romance。一个女人的故事

Babel – AFIAL : Aspectos de Filoloxía Inglesa e Alemá Pub Date : 2022-12-16 DOI: 10.35869/afial.v0i31.4296

Raquel Blave Gómez

引用次数: 0

Carregal, José. Queer Whispers: Gay and Lesbian Voices of Irish Fiction. University College Dublin Press, 2021. 218 pages. Carregal,何塞。《同性恋低语:爱尔兰小说中的同性恋之声》都柏林大学出版社，2021年。218页。

Babel – AFIAL : Aspectos de Filoloxía Inglesa e Alemá Pub Date : 2022-12-16 DOI: 10.35869/afial.v0i31.4304

Muriel Domínguez Viso

引用次数: 0

Babel – AFIAL : Aspectos de Filoloxía Inglesa e Alemá Pub Date : 2022-12-16 DOI: 10.35869/afial.v0i31.4300

Nora Rodríguez Loro

{"title":"The Popularity of Montemayor's Diana, from Spain to England: Bartholomew Yong's Literary and Political Leverage","authors":"Nora Rodríguez Loro","doi":"10.35869/afial.v0i31.4300","DOIUrl":"https://doi.org/10.35869/afial.v0i31.4300","url":null,"abstract":"Jorge de Montemayor’s Diana (c. 1559) provides an excellent example of the cultural interplay between tradition and originality in the Renaissance. Its immediate widespread popularity and subsequent influence are demonstrated by the vast number of editions and translations of Montemayor’s masterpiece, as well as the sequels by Alonso Pérez and Gaspar Gil Polo. By 1600, forty-three reprints had been published, in addition to eight editions in French and the English translation by Bartholomew Yong. Although written in the early 1580s, when Sir Philip Sidney penned the Arcadia, Yong’s version remained unpublished until 1598. The lavish folio, which also included the two sequels, was dedicated to Lady Penelope Rich, a most influential noblewoman and eminent patroness, also known for being the model of Sidney’s “Stella.” That very same year a new folio edition of the Arcadia was published together with Astrophil and Stella. Yong’s dedication to Lady Rich aimed at enhancing his translation by capitalising on the popular acclaim of Sidney’s works, as well as Lady Rich’s connection with the venerated poet. In addition, by choosing this dedicatee, Yong attempted to capture the attention of her brother, Robert Devereux, Queen Elizabeth’s favourite.","PeriodicalId":137533,"journal":{"name":"Babel – AFIAL : Aspectos de Filoloxía Inglesa e Alemá","volume":"52 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2022-12-16","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"130292784","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

引用次数: 0