Proceedings of the Audio Mostly 2018 on Sound in Immersion and Emotion最新文献_第4页

Tamaglitchi Tamaglitchi

Proceedings of the Audio Mostly 2018 on Sound in Immersion and Emotion Pub Date : 2018-09-12 DOI: 10.1145/3243274.3243275

Karen M. Collins, R. Dockwray

引用次数: 4

Investigating Concurrent Speech-based Designs for Information Communication 基于并发语音的信息通信设计研究

Proceedings of the Audio Mostly 2018 on Sound in Immersion and Emotion Pub Date : 2018-09-12 DOI: 10.1145/3243274.3243284

M. A. U. Fazal, Sam Ferguson, Andrew Johnston

引用次数: 2

The Perceived Emotion of Isolated Synthetic Audio: The EmoSynth Dataset and Results 孤立合成音频的感知情感:EmoSynth数据集和结果

Proceedings of the Audio Mostly 2018 on Sound in Immersion and Emotion Pub Date : 2018-09-12 DOI: 10.1145/3243274.3243277

Alice Baird, Emilia Parada-Cabaleiro, C. Fraser, Simone Hantke, Björn Schuller

引用次数: 7

Investigating metaphors of musical involvement: Immersion, flow, interaction and incorporation 研究音乐参与的隐喻:沉浸、流动、互动和结合

Proceedings of the Audio Mostly 2018 on Sound in Immersion and Emotion Pub Date : 2018-09-12 DOI: 10.1145/3243274.3243293

Oskari Koskela, Kai Tuuri

{"title":"Investigating metaphors of musical involvement: Immersion, flow, interaction and incorporation","authors":"Oskari Koskela, Kai Tuuri","doi":"10.1145/3243274.3243293","DOIUrl":"https://doi.org/10.1145/3243274.3243293","url":null,"abstract":"The concept of immersion, despite being relatively unknown within music research, presents a potentially productive way for understanding the well acknowledged phenomenon of \"being drawn into music\". This paper 1) discusses immersion as a metaphor for conceptualizing musical involvement by drawing on the research into video games and virtual reality and 2) aims to clarify the metaphor of immersion by utilizing the concept of image schema to analyze it in relation to alternative metaphors of flow, interaction and incorporation. The theoretical stance of the paper is based on the paradigm of enactive cognitive sciences, which stresses the bodily, constructive and interactive nature of experience. As a conclusion, the paper suggest several ways to consider the differences between the chosen metaphors based on their image schematic structures. In line with the enactive approach, it is suggested that the experience of immersion should be considered as a constructive activity of using music, thereby highlighting the view of experience as a skillful activity. All in all, the paper aims to offer one kind of approach for considering different experiences with media and to stress the role of metaphors in how we understand experiences.","PeriodicalId":129628,"journal":{"name":"Proceedings of the Audio Mostly 2018 on Sound in Immersion and Emotion","volume":"86 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2018-09-12","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"126144508","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

引用次数: 2

Jam with Jamendo: Querying a Large Music Collection by Chords from a Learner's Perspective Jam with Jamendo:从学习者的角度查询和弦的大型音乐收藏

Proceedings of the Audio Mostly 2018 on Sound in Immersion and Emotion Pub Date : 2018-09-12 DOI: 10.1145/3243274.3243291

