{"title":"The Frame and the Perforations","authors":"Mairead Small Staid","doi":"10.1353/sew.2023.a909282","DOIUrl":"https://doi.org/10.1353/sew.2023.a909282","url":null,"abstract":"The Frame and the Perforations Mairead Small Staid (bio) How things seem to seem is not enough. We must somehow discover how things really seem! —Bertrand Russell Well, in the first place, what things? ________ At the Minneapolis Institute of Art, I stand before Georgia O'Keeffe's Pedernal—From the Ranch #1. \"Look up pedernal,\" I write, imagining the unknown word an adjective, though it turns out to be a noun, a name. Pedernal Peak is the New Mexican mesa centered in the painting, brushed in the same soft blue as the sky above. O'Keeffe frames the mountain within what I realize, later, is the near-circular opening of an animal's pelvic bone, the skeletal element pressed into the foreground and Pedernal in the distance. Though I know this is what O'Keeffe is famous for—bones, and [End Page 714] flowers, and the flesh viewers imagine those bones and flowers to represent—it isn't simply bone I think of, looking too long in a quiet gallery of the MIA. The gap through which the mountain rises glows red instead of white, and I write a cave or rounded window, but it strikes me as an eye socket. The shape of it, the color: I feel I could reach out, removing half the painting like a mask. This itch swells and settles. I stand before the painting as if inside O'Keeffe's eye, her pupil. English isn't the only language in which the word for this central aperture also refers to a person; according to my dictionary, the latter definition—a student, a child—gave rise to the former due to \"the miniature reflection of oneself seen by looking closely at another's eye.\" The eye a tiny mirror. Our gazes, catching on each other, form a funhouse hall. I imagine O'Keeffe's brushstrokes as a socket I can stand behind and find, in her painting, an attempt to render subjectivity whole, from the inside out. Everything we see is framed, if we admit the full periphery. Pedernal shows both the mountain seen and the way she sees it: through an opening, full of light. Of course, my own eyes catch on the walls—the bone, the socket—and the mountain recedes; obsessed with how things seem, I neglect the things themselves. Perhaps O'Keeffe's genius was she didn't. \"It is my private mountain,\" the artist said of the place. \"God told me if I painted it enough, I could have it.\" Which is a great line, any way you cut it. What have I loved as singularly, as diurnally? My obsessions are not so neat, able to be pinpointed on a map. If I write enough about time or perception or this blinkered, fragile body, will I get to have it, any of it? Will I get to keep it? [End Page 715] ________ I watch Arrival. I watch Melancholia. I watch Palm Springs and Mank and The Forty-Year-Old Version. I watch movies new and not-so-new and occasionally old, those mostly comedies: The Philadelphia Story, Bringing Up Baby, Kate Hepburn's accent rattling in my head for a few weeks. Hello, Geooorge. I haven't been to a movie theater in more than a year (the pandemic), and perhaps this explains my amateur's dete","PeriodicalId":134476,"journal":{"name":"The Sewanee Review","volume":"20 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2023-09-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"135688580","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Three Poems","authors":"Noel Yu-Jen","doi":"10.1353/sew.2023.a903505","DOIUrl":"https://doi.org/10.1353/sew.2023.a903505","url":null,"abstract":"Three Poems Noel Yu-Jen (bio) A Midwife is Forbidden from Entering the Temple Kaohsiung, 1945 after Paul Tran If there is too much blood on my hands just say it. If you hate my touching what cannot be touchedcould only permit me to touch not you not even warcould open the thighs I have opened the wet edensI have unearthed then sewed up back in my houseI catch beasts I marry oil with water I clean my gardengather mouthfuls of babies to wash in the river of the disappeared& unanointed where your ladies tell me stay back I stayin. I shed my divine cud in bathwaterspill no political secrets [End Page 469] & so you say I cannot enter this houseof good men of saintly beggars who keep eating my goods my sweetbreads. I play their blood like dough. I shape out punishment.Don't they know I pulled them out of death first let theminto my house? I am their god. I make them bread. I spread their sin like sesameacross my stripped bed. [End Page 470] Mai Begins in the City Ciudad for Soledad. I was naked on the sidewalk I called itdecolonized couture. The trees graffitied it. The wrongfully accusedbirds were gossiping in the precinct. I tried explaining this but the dogswere only interested in my accent, took turns guessingwho I came from and why. I was too young I was just bornI was speaking five languages and all of them I stole from the future.Everyone and everything was nameless even the rabbitwho came to interview me and prod at my undocumented dictionshe was a real talker. Capable of prayer and other adult ceremonies like being unleashedbut never touching me if I didn't ask for it first; animal behavior. She did askfor my story but only the parts that never happened to me said pleaseI need to keep this short and sweet for the press and I couldn't speakher