Journal of Cultural Management and Cultural Policy / Zeitschrift für Kulturmanagement und Kulturpolitik最新文献_第5页

Helena Reckitt and Dorothee Richter (Eds.): Instituting Feminism. On Curating Journal Issue, 52, November 2021 海伦娜·雷基特和多萝西·里希特(编):建立女权主义。《策展期刊》第52期，2021年11月

Journal of Cultural Management and Cultural Policy / Zeitschrift für Kulturmanagement und Kulturpolitik Pub Date : 2022-12-01 DOI: 10.14361/zkmm-2022-080212

Jenny Fadranski

引用次数: 0

Von der Institutionskritik zur Moral Economy. Hans Haacke, Dana Schutz und eine queer-feministische Buchhandlung 对道德经济所的指责汉斯哈克，戴娜

Journal of Cultural Management and Cultural Policy / Zeitschrift für Kulturmanagement und Kulturpolitik Pub Date : 2022-12-01 DOI: 10.14361/zkmm-2022-0206

K. V. D. Berg, M. Rosenkranz

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The Devaluation of the artist 艺术家的贬值

Journal of Cultural Management and Cultural Policy / Zeitschrift für Kulturmanagement und Kulturpolitik Pub Date : 2022-12-01 DOI: 10.14361/zkmm-2022-0203

A. FitzGibbon

{"title":"The Devaluation of the artist","authors":"A. FitzGibbon","doi":"10.14361/zkmm-2022-0203","DOIUrl":"https://doi.org/10.14361/zkmm-2022-0203","url":null,"abstract":"Abstract Much has been written about artists’ precarity and dependency on institutions. Precarity is a de-economisation of freelance artists and ‘asymmetry’ on which cultural economy and arts policy relies. Speculation early in 2020 was that Covid-19 drew attention to the unethicality of these relationships but what has changed? Here, pre-pandemic and rapid response research on UK freelance theatre artists are brought together to suggest that the #CultureReset has been little more than a resetting of the stage with all props and players returning to previous positions. Pre-pandemic, the separation of artists from the language, policymaking, business and decision-making of professional subsidised theatre represented an unethical rationality. Covid-19 interrupted and transformed all cultural activity with a disproportionate impact on freelance artists, particularly in performing arts. Yet during 2020 and 2021, previous value systems (the rationality of the field) were maintained. Early hopes for improved conditions diminish as institutions and governments restore previous behaviours, counter to the ‘new normal’ advocated. A global crisis could not change the ‘value problem’ of artists in the arts. Moreover, pity procured for artists during the pandemic has further infantilised and devalued them. These findings call for greater scrutiny of the ethics of arts management and policy and new more collaborative approaches to solving the value problem.","PeriodicalId":133836,"journal":{"name":"Journal of Cultural Management and Cultural Policy / Zeitschrift für Kulturmanagement und Kulturpolitik","volume":"57 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2022-12-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"117264198","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

引用次数: 0

Saehrendt, Christian: Kunst im Kreuzfeuer. documenta, Weimarer Republik, Pariser Salons: Moderne Kunst im Visier von Extremisten und Populisten. Stuttgart (Franz Steiner) 2020 圣特伦特，克里斯蒂安:罗马、魏玛共和国、巴黎礼堂:支持极端主义和民粹主义者的现代艺术。斯图加特(弗兰茨·斯坦纳)2020

Journal of Cultural Management and Cultural Policy / Zeitschrift für Kulturmanagement und Kulturpolitik Pub Date : 2022-12-01 DOI: 10.14361/zkmm-2022-080213

S. Höhne

引用次数: 0

Contents / Inhalt 2022/2 目录/ 2022/2

Journal of Cultural Management and Cultural Policy / Zeitschrift für Kulturmanagement und Kulturpolitik Pub Date : 2022-12-01 DOI: 10.14361/zkmm-2022-toc

Constance Devereaux, S. Höhne, Martin Tröndle, Simone Wesner, Jane Woddis

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Lessons in Survival: The De-funding of Restless Dance Theatre 生存的教训:不安分的舞蹈剧院的撤资

Journal of Cultural Management and Cultural Policy / Zeitschrift für Kulturmanagement und Kulturpolitik Pub Date : 2022-12-01 DOI: 10.14361/zkmm-2022-080208