Anna Xambó, J. Pauwels, Gerard Roma, M. Barthet, György Fazekas

{"title":"Jam with Jamendo: Querying a Large Music Collection by Chords from a Learner's Perspective","authors":"Anna Xambó, J. Pauwels, Gerard Roma, M. Barthet, György Fazekas","doi":"10.1145/3243274.3243291","DOIUrl":"https://doi.org/10.1145/3243274.3243291","url":null,"abstract":"Nowadays, a number of online music databases are available under Creative Commons licenses (e.g. Jamendo, ccMixter). Typically, it is possible to navigate and play their content through search interfaces based on metadata and file-wide tags. However, because this music is largely unknown, additional methods of discovery need to be explored. In this paper, we focus on a use case for music learners. We present a web app prototype that allows novice and expert musicians to discover songs in Jamendo's music collection by specifying a set of chords. Its purpose is to provide a more pleasurable practice experience by suggesting novel songs to play along with, instead of practising isolated chords or with the same song over and over again. To handle less chord-oriented songs and transcription errors that inevitably arise from the automatic chord estimation used to populate the database, query results are ranked according to a computational confidence measure. In order to assess the validity of the confidence ranked system, we conducted a small pilot user study to assess its usefulness. Drawing on those preliminary findings, we identify some design recommendations for future applications of music learning and music search engines focusing on the user experience when interacting with sound.","PeriodicalId":129628,"journal":{"name":"Proceedings of the Audio Mostly 2018 on Sound in Immersion and Emotion","volume":"17 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2018-09-12","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"125241351","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

引用次数: 8

Activating Archives: Combining Elements of Japanese Culture to Create a New and Playful Musical Experience 激活档案:结合日本文化的元素，创造一个新的和有趣的音乐体验

Proceedings of the Audio Mostly 2018 on Sound in Immersion and Emotion Pub Date : 2018-09-12 DOI: 10.1145/3243274.3243295

Oliver Halstead, Jack Davenport, Ruben Dejaegere

引用次数: 0

High-Level Analysis of Audio Features for Identifying Emotional Valence in Human Singing 人类歌唱中识别情感价态的音频特征的高级分析

Proceedings of the Audio Mostly 2018 on Sound in Immersion and Emotion Pub Date : 2018-09-12 DOI: 10.1145/3243274.3243313

Stuart Cunningham, Jonathan Weinel, R. Picking

引用次数: 7

Under Construction: Contemporary Opera in the Crossroads Between New Aesthetics, Techniques, and Technologies 建构中:新美学、新技术、新技术十字路口的当代歌剧

Proceedings of the Audio Mostly 2018 on Sound in Immersion and Emotion Pub Date : 2018-09-12 DOI: 10.1145/3243274.3243306

Maria Kallionpää, A. Chamberlain, Hans-Peter Gasselseder

引用次数: 4

Muscle activity response of the audience during an experimental music performance 实验音乐表演中观众的肌肉活动反应

Proceedings of the Audio Mostly 2018 on Sound in Immersion and Emotion Pub Date : 2018-09-12 DOI: 10.1145/3243274.3243278

V. E. G. Sánchez, Agata Zelechowska, A. Jensenius

引用次数: 1

The London Soundmap: Integrating sonic interaction design in the urban realm 伦敦声音地图:在城市领域整合声音交互设计

Proceedings of the Audio Mostly 2018 on Sound in Immersion and Emotion Pub Date : 2018-09-12 DOI: 10.1145/3243274.3243302

S. Adhitya, D. Scott

{"title":"The London Soundmap: Integrating sonic interaction design in the urban realm","authors":"S. Adhitya, D. Scott","doi":"10.1145/3243274.3243302","DOIUrl":"https://doi.org/10.1145/3243274.3243302","url":null,"abstract":"This paper describes the development, implementation and impact of the London Soundmap, an interactive sound installation featuring London's soundscape which was exhibited in Regent Street, central London, 2016. We use this interactive urban installation as a case study to explore the opportunities and constraints associated with integrating sonic feedback into the existing urban realm, including the various administrative, design, technical and social challenges. First, we introduce the various stakeholders involved in the conception and implementation of the Soundmap, particularly Transport for London, who utilised this intervention as a way of better understanding how sonic interaction design could improve the design of their urban infrastructure. Then, we discuss the range of disciplines required to create a more immersive, multisensorial experience - from urban design and the visual arts, to electronic engineering and sound design - and the resulting design and technical outputs. Finally, we evaluate the range of interactions and reactions of the various users from data collected from interviews and video recordings. The overall response suggests that the integration of sonic interaction design in the public urban realm has a number of benefits, including increased awareness of the urban soundscape, increased social interaction, and a greater sense of community and place.","PeriodicalId":129628,"journal":{"name":"Proceedings of the Audio Mostly 2018 on Sound in Immersion and Emotion","volume":"18 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2018-09-12","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"114625377","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

引用次数: 9