language kept calling her the same thing my ancient selfwould have called her: tùzĭ, and the birds mocked me saying tú tú tú? What do youpossess? I had no one I had nothing but a mouth like an acorn—dangerouswhen uncooked spilling curse words and the endings of books into the streetno consent no personal articles no feminine or masculine no heritagethe rabbit listened acutely. Took notes only when I looked at her earsthose soft folded lips. Described me as Ajena. Adjacent to hermanamemorial for all who named me whatever was easiest to understand. I spoke it allI spoke only one language I was just born in this soledad for ciudaddanía eldaño I carried out of the station I was saying it again running from the dogsrunning from their names my mouth runningin circles all endings translated to the same sign upon exit. [End Page 471] In this painting all bodies speak english which is a disgusting language I know.Here a foresttranslates to a clearinggiving way to a lake.Here a naked girlpulls herself out of the water& I call her all sorts of sweet thingsI did not invent: incandescentoriental fox / eyedgoddess otherglutinous delicacies.All the herd of boys come runningwith dictionaries to fill this lakewith filth. ","PeriodicalId":134476,"journal":{"name":"The Sewanee Review","volume":"23 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2023-06-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"135046361","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Patriots, expatriates, and scoundrels","authors":"John P. McCormick","doi":"10.4324/9781351326803-11","DOIUrl":"https://doi.org/10.4324/9781351326803-11","url":null,"abstract":"THEY are down to the last sixteen in the tennis tourna ment at Wimbledon; and the British, who have not turned out champions of late, now believe they have a man worthy of their loyalty. That he is a Canadian with a Slavic surname who claims to be British through his mother cannot deter his fans. Desperate for success, they do not just wave the Union Jack, they wear it on their heads and paint it on their faces: they are patriots we are given to believe. Their man is playing an American, California-born, of Greek de scent, who beats the newly coined Briton in three straight sets. As an American expatriate in England watching the pro ceedings, I hate the displays in the stands and in the press of what the reporters call \"patriotism.\" Yet, when the American wins, I feel a deep satisfaction, almost a gloat, which I sup press as unworthy. At a slightly more subtle level than international sport, the idea of patriotism comes into conflict with cosmopolitanism as the English, French, Germans, and Scandinavians confront the difficulties of retaining their national identity if subject to a European parliament, a European court of justice, and a common currency administered by a central bank in Frank furt. Political parties, entire nations indeed, are riven as mystical visions of sovereignty are challenged by stubborn economic realities. Meanwhile the United States Congress resolves that no one may desecrate the American flag. Such patriotism, just about the only kind left now, is suspect to a great many people of more or less open mind, a cheap slogan to urge us to fight wars or to get our votes. Yet one's skepti cism is also uneasy. We remain aware, however dimly, of innocent, decent, obscurely pastoral associations with the","PeriodicalId":134476,"journal":{"name":"The Sewanee Review","volume":"70 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"1900-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"129750583","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Shakespeare in London","authors":"George Core, S. Core","doi":"10.5860/choice.192613","DOIUrl":"https://doi.org/10.5860/choice.192613","url":null,"abstract":"","PeriodicalId":134476,"journal":{"name":"The Sewanee Review","volume":"330 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"1900-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"115001677","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Lorca in our time","authors":"John P. McCormick","doi":"10.4324/9781315082288-13","DOIUrl":"https://doi.org/10.4324/9781315082288-13","url":null,"abstract":"commitment to creative writing and the unlovable MFA degree, which nobody, including those who man and woman them, can defend. (For anyone who wants the real skinny on creative writing, I recommend D. G. Myers's wonderful and lucid The Elephants Teach: Creative Writing Since 1880. ) The real \"enemy\" is time and our loss of the his torical will to remember accurately and energetically all those things that conservatism claims to be committed to preserving.","PeriodicalId":134476,"journal":{"name":"The Sewanee Review","volume":"71 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"1900-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"127580050","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Light and color","authors":"Catherine Savage Brosman","doi":"10.4324/9780080507880-22","DOIUrl":"https://doi.org/10.4324/9780080507880-22","url":null,"abstract":"","PeriodicalId":134476,"journal":{"name":"The Sewanee Review","volume":"71 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"1900-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"127397047","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}