Maggie Tonkin

{"title":"Lessons in Survival: The De-funding of Restless Dance Theatre","authors":"Maggie Tonkin","doi":"10.14361/zkmm-2022-080208","DOIUrl":"https://doi.org/10.14361/zkmm-2022-080208","url":null,"abstract":"Abstract In March 2020, Michelle Ryan, Artistic Director of Restless Dance Theatre, an Australian dance company that includes both disabled and non-disabled dancers, was awarded Australia’s highest dance honour by the Australia Council, the federal arts funding body, for her transformative leadership of the company. Almost simultaneously, the very same Australia Council removed funding support for Restless, threatening the company’s survival. This essay examines Restless’s response to the fundamental incoherence of the Australia Council’s decision and situates it within the broader context of the company’s own evolving practice in disability art, which in effect saw it attempt to create policy in the field. I outline the government policy contexts that underpin both the funding cuts and Restless’s pivot to an alternate source of funding: the ideologically driven ‘culture wars’ underpinning the Coalition government’s hostility to the arts sector, and the establishment of a National Disability Insurance Scheme that enables individual ‘clients’ to access money for arts training. Finally, the essay examines the implications of a dance company receiving funding from a disability service provider rather than from a mainstream arts funding body, questioning whether this is a further ‘ghettoization’ of disability art.","PeriodicalId":133836,"journal":{"name":"Journal of Cultural Management and Cultural Policy / Zeitschrift für Kulturmanagement und Kulturpolitik","volume":"51 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2022-12-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"125693081","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

引用次数: 0

Lessons in Survival: The De-funding of Restless Dance Theatre 生存的教训:不安分的舞蹈剧院的撤资

Journal of Cultural Management and Cultural Policy / Zeitschrift für Kulturmanagement und Kulturpolitik Pub Date : 2022-12-01 DOI: 10.14361/zkmm-2022-0207

Maggie Tonkin

{"title":"Lessons in Survival: The De-funding of Restless Dance Theatre","authors":"Maggie Tonkin","doi":"10.14361/zkmm-2022-0207","DOIUrl":"https://doi.org/10.14361/zkmm-2022-0207","url":null,"abstract":"Abstract In March 2020, Michelle Ryan, Artistic Director of Restless Dance Theatre, an Australian dance company that includes both disabled and non-disabled dancers, was awarded Australia’s highest dance honour by the Australia Council, the federal arts funding body, for her transformative leadership of the company. Almost simultaneously, the very same Australia Council removed funding support for Restless, threatening the company’s survival. This essay examines Restless’s response to the fundamental incoherence of the Australia Council’s decision and situates it within the broader context of the company’s own evolving practice in disability art, which in effect saw it attempt to create policy in the field. I outline the government policy contexts that underpin both the funding cuts and Restless’s pivot to an alternate source of funding: the ideologically driven ‘culture wars’ underpinning the Coalition government’s hostility to the arts sector, and the establishment of a National Disability Insurance Scheme that enables individual ‘clients’ to access money for arts training. Finally, the essay examines the implications of a dance company receiving funding from a disability service provider rather than from a mainstream arts funding body, questioning whether this is a further ‘ghettoization’ of disability art.","PeriodicalId":133836,"journal":{"name":"Journal of Cultural Management and Cultural Policy / Zeitschrift für Kulturmanagement und Kulturpolitik","volume":"52 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2022-12-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"124249176","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

引用次数: 0

Saehrendt, Christian: Kunst im Kreuzfeuer. documenta, Weimarer Republik, Pariser Salons: Moderne Kunst im Visier von Extremisten und Populisten. Stuttgart (Franz Steiner) 2020 圣特伦特，克里斯蒂安:罗马、魏玛共和国、巴黎礼堂:支持极端主义和民粹主义者的现代艺术。斯图加特(弗兰茨·斯坦纳)2020

Journal of Cultural Management and Cultural Policy / Zeitschrift für Kulturmanagement und Kulturpolitik Pub Date : 2022-12-01 DOI: 10.14361/zkmm-2022-0212

S. Höhne

引用次数: 0

Artists’ Mobility Across Borders: A Mixed Methods Approach to Understanding Dance on the Island of Ireland 艺术家的跨国界流动:一种理解爱尔兰岛舞蹈的混合方法

Journal of Cultural Management and Cultural Policy / Zeitschrift für Kulturmanagement und Kulturpolitik Pub Date : 2022-12-01 DOI: 10.14361/zkmm-2022-080206

Victoria Durrer, Aoife Mcgrath, P. Campbell

引用次数: 0

Helena Reckitt and Dorothee Richter (Eds.): Instituting Feminism. On Curating Journal Issue, 52, November 2021 海伦娜·雷基特和多萝西·里希特(编):建立女权主义。《策展期刊》第52期，2021年11月

Journal of Cultural Management and Cultural Policy / Zeitschrift für Kulturmanagement und Kulturpolitik Pub Date : 2022-12-01 DOI: 10.14361/zkmm-2022-0211

Jenny Fadranski

引用次数: 0