Crossings: Journal of Migration and Culture最新文献_第9页

The locations of memory: Migration and transnational cultural memory as challenges for art history 记忆的位置:移民和跨国文化记忆对艺术史的挑战

Crossings: Journal of Migration and Culture Pub Date : 2013-10-01 DOI: 10.1386/CJMC.4.2.121_1

Anne Ring Petersen

引用次数: 2

Reflections from the world of policy-related research; Think tanks and cultural diversity – between theory and practice 政策研究领域的思考智库与文化多样性——理论与实践之间

Crossings: Journal of Migration and Culture Pub Date : 2013-10-01 DOI: 10.1386/CJMC.4.2.187_7

Yolanda Onghena

引用次数: 2

Home and back again: Texts and contexts in Turkish immigrant theatre in France 回家再回来:法国土耳其移民戏剧的文本和语境

Crossings: Journal of Migration and Culture Pub Date : 2013-10-01 DOI: 10.1386/CJMC.4.2.175_1

Annedith Schneider

{"title":"Home and back again: Texts and contexts in Turkish immigrant theatre in France","authors":"Annedith Schneider","doi":"10.1386/CJMC.4.2.175_1","DOIUrl":"https://doi.org/10.1386/CJMC.4.2.175_1","url":null,"abstract":"This article argues that the public space of theatre in an immigrant language can contribute to making immigrants and their offspring feel at home in the host country. In France, however, there is little public support for theatre in immigrant languages, since it is perceived as segregating immigrants from French cultural spaces and encouraging communautarisme, or the fragmentation of society along ethnic or religious lines, thus violating the spirit of equality inscribed in the constitution. Through interviews with the Turkish-French theatre group Kebab Show and analysis of their plays, this article argues that what anti-communautaristes see as theatre intended to segregate immigrant communities may instead contribute to making them at home in France. For older members of the community, native-language theatre provides a bridge between the country of origin and France. For their children and grandchildren born in France, this native-language theatre publicly acknowledges a part of themselves that is usually relegated to private home spaces. Filled with word play and humorous situations that require knowledge of both Turkish and French cultures, such theatre suggests the important role that native and bilingual theatre can play in the process of helping all the generations of an immigrant community feel at home.","PeriodicalId":135037,"journal":{"name":"Crossings: Journal of Migration and Culture","volume":"4 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2013-10-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"131202259","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

引用次数: 1

Migration of metaphors: Making sense of music in the lives of the urban poor in Dhaka city 隐喻的迁移:理解达卡城市贫民生活中的音乐

Crossings: Journal of Migration and Culture Pub Date : 2013-10-01 DOI: 10.1386/CJMC.4.2.139_1

D. Mohammad

引用次数: 1

Searching for a lost place: European returns in Jewish Australian Second Generation memoirs 寻找失落的地方:犹太裔澳大利亚人第二代回忆录中的欧洲回归

Crossings: Journal of Migration and Culture Pub Date : 2013-04-01 DOI: 10.1386/CJMC.4.1.31_1

N. Fischer

引用次数: 0

Memory, Migration and Guilt 记忆、迁移和内疚

Crossings: Journal of Migration and Culture Pub Date : 2013-04-01 DOI: 10.1386/CJMC.4.1.51_1

Aleida Assmann, A. Schwarz

引用次数: 23

Introduction: 'Entangled Pasts' 导言:“纠缠的过去”

Crossings: Journal of Migration and Culture Pub Date : 2013-04-01 DOI: 10.1386/CJMC.4.1.3_2

N. Fischer, Jacqueline Lo, K. Mitchell

引用次数: 1

Returning memory to earth: Towards Asian-Aboriginal reconciliation 记忆回归大地:迈向亚洲与原住民的和解

Crossings: Journal of Migration and Culture Pub Date : 2013-04-01 DOI: 10.1386/CJMC.4.1.67_1

Jacqueline Lo, M. Kanamori

引用次数: 3

Between exile and home - letters from Shanghai, 1939-1947 从流亡到家信——1939-1947年的上海

Crossings: Journal of Migration and Culture Pub Date : 2013-04-01 DOI: 10.1386/CJMC.4.1.13_1

S. Andrews

引用次数: 0

Migrant identities in film: Sin Nombre and migration films from Mexico and Central America to the United States’ 电影中的移民身份:《罪恶之名》与从墨西哥和中美洲到美国的移民电影

Crossings: Journal of Migration and Culture Pub Date : 2012-11-07 DOI: 10.1386/CJMC.3.2.227_1

D. Shaw

{"title":"Migrant identities in film: Sin Nombre and migration films from Mexico and Central America to the United States’","authors":"D. Shaw","doi":"10.1386/CJMC.3.2.227_1","DOIUrl":"https://doi.org/10.1386/CJMC.3.2.227_1","url":null,"abstract":"This article analyses filmic representations of migration from Mexico and Central America to the United States, with a focus on Sin nombre (Fukunaga, 2009). Reference will also be made to other films including, The Gatekeeper (Juan Carlos Frey, 2002), La tragedia de Macario (Veliz, 2005), La misma luna/Under the Same Moon (Patricia Riggen, 2007) and 7 soles (Ultreras, 2008). The article argues that these texts form a new sub-genre of migration films, and have secured their placein the market thanks to film festivals such as Sundance and the Latino festival at San Diego, a growing Latino population in the United States, and their relevance to contemporary political debate within Central America, Mexico and the UnitedStates. There is very little published in this area, despite growing interest, so the aimof the research was to write an analytical survey piece. One of the main concerns of the article is to consider what happens to the migrant experience when represented in feature films and to analyse how the different (trans)national production contexts affect these representations: what happens to social and political concerns in the search for commercial gain, and how is migrant experience made to conform to the demands of the United States film market? The article argues that there is a personal rather than overtly political focus in all films, and film-makers prefer to concentrate on immoral individuals and the emotional weight of their subjects, rather than consider the effect of national and transnational policies on migrants. In the specific case of Sin Nombre the article explores the ways that the migrant film can be made accessible to global audiences, and asks what is lost through this process.","PeriodicalId":135037,"journal":{"name":"Crossings: Journal of Migration and Culture","volume":"43 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2012-11-07","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"114782008","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

引用次数: